Edwin Starr (January 21, 1942 – April 2, 2003) was an American soul and R&B singer-songwriter known for his powerful vocals and energetic stage presence. He rose to fame in the 1960s and 1970s with hits that became anthems of the era.
One of Starr’s most famous songs is “War,” released in 1970. The song’s passionate delivery and socially conscious lyrics made it an instant classic, and it became an anthem for the anti-Vietnam War movement. “War” topped the charts and remains one of the most iconic protest songs in music history.
Starr had several other notable hits during his career, including “Twenty-Five Miles,” “Agent Double-O-Soul,” and “Stop Her on Sight (S.O.S.).” His powerful voice and dynamic performances earned him a devoted fan base and established him as one of the premier soul singers of his time.
Starr’s music has had a lasting impact and continues to be celebrated by fans of soul and R&B. He was inducted into the Rhythm and Blues Music Hall of Fame in 2013, honoring his contributions to the genre. Though he passed away in 2003, his music remains a beloved part of the soul music legacy.
1. Contact
“Contact” is a song by Edwin Starr, released in 1978. It was one of his later hits in his career, known for its upbeat disco sound and infectious groove.
In “Contact,” Starr delivers energetic vocals over a funky disco beat, encouraging listeners to get up and dance. The song features catchy hooks and a pulsating rhythm that was characteristic of disco music in the late 1970s.
While “Contact” did not achieve the same level of commercial success as some of Starr’s earlier hits like “War,” it remains a favorite among fans of disco music. Its infectious energy and danceable groove make it a classic of the disco era and a standout in Starr’s discography.
2. H.A.P.P.Y. Radio
“H.A.P.P.Y. Radio” is a song by Edwin Starr, released in 1979. It is a disco track known for its upbeat tempo and infectious energy, characteristic of the disco music of the late 1970s.
In “H.A.P.P.Y. Radio,” Starr delivers lively vocals over a pulsating disco beat, spreading a message of joy and positivity. The song’s lyrics encourage listeners to tune in to the “H.A.P.P.Y. Radio” station, where they can escape from their worries and dance the night away.
While “H.A.P.P.Y. Radio” did not achieve the same level of commercial success as some of Starr’s earlier hits like “War,” it remains a beloved song among fans of disco music. Its catchy melody, vibrant rhythm, and uplifting message make it a standout track in Starr’s discography and a fun addition to any disco playlist.
3. Ball of Confusion (That’s What the World Is Today)
4. War
“War” is a powerful protest song performed by Edwin Starr, released in 1970. Written by Norman Whitfield and Barrett Strong, the song’s bold and confrontational lyrics express opposition to war and the suffering it causes.
Starr’s passionate vocals and the song’s driving rhythm contributed to its impact, making “War” a rallying cry for the anti-Vietnam War movement. The song became an anthem of the era and resonated deeply with audiences who were disillusioned with the conflict.
“War” topped the charts in the United States and internationally, earning critical acclaim and becoming one of Starr’s signature songs. Its iconic refrain, “War, what is it good for? Absolutely nothing!” became instantly recognizable and has been widely quoted and referenced in popular culture.
Over the years, “War” has remained relevant, continuing to be associated with movements for peace and social justice. Its enduring popularity and message against war have solidified its status as a timeless classic and an essential part of the protest song canon.
5. Twenty-Five Miles
“Twenty-Five Miles” is a song recorded by Edwin Starr in 1969. It was written by Johnny Bristol, Harvey Fuqua, and Edwin Starr. The song is characterized by its upbeat tempo and energetic performance.
In “Twenty-Five Miles,” Starr sings about his determination to travel 25 miles to be with his loved one, emphasizing his commitment and dedication. The song’s driving rhythm and catchy melody make it a favorite among fans of Northern soul and Motown music.
“Twenty-Five Miles” was a commercial success, reaching the top 10 on the Billboard Hot 100 chart and becoming one of Edwin Starr’s signature songs. Its infectious groove and spirited vocals continue to captivate listeners to this day, making it a timeless classic of the soul genre.
6. Agent Double-O-Soul
“Agent Double-O-Soul” is a song recorded by American singer-songwriter Edwin Starr, released in 1965. Written by Edwin Starr and William “Mickey” Stevenson, the song showcases Starr’s powerful vocals and combines elements of soul, R&B, and spy-themed music.
In “Agent Double-O-Soul,” Starr assumes the persona of a secret agent, singing about his adventures and exploits. The song’s lyrics are filled with references to espionage and intrigue, with Starr boasting about his skills and ability to outsmart his enemies.
“Agent Double-O-Soul” was a moderate hit for Edwin Starr, reaching the top 10 on the Billboard R&B chart and earning him recognition as a rising star in the music industry. The song’s catchy melody, energetic rhythm, and playful lyrics contributed to its popularity, and it remains a favorite among fans of classic soul and R&B music.
7. Stop the War Now
“Stop the War Now” is a song by Edwin Starr, released in 1970. It’s a soulful and impassioned plea for an end to war and violence, echoing the sentiments of his earlier hit “War.”
In “Stop the War Now,” Starr delivers powerful vocals over a soulful melody, calling for peace and unity. The song’s lyrics express frustration and sadness over the ongoing conflicts and suffering caused by war, urging listeners to come together and work towards a peaceful resolution.
While “Stop the War Now” did not achieve the same level of commercial success as “War,” it remains a poignant and timely message that resonates with audiences to this day. The song’s powerful message against war and violence continues to be relevant in a world plagued by conflict, making it a timeless classic in Starr’s discography.
8. Easin’ In
“Easin’ In” is a song by Edwin Starr, featured on the soundtrack of the 1973 blaxploitation film “Hell Up in Harlem.” The song was written by Edwin Starr, Freddie Perren, and Christine Yarian and showcases Starr’s dynamic vocals over a funky and soulful instrumental arrangement.
“Easin’ In” captures the essence of the blaxploitation era with its gritty and groovy sound. The song’s lyrics speak of taking things easy and enjoying life, reflecting the laid-back attitude often associated with the era.
The track became one of Edwin Starr’s signature songs and remains popular among fans of funk and soul music. Its infectious rhythm and catchy melody have contributed to its enduring appeal and its status as a classic of the blaxploitation genre.
9. Oh, How Happy
“Oh, How Happy” is a song originally performed by The Shades of Blue, an American R&B vocal group, in 1966. It was written by Edwin Starr, William Weatherspoon, and George Clinton. The song became a hit for The Shades of Blue, reaching the top 10 on the Billboard Hot 100 chart and becoming one of their signature songs.
“Oh, How Happy” is characterized by its catchy melody, upbeat tempo, and soulful vocals. The song’s lyrics express joy and happiness in finding love and companionship, celebrating the euphoria of being in a fulfilling relationship.
The Shades of Blue’s rendition of “Oh, How Happy” remains popular among fans of classic soul and R&B music. The song’s infectious groove and feel-good lyrics continue to resonate with listeners, making it a timeless favorite on oldies radio stations and playlists.
10. Headline News
“Headline News” is a song by Edwin Starr, released in 1986. It’s a politically charged track that addresses various social and political issues of the time, including government corruption, media manipulation, and the state of the world.
In “Headline News,” Starr delivers powerful vocals over a driving rhythm and catchy melody, expressing frustration and anger at the state of affairs. The song’s lyrics critique the sensationalism of news media and the way in which important issues are often overshadowed by trivial stories.
While “Headline News” didn’t achieve the same level of commercial success as some of Starr’s earlier hits, it remains a notable song in his discography for its bold commentary and passionate delivery. The track serves as a reminder of Starr’s versatility as an artist and his willingness to address pressing social issues through his music.