Buffalo Springfield was a prominent American-Canadian rock band formed in Los Angeles in 1966. The group’s original members included Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. They are best known for their hit songs “For What It’s Worth” and “Mr. Soul.”
The band’s sound was characterized by its blend of folk, rock, and country elements. Their lyrics often reflected the social and political issues of the time, particularly during the tumultuous 1960s.
Despite their relatively short time together as a band, Buffalo Springfield had a significant impact on the development of rock music. They disbanded in 1968 due to internal conflicts and pursued individual musical careers, with members going on to join other successful bands or pursue solo projects. However, their influence continued to be felt in the music world for decades to come.
1. For What It’s Worth
“For What It’s Worth” is perhaps Buffalo Springfield’s most iconic song. It was written by Stephen Stills and released as a single in 1966. The song became an anthem for the 1960s counterculture movement and remains a symbol of protest and social unrest.
The lyrics of “For What It’s Worth” were inspired by the Sunset Strip curfew riots in November 1966, which erupted in response to the enforcement of a new 10 p.m. curfew for youth. The protests were part of broader tensions between young people and authorities during the 1960s, fueled by issues such as civil rights, the Vietnam War, and cultural shifts.
The song’s opening guitar riff is instantly recognizable and sets the tone for its message of questioning authority and standing up for one’s beliefs. The chorus, “Stop, children, what’s that sound? Everybody look what’s going down,” captures the atmosphere of uncertainty and unrest prevalent during that time.
“For What It’s Worth” remains relevant today, resonating with people who continue to fight against injustice and advocate for change. It has been covered by numerous artists and featured in various movies, TV shows, and commercials, solidifying its place as a timeless classic in rock music history.
2. Mr. Soul
“Mr. Soul” is another notable song by Buffalo Springfield, written by Neil Young. It was released as a single in 1967 and featured on their second album, “Buffalo Springfield Again.”
The song is characterized by its distinctive guitar riff and Neil Young’s impassioned vocal delivery. Lyrically, “Mr. Soul” is interpreted as a reflection on the challenges and pressures of fame and the music industry. Young, who was still in his early twenties at the time, was already grappling with the complexities of stardom and the expectations placed upon him as a musician.
“Mr. Soul” showcases Young’s introspective songwriting style and his ability to blend rock, folk, and blues influences into a cohesive sound. The song’s introspective lyrics and energetic performance have made it a fan favorite and a staple of Buffalo Springfield’s catalog.
In addition to its initial release, “Mr. Soul” has been covered by various artists over the years, further cementing its status as a classic rock song. It remains a standout track in Buffalo Springfield’s discography and a testament to Neil Young’s songwriting prowess.
3. Bluebird
“Bluebird” is a song by Buffalo Springfield, written by Stephen Stills. It was released on their self-titled debut album in 1966. The song features intricate guitar work and harmonies characteristic of the band’s sound.
“Bluebird” is notable for its extended instrumental section, showcasing Stills’ guitar skills. The song’s lyrics evoke a sense of wanderlust and yearning for freedom, with imagery of a bluebird flying away. It’s a reflective and introspective piece, capturing the spirit of the 1960s counterculture movement.
The song has been praised for its musicianship and remains a fan favorite among Buffalo Springfield’s repertoire. “Bluebird” has also been covered by various artists over the years, attesting to its enduring appeal.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, written by Stephen Stills. It was released on their second album, “Buffalo Springfield Again,” in 1967. The song features a catchy guitar riff and harmonies characteristic of the band’s sound.
“Rock & Roll Woman” is often interpreted as a commentary on the changing social and musical landscape of the 1960s. The lyrics describe the allure and excitement of a free-spirited woman who embraces rock and roll culture. The song captures the energy and rebellious spirit of the era, with its upbeat tempo and infectious melody.
While not as well-known as some of Buffalo Springfield’s other hits, “Rock & Roll Woman” remains a favorite among fans of the band. It showcases the songwriting talents of Stephen Stills and exemplifies the band’s contribution to the evolution of rock music during the 1960s.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young. It was featured on their self-titled debut album, released in 1966. The song is notable for its melancholic melody and introspective lyrics.
The lyrics of “Nowadays Clancy Can’t Even Sing” depict the decline of a once-promising musician named Clancy. The protagonist reminisces about Clancy’s past talent and the joy he brought through his music, but laments that he has lost his touch and can no longer perform as he used to. The song’s wistful tone reflects themes of nostalgia and the passage of time.
Neil Young’s evocative songwriting, coupled with the band’s tight harmonies and instrumentation, makes “Nowadays Clancy Can’t Even Sing” a standout track on Buffalo Springfield’s debut album. While not as commercially successful as some of their other songs, it is regarded as a gem in their catalog and a testament to their musical depth and versatility.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, written by Stephen Stills. It was released on their debut album, “Buffalo Springfield,” in 1966. The song is characterized by its catchy melody and Stills’ distinctive vocals.
“Sit Down, I Think I Love You” is a straightforward love song with a folk-rock feel. The lyrics express the uncertainty and excitement of falling in love, with the singer contemplating whether to confess their feelings to the object of their affection. The song’s upbeat tempo and playful tone make it a standout track on the album.
While not as well-known as some of Buffalo Springfield’s other songs, “Sit Down, I Think I Love You” showcases the band’s ability to blend folk, rock, and pop influences into a cohesive sound. It remains a favorite among fans of the band and is regarded as a charming example of their early work.
7. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, written by Neil Young. It was featured on their second album, “Buffalo Springfield Again,” released in 1967. The song is notable for its experimental and psychedelic sound, reflecting the band’s departure from their earlier folk-rock style.
“Broken Arrow” is characterized by its unconventional structure, intricate instrumentation, and cryptic lyrics. The song features multiple sections, including a dreamy intro, a driving rock segment, and an extended instrumental passage. Neil Young’s haunting vocals and the band’s tight harmonies contribute to the song’s atmospheric quality.
Lyrically, “Broken Arrow” is open to interpretation, with its surreal imagery and abstract storytelling. The title itself has been subject to various interpretations, with some suggesting it refers to a Native American legend or a metaphor for personal transformation.
Despite its complexity, “Broken Arrow” remains a fan favorite and a highlight of Buffalo Springfield’s discography. It showcases the band’s willingness to experiment with different musical styles and push the boundaries of conventional rock music.
8. Expecting to Fly
“Expecting to Fly” is a song by Buffalo Springfield, written by Neil Young. It was not released as a single but appeared on their second album, “Buffalo Springfield Again,” which was released in 1967.
“Expecting to Fly” is characterized by its dreamy, ethereal sound, featuring lush orchestration and haunting vocals by Neil Young. The song stands out for its atmospheric quality and introspective lyrics, which evoke themes of longing, uncertainty, and the passage of time.
Neil Young’s poetic and enigmatic lyrics contribute to the song’s mysterious and evocative mood. The orchestral arrangement, which includes strings and horns, adds to the song’s richness and depth.
“Expecting to Fly” is often regarded as one of Buffalo Springfield’s most experimental and ambitious compositions. While it wasn’t a commercial success upon its release, the song has since become a cult favorite and is considered a classic of psychedelic and folk rock. Its enduring appeal lies in its haunting melody, evocative lyrics, and lush instrumentation, which continue to captivate listeners to this day.
9. Kind Woman
“Kind Woman” is a song written by Richie Furay, a founding member of Buffalo Springfield. It appeared on the band’s second album, “Buffalo Springfield Again,” released in 1967.
“Kind Woman” is a gentle, melodic ballad that stands out for its heartfelt lyrics and simple, yet beautiful arrangement. Richie Furay’s tender vocals and acoustic guitar playing are central to the song’s charm.
The lyrics of “Kind Woman” express gratitude and admiration for a compassionate and caring woman. The song’s sentiment is one of appreciation for the kindness and support offered by this person, suggesting a deep emotional connection.
While not as well-known as some of Buffalo Springfield’s other songs, “Kind Woman” remains a fan favorite and is considered a hidden gem within the band’s discography. Its intimate and sincere portrayal of human connection resonates with listeners, making it a timeless piece of folk rock music.
10. On the Way Home
“On the Way Home” is a song written by Neil Young that was originally recorded by Buffalo Springfield. It appeared on their third and final studio album, “Last Time Around,” released in 1968.
The song is characterized by its upbeat folk-rock sound, featuring prominent acoustic guitar strumming and catchy melodies. Neil Young delivers the lead vocals with his distinctive voice, while the harmonies provided by the rest of the band add depth to the arrangement.
Lyrically, “On the Way Home” explores themes of longing, reflection, and the passage of time. The narrator reflects on their journey and experiences, expressing a sense of anticipation and uncertainty about what lies ahead. The song’s title and lyrics suggest a metaphorical journey through life, with the narrator finding solace in the idea of returning home.
Despite not being released as a single, “On the Way Home” is considered one of Buffalo Springfield’s standout tracks. It showcases the band’s tight musicianship and Neil Young’s songwriting prowess, contributing to their legacy as one of the pioneering acts of folk rock and the 1960s counterculture movement.