“The Only Ones” could refer to multiple entities including a British rock band, as well as various songs by different artists. However, if you are referring to the band, here is some information about them:
The Only Ones were a British rock band formed in London in 1976. They are best known for their hit single “Another Girl, Another Planet,” released in 1978. The band’s lineup consisted of Peter Perrett (vocals, guitar), John Perry (guitar), Alan Mair (bass), and Mike Kellie (drums).
The Only Ones emerged during the punk and new wave era of the late 1970s, but their music encompassed elements of power pop, punk rock, and alternative rock. Their sound was characterized by catchy melodies, gritty guitar work, and Peter Perrett’s distinctive vocals and introspective lyrics.
“Another Girl, Another Planet” remains The Only Ones’ most famous song and is often regarded as a classic of the era. It has been covered by numerous artists and has appeared in various films, TV shows, and commercials over the years. Despite the band’s relatively short-lived career, they left a lasting impact on the alternative rock scene and have influenced subsequent generations of musicians.
The Only Ones disbanded in 1982, but they have reunited for occasional performances and recordings since the 2000s. Their music continues to be celebrated by fans of alternative and indie rock, and their influence can be heard in the work of bands across various genres.
1. Miles from Nowhere
“Miles from Nowhere” is a song by Cat Stevens (now known as Yusuf Islam), released on his album “Tea for the Tillerman” in 1970. It’s one of Stevens’ most well-known songs, celebrated for its introspective lyrics and gentle acoustic melody.
In “Miles from Nowhere,” Stevens reflects on themes of self-discovery, spiritual awakening, and the search for meaning in life. The song’s lyrics describe a journey of personal exploration, as the protagonist finds himself disconnected from society and seeks solace and enlightenment in nature and solitude.
Musically, “Miles from Nowhere” is characterized by its simple yet evocative acoustic guitar accompaniment and Stevens’ tender vocals. The song has a serene and contemplative atmosphere, inviting listeners to reflect on their own experiences and aspirations.
Throughout the song, Stevens expresses a sense of liberation and contentment in being “miles from nowhere,” suggesting that true fulfillment comes from within and can be found in the simplicity of life’s pleasures. “Miles from Nowhere” has resonated with audiences for decades, serving as a timeless reminder of the importance of introspection, connection to nature, and the pursuit of inner peace.
2. The Whole of the Law
“The Whole of the Law” is a song by the English rock band The Only Ones, released in 1978 as a single from their self-titled debut album. The song was written by the band’s frontman Peter Perrett.
“The Whole of the Law” is known for its infectious melody, energetic guitar riffs, and Peter Perrett’s distinctive vocal delivery. The lyrics explore themes of desire, passion, and the consequences of indulgence, with references to the occult and forbidden love.
Despite not achieving widespread commercial success at the time of its release, “The Whole of the Law” has since become one of The Only Ones’ most celebrated songs and a cult classic in the punk and new wave genres. Its catchy hooks, gritty energy, and provocative lyrics have made it a favorite among fans of alternative rock music.
3. Another Girl, Another Planet
“Another Girl, Another Planet” is a song by the English rock band The Only Ones, released in 1978 as a single from their self-titled debut album. The song was written by the band’s frontman Peter Perrett.
“Another Girl, Another Planet” is widely regarded as The Only Ones’ most famous and enduring song. It features a distinctive guitar riff, catchy melody, and Peter Perrett’s distinctive vocal delivery. The lyrics are often interpreted as being about infatuation and escapism, with references to drug use and the desire to transcend earthly concerns.
Despite initially receiving limited commercial success, “Another Girl, Another Planet” has since become a cult classic and a staple of alternative rock playlists. Its infectious energy, memorable hooks, and timeless appeal have made it a favorite among fans of punk and new wave music, and it continues to be celebrated as one of the greatest songs of its era.
4. City of Fun
“City of Fun” is a song by British post-punk band The Only Ones. It was released on their second studio album, “Even Serpents Shine,” in 1979. The Only Ones were known for their unique blend of punk rock, new wave, and power pop, and “City of Fun” is a prime example of their distinctive sound.
Lyrically, “City of Fun” explores themes of escapism, hedonism, and the allure of city life. The song’s protagonist finds solace and excitement in the chaos and thrill of the urban environment, seeking refuge from the mundane and ordinary. The lyrics depict a sense of rebellion and freedom, as the protagonist embraces the nightlife and indulges in the pleasures of the city.
Musically, “City of Fun” features a driving rhythm, catchy guitar hooks, and Peter Perrett’s distinctive vocals, which convey a sense of urgency and excitement. The song’s infectious energy and catchy melody make it a standout track on “Even Serpents Shine” and a favorite among fans of The Only Ones’ music.
“City of Fun” captures the spirit of the late 1970s punk and new wave scene, reflecting the band’s rebellious attitude and unconventional approach to songwriting. It remains a beloved classic in The Only Ones’ catalog and a testament to their influence on the alternative rock genre.
5. Out There in the Night
“Out There in the Night” is a song by the English rock band The Only Ones. It was released as a track on their second studio album, “Even Serpents Shine,” in 1979. The song was written by the band’s frontman, Peter Perrett.
“Out There in the Night” is characterized by its moody atmosphere, introspective lyrics, and melodic guitar work. The song explores themes of loneliness, longing, and the search for meaning in the darkness of the night. Peter Perrett’s emotive vocals add to the song’s haunting quality, drawing listeners into its evocative narrative.
While “Out There in the Night” may not be as well-known as some of The Only Ones’ other songs, it is highly regarded by fans and critics alike for its atmospheric sound and introspective lyrics. It showcases the band’s ability to craft compelling and emotionally resonant music beyond their more commercially successful hits.
6. From Here to Eternity
“From Here to Eternity” is a song by Iron Maiden from their album “Fear of the Dark,” released in 1992. The song was written by the band’s guitarist, Adrian Smith, and their lead vocalist, Bruce Dickinson.
Lyrically, “From Here to Eternity” explores themes of passion, desire, and the fleeting nature of time. The song’s lyrics describe a romantic encounter between two people who are caught up in the heat of the moment, living for the thrill of the present without concern for the consequences. The title suggests a sense of urgency and a desire to seize the moment before it slips away.
Musically, “From Here to Eternity” features Iron Maiden’s trademark blend of heavy metal and melodic rock, with driving guitar riffs, powerful vocals, and a catchy chorus. The song’s energetic pace and infectious rhythm make it a standout track on the “Fear of the Dark” album, showcasing the band’s talent for creating anthemic and memorable songs.
“From Here to Eternity” has become a fan favorite and a staple of Iron Maiden’s live performances. Its upbeat tempo and catchy melody often elicit enthusiastic responses from audiences, further cementing its status as a classic in the band’s extensive catalog.
7. Programme
“Programme” is a song by the English rock band The Only Ones, featured on their third studio album, “Baby’s Got a Gun,” released in 1980. The song was written by the band’s frontman, Peter Perrett.
“Programme” is notable for its driving rhythm, catchy melody, and Peter Perrett’s distinctive vocal delivery. The lyrics reflect themes of disillusionment with societal norms and the desire for authenticity and freedom. The song’s title refers to the idea of being programmed or controlled by external forces, and the lyrics express a desire to break free from these constraints.
While “Programme” may not be as well-known as some of The Only Ones’ earlier songs, it is appreciated by fans for its energetic sound and thought-provoking lyrics. It showcases the band’s continued evolution and willingness to experiment with different musical styles and themes.
8. Why Don’t You Kill Yourself
“Why Don’t You Kill Yourself” is a song by the punk rock band Crass, released on their album “Penis Envy” in 1981. Crass was known for their confrontational and politically charged lyrics, and “Why Don’t You Kill Yourself” is a scathing critique of the apathy and conformity present in society.
Lyrically, the song challenges the listener to confront the oppressive structures of society and question their own complicity in perpetuating injustice. The lyrics highlight the struggles faced by marginalized groups and call for resistance against the status quo. The title serves as a provocative statement, urging individuals to reject passivity and take action to create meaningful change.
Musically, “Why Don’t You Kill Yourself” features Crass’ signature aggressive punk sound, with pounding drums, distorted guitars, and shouted vocals. The song’s raw energy and abrasive instrumentation complement its confrontational lyrics, creating a powerful and visceral listening experience.
“Penis Envy” and “Why Don’t You Kill Yourself” are often cited as influential works in the punk rock genre, known for their uncompromising political commentary and commitment to social activism. While the song’s title may be shocking to some, it serves as a rallying cry for those seeking to challenge injustice and fight for a more equitable society.
9. Me and My Shadow
“Me and My Shadow” is a popular song that originated in the 1927 musical “The Desert Song” with music by Sigmund Romberg and lyrics by Billy Rose and Al Dubin. However, it became more widely known as a standalone song and was later recorded by various artists.
One of the most famous renditions of “Me and My Shadow” was by Frank Sinatra, Sammy Davis Jr., and Dean Martin, collectively known as the Rat Pack. Their version, recorded in the 1960s, became particularly popular and is often associated with their camaraderie and friendship.
The song describes the close bond between the singer and their shadow, presenting a whimsical and lighthearted perspective on companionship. It’s often performed with a playful and swinging rhythm, characteristic of the jazz and swing era.
“Me and My Shadow” has remained a beloved standard in the American songbook and has been covered by numerous artists over the years. Its catchy melody and charming lyrics continue to captivate audiences, making it a timeless classic.
10. Language Problem
“Language Problem” is a song by the British post-punk band The Only Ones. It was released on their self-titled debut album, “The Only Ones,” in 1978. The Only Ones were known for their unique blend of punk rock, new wave, and power pop, and “Language Problem” is a prime example of their distinctive sound.
Lyrically, “Language Problem” explores themes of miscommunication, frustration, and the challenges of expressing oneself. The song’s protagonist struggles to convey their thoughts and feelings to others, feeling alienated and misunderstood by society. The lyrics depict a sense of isolation and disconnect, as the protagonist grapples with the limitations of language and human interaction.
Musically, “Language Problem” features a driving rhythm, catchy guitar hooks, and Peter Perrett’s distinctive vocals, which convey a sense of urgency and intensity. The song’s infectious energy and melodic sensibility make it a standout track on “The Only Ones” album and a favorite among fans of the band’s music.
“Language Problem” captures the spirit of the late 1970s punk and new wave scene, reflecting The Only Ones’ rebellious attitude and unconventional approach to songwriting. It remains a beloved classic in the band’s catalog and a testament to their influence on the alternative rock genre.