Buffalo Springfield was a rock band formed in Los Angeles, California, in 1966. The group was known for blending folk, rock, and country influences into their music, and they became one of the key bands in the development of folk rock and the broader psychedelic rock movement of the 1960s.
The band’s original lineup consisted of Stephen Stills (guitar, keyboards, vocals), Neil Young (guitar, vocals), Richie Furay (guitar, vocals), Bruce Palmer (bass), and Dewey Martin (drums). Buffalo Springfield’s eclectic sound and politically charged lyrics reflected the social and cultural upheaval of the era.
Buffalo Springfield released three studio albums during their brief existence: “Buffalo Springfield” (1966), “Buffalo Springfield Again” (1967), and “Last Time Around” (1968). Despite their relatively short-lived career, Buffalo Springfield’s influence on rock music was significant, and they are remembered as one of the pioneering bands of the 1960s. Several members went on to achieve success as solo artists or as members of other prominent bands.
1. For What It’s Worth
“For What It’s Worth” is a song by Buffalo Springfield, released in 1966. It was written by Stephen Stills, the band’s guitarist and vocalist. The song is widely regarded as one of the most iconic and influential protest songs of the 1960s.
“For What It’s Worth” captures the social and political tensions of the time, particularly the protests and unrest that occurred in response to the curfew and police presence on the Sunset Strip in Los Angeles in 1966. The song’s lyrics reflect the frustration and disillusionment felt by young people who were protesting against perceived injustices and restrictions on their freedom.
The song features a memorable guitar riff and Stills’ distinctive vocals. Its simple yet powerful melody and evocative lyrics struck a chord with audiences, and “For What It’s Worth” became an anthem for the counterculture movement of the 1960s.
Despite its initial release in 1966, “For What It’s Worth” has remained relevant and resonant over the years, and it continues to be celebrated as a timeless classic. It has been covered by numerous artists and featured in films, television shows, and documentaries, solidifying its status as one of the defining songs of the era.
2. Mr. Soul
“Mr. Soul” is a song by the Canadian-American rock band Buffalo Springfield. It was written by Neil Young and was first released on the band’s second album, “Buffalo Springfield Again,” in 1967.
“Mr. Soul” is characterized by its catchy guitar riff and driving rhythm, typical of Buffalo Springfield’s folk rock sound. The song’s lyrics are introspective and somewhat cryptic, with Young reflecting on his experiences as a musician and grappling with issues of identity and authenticity.
“Mr. Soul” has since become one of Buffalo Springfield’s most iconic songs and a staple of Neil Young’s solo performances. Its energetic instrumentation and thought-provoking lyrics have earned it a lasting place in the annals of rock music history.
3. Bluebird
“Bluebird” is a song by Buffalo Springfield, the Canadian-American rock band. It was written by Stephen Stills and was released on the band’s second album, “Buffalo Springfield Again,” in 1967.
“Bluebird” is known for its intricate guitar work, featuring melodic lines and solos by Stephen Stills. The song has a folk-rock sound with elements of blues and psychedelia. Lyrically, “Bluebird” is somewhat enigmatic, with imagery evoking freedom and escape.
“Bluebird” has been praised for its musical complexity and is considered one of the standout tracks on “Buffalo Springfield Again.” It remains a favorite among fans of the band and is often cited as an example of Stephen Stills’ guitar prowess.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, released in 1967 on their album “Buffalo Springfield Again.” It was written by Stephen Stills, who also provided vocals and guitar for the track.
“Rock & Roll Woman” is characterized by its catchy melody, prominent guitar riffs, and tight harmonies between Stills, Neil Young, and Richie Furay. The song has a driving rhythm and an upbeat, rock-infused sound that reflects the band’s folk rock roots with elements of psychedelic rock.
Lyrically, “Rock & Roll Woman” is interpreted as a tribute to women in the rock music scene, celebrating their independence, charisma, and influence. It has been suggested that the song may have been inspired by the band’s experiences with women in the music industry, as well as the broader cultural shifts of the 1960s.
“Rock & Roll Woman” remains one of Buffalo Springfield’s most beloved and enduring songs, praised for its infectious energy and Stills’ songwriting prowess. It has been covered by various artists over the years and continues to be celebrated as a classic of the era.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, the Canadian-American rock band. It was written by Neil Young and was included on the band’s self-titled debut album, released in 1966.
The song is notable for its melancholic melody and introspective lyrics, which explore themes of disillusionment and alienation. The lyrics tell the story of a character named Clancy, who is portrayed as a tragic figure unable to express himself or find fulfillment in life.
“Nowadays Clancy Can’t Even Sing” showcases Neil Young’s songwriting talent and his ability to evoke emotion through his lyrics and vocal delivery. The song’s haunting melody and poignant lyrics have made it a favorite among fans of Buffalo Springfield and Neil Young alike.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, released in 1966 on their self-titled debut album. It was written by Stephen Stills, who also provided lead vocals for the track.
“Sit Down, I Think I Love You” is a folk rock song with a catchy melody and infectious rhythm. The lyrics express uncertainty and hesitation about expressing romantic feelings, as the narrator grapples with the intensity of their emotions. The song features the signature harmonies of Buffalo Springfield, blending Stills’ lead vocals with backing vocals from Neil Young and Richie Furay.
Despite not being released as a single, “Sit Down, I Think I Love You” became a fan favorite and received critical acclaim for its melodic hooks and Stills’ soulful vocals. The song exemplifies the band’s ability to blend folk, rock, and country influences into a cohesive and distinctive sound.
“Sit Down, I Think I Love You” remains a beloved track in Buffalo Springfield’s catalog and continues to be celebrated as a classic of the folk rock genre. It has been covered by various artists over the years and remains a favorite among fans of 1960s rock music.
7. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, the Canadian-American rock band. It was written by Stephen Stills and was included on the band’s second album, “Buffalo Springfield Again,” released in 1967.
“Broken Arrow” is known for its intricate arrangement and atmospheric sound. The song features a blend of folk, rock, and psychedelic elements, with lush instrumentation and haunting vocal harmonies. Lyrically, “Broken Arrow” is cryptic and poetic, with imagery that evokes themes of change, uncertainty, and introspection.
“Broken Arrow” has been praised for its musical complexity and is considered one of the standout tracks on “Buffalo Springfield Again.” It remains a favorite among fans of the band and is often cited as an example of Buffalo Springfield’s innovative approach to songwriting and arrangement.
8. Expecting to Fly
“Expecting to Fly” is a song by Buffalo Springfield, released in 1967 as a single from their second album, “Buffalo Springfield Again.” The song was written by Neil Young, who also provided lead vocals for the track.
“Expecting to Fly” is notable for its lush orchestration, dreamy atmosphere, and introspective lyrics. The song features intricate vocal harmonies, ethereal instrumentation, and a haunting melody that captures a sense of longing and melancholy.
Lyrically, “Expecting to Fly” is interpreted as a reflection on the fleeting nature of love and the inevitability of change. The narrator expresses a sense of resignation and acceptance, acknowledging that their expectations may not align with reality.
The song is considered one of Buffalo Springfield’s most ambitious and experimental tracks, showcasing Neil Young’s songwriting talent and his willingness to push the boundaries of conventional rock music. “Expecting to Fly” received critical acclaim upon its release and has since become regarded as one of the band’s signature songs.
Despite not achieving significant commercial success as a single, “Expecting to Fly” has endured as a fan favorite and remains highly regarded by music critics and fans of psychedelic and folk rock. It has been covered by various artists over the years and continues to be celebrated for its emotional depth and atmospheric beauty.
9. Kind Woman
“Kind Woman” is a song by Buffalo Springfield, written by Richie Furay. It appeared on the band’s debut, self-titled album, released in 1966.
“Kind Woman” is a gentle, melodic ballad featuring Furay’s tender vocals and acoustic guitar. The song’s lyrics express gratitude and affection towards a compassionate and caring woman, with themes of love and appreciation.
While not released as a single, “Kind Woman” has become one of Buffalo Springfield’s most beloved songs, appreciated for its heartfelt sincerity and emotional depth. The song showcases Furay’s songwriting talent and adds a softer, more intimate touch to the band’s repertoire amidst their more rock-oriented tracks.
10. On the Way Home
“On the Way Home” is a song by Buffalo Springfield, released in 1968 on their third and final studio album, “Last Time Around.” It was written by Neil Young, who also provided lead vocals for the track.
“On the Way Home” is a folk rock song with a melodic and introspective vibe. The lyrics describe a journey, both physical and metaphorical, as the narrator reflects on life, love, and the passage of time. The song features the signature harmonies of Buffalo Springfield, blending Young’s lead vocals with backing vocals from Stephen Stills and Richie Furay.
Despite not being released as a single, “On the Way Home” is regarded as one of Buffalo Springfield’s standout tracks. It showcases Neil Young’s songwriting talent and the band’s ability to blend folk, rock, and country influences into a cohesive and distinctive sound.
After Buffalo Springfield disbanded in 1968, “On the Way Home” became a staple of Neil Young’s live performances, both as a solo artist and with his subsequent bands. The song has been covered by various artists over the years and remains a favorite among fans of folk and rock music.