The Only Ones, a British rock band that emerged in the late 1970s, carved a niche for themselves with a distinctive blend of post-punk, new wave, and power pop. Formed around the singular talents of singer and songwriter Peter Perrett, The Only Ones achieved critical acclaim for their melodic yet edgy sound.
Their self-titled debut album, released in 1978, remains a landmark in alternative rock. The record showcased Perrett’s evocative lyrics, often exploring themes of love, longing, and urban life, set against the backdrop of the band’s dynamic and innovative instrumentation.
The Only Ones are perhaps best known for their timeless anthem “Another Girl, Another Planet,” a song that has become synonymous with the late ’70s punk and new wave era. Its infectious energy, fueled by Perrett’s raw vocals and John Perry’s distinctive guitar work, continues to resonate across generations and has solidified the band’s place in rock history.
Despite limited commercial success during their active years, The Only Ones left an indelible mark on the alternative music landscape. Peter Perrett’s poetic lyricism and the band’s genre-defying sound have garnered a cult following, influencing subsequent generations of musicians. The Only Ones stand as a testament to the power of artistic innovation within the vibrant tapestry of post-punk and alternative rock.
1. Another Girl, Another
“Another Girl, Another Planet” is an iconic song by The Only Ones, released as a single in 1978 and later featured on their self-titled debut album. The track, written by the band’s frontman Peter Perrett, has become a timeless classic and a quintessential anthem of the late ’70s punk and new wave era.
The song is characterized by its infectious energy, driven by a powerful combination of Peter Perrett’s distinctive vocals and John Perry’s jangly and propulsive guitar work. “Another Girl, Another Planet” stands out for its catchy melody, driving rhythm, and a sense of urgency that encapsulates the spirit of the post-punk movement.
Lyrically, the song is often interpreted as a reflection on love, longing, and the search for something elusive. The title itself suggests a sense of yearning and a desire for new experiences. The lyrics, while open to interpretation, contribute to the song’s enduring appeal and relatability.
Despite not achieving mainstream commercial success upon its initial release, “Another Girl, Another Planet” has gained immense recognition over the years and has been covered by various artists. Its inclusion in numerous films, TV shows, and commercials has further solidified its status as a classic and one of The Only Ones’ most celebrated contributions to the world of alternative rock.
2. Lovers of Today
“Lovers of Today” is a poignant and evocative track by the English rock band The Only Ones. Released as a single in 1979, the song showcases the band’s distinctive blend of post-punk and alternative rock influences. Led by frontman Peter Perrett’s emotive vocals, the track unfolds with a melodic and melancholic grace.
The lyrics of “Lovers of Today” delve into themes of love, longing, and the transient nature of relationships. Perrett’s poetic and introspective verses navigate the complexities of romance, offering a raw and honest exploration of emotional vulnerability. The song’s atmospheric instrumentation, characterized by John Perry’s jangly guitar work and the band’s tight rhythm section, complements the lyrical depth, creating a sonic landscape that resonates with listeners.
“Lovers of Today” stands as a testament to The Only Ones’ ability to infuse punk energy with a more nuanced and introspective approach. The song captures a moment in the post-punk era, where bands sought to push the boundaries of the genre, embracing emotional complexity while maintaining a raw and authentic edge. With its timeless appeal, “Lovers of Today” remains a cherished piece in The Only Ones’ discography and a classic representation of the era’s alternative rock sound.
3. The Whole of the Law
“The Whole of the Law” is a song by The Only Ones, an English rock band known for their influential work in the late 1970s and early 1980s. The track is the opening song from their second studio album, “Even Serpents Shine,” released in 1979.
With its distinctive blend of punk, new wave, and power pop elements, “The Whole of the Law” exemplifies The Only Ones’ ability to craft music that defies easy categorization. The song is characterized by Peter Perrett’s emotive vocals, John Perry’s dynamic guitar work, and the band’s overall tight and cohesive sound.
The lyrics of “The Whole of the Law” are enigmatic, drawing from a variety of influences and themes. The title itself alludes to the famous occult maxim “Do what thou wilt shall be the whole of the Law” associated with Aleister Crowley. The song’s cryptic lyrics and moody atmosphere contribute to its mysterious allure.
“The Whole of the Law” stands as a testament to The Only Ones’ unique approach to songwriting, blending intellectual and artistic elements with a raw and edgy musical backdrop. The track remains a notable piece in the band’s discography, showcasing their willingness to experiment within the punk and new wave genres.
4. Miles from Nowhere
“Miles from Nowhere” is a song by Cat Stevens (now known as Yusuf Islam) from his album “Tea for the Tillerman,” released in 1970. The album is widely regarded as one of Stevens’ masterpieces, and “Miles from Nowhere” is a standout track that showcases his introspective songwriting and acoustic folk sound.
The song reflects Stevens’ spiritual and philosophical explorations during a period of self-discovery. In “Miles from Nowhere,” he contemplates the search for meaning and purpose, expressing a desire to escape the trappings of modern life and find a simpler, more authentic existence.
The lyrics paint a vivid picture of a journey, both physical and spiritual, as the narrator seeks a place “where the sky is clear and the sun is shining.” The recurring refrain, “Miles from nowhere, guess I’ll take my time,” captures the essence of the song’s theme—embracing a deliberate and unhurried pace in the pursuit of inner peace.
Musically, the song is characterized by Stevens’ fingerpicking guitar style and soulful vocals. The stripped-down arrangement enhances the intimacy of the lyrics, allowing the listener to connect with the introspective nature of the song.
“Miles from Nowhere” remains a timeless piece in Cat Stevens’ catalog, resonating with listeners for its profound lyrics, evocative melodies, and the universal theme of seeking authenticity in a complex world. The song’s enduring popularity reflects its status as a classic in the folk-rock genre and its ability to inspire reflection and contemplation.
5. Oh Lucinda (Love Becomes a Habit)
“Oh Lucinda (Love Becomes a Habit)” is a track by The Only Ones, an English rock band known for their work in the late 1970s and early 1980s. The song is featured on their third studio album, “Baby’s Got a Gun,” released in 1980.
“Oh Lucinda” captures The Only Ones’ distinctive sound, blending elements of punk, new wave, and alternative rock. Led by Peter Perrett’s distinct vocals and poignant lyricism, the track explores themes of love, desire, and the sometimes addictive nature of romantic relationships.
The song’s title, “Oh Lucinda (Love Becomes a Habit),” suggests a narrative where love transforms into a habitual or addictive behavior. Perrett’s songwriting often delves into complex emotions and relationships, and this track is no exception. The music features the band’s characteristic blend of melodic hooks and rock edge.
While The Only Ones might not have achieved mainstream commercial success, their impact on the post-punk and alternative rock scenes is notable. “Oh Lucinda (Love Becomes a Habit)” stands as a testament to the band’s ability to infuse intellectual depth into their music, creating a sound that resonates with listeners who appreciate a thoughtful and emotionally charged approach to rock music.
6. The Immortal Story
“The Immortal Story” is a captivating instrumental piece that serves as the title track for a film directed by Orson Welles. Composed by Erik Satie, the music encapsulates the enigmatic and timeless quality of Welles’ cinematic storytelling. Released in 1968, the soundtrack features Satie’s minimalist piano compositions, creating a haunting atmosphere that complements the film’s narrative. The melancholic yet beautiful melodies evoke a sense of nostalgia and introspection, transporting listeners into the atmospheric world of Welles’ visual masterpiece. “The Immortal Story” soundtrack stands as a testament to Satie’s ability to convey complex emotions through his minimalist and evocative musical style.
7. Trouble in the World
“Trouble in the World” is a soulful and socially conscious song that emerged from the dynamic collaboration between Coldplay and Pharrell Williams. Released in 2015 as part of the “Global Citizen EP,” the track addresses global issues and the need for collective action to bring about positive change. Pharrell’s distinctive vocals blend seamlessly with Coldplay’s anthemic sound, creating a powerful call to awareness and action. The lyrics explore themes of inequality, conflict, and the shared responsibility to make the world a better place. “Trouble in the World” not only showcases the musical synergy between two influential artists but also serves as a reminder of the potential of music to inspire social change and raise awareness about pressing global issues.
8. Flaming Torch
“Flaming Torch” is a song by The Bachelors, an Irish pop group that gained popularity in the 1960s. The group was known for their close harmonies and easy-listening style, and “Flaming Torch” is one of their notable tracks.
Released in 1961, “Flaming Torch” features lush orchestration and the smooth vocal delivery that became characteristic of The Bachelors’ sound. The song tells the story of a torch singer, someone who performs in nightclubs, particularly highlighting the emotional impact of her performances.
The lyrics describe the singer’s ability to captivate and move her audience with her rendition of torch songs. The metaphor of the “flaming torch” represents the intensity and passion she brings to her performances, creating a vivid image of a captivating and emotionally charged musical experience.
While The Bachelors might not be as well-remembered today as some other bands from the same era, “Flaming Torch” remains a piece of their musical legacy. The song reflects the easy-listening, romantic style that characterized the group’s output during the early 1960s.
9. Cast Iron Arm
“Cast Iron Arm” is a rockabilly classic that showcases the unmistakable style of Peanuts Wilson. Released in 1957, the song tells a lively and humorous tale of resilience in the face of adversity, with Wilson’s charismatic vocals driving the narrative. The upbeat tempo, twangy guitar, and energetic rhythm contribute to the infectious nature of “Cast Iron Arm,” making it a standout in the rockabilly genre. Wilson’s spirited performance and the catchy melody ensure that this track remains a timeless example of the exuberance and storytelling prowess inherent in rockabilly music.
10. Language Problem
“Language Problem” is a song by The Only Ones, an English rock band known for their work in the late 1970s and early 1980s. The track is featured on their second studio album, “Even Serpents Shine,” released in 1979.
“Language Problem” embodies The Only Ones’ signature sound, blending elements of punk, new wave, and alternative rock. The song is characterized by Peter Perrett’s distinctive vocals, John Perry’s guitar work, and the band’s ability to craft music that defies easy categorization.
The lyrics of “Language Problem” delve into themes of communication breakdown and the challenges that arise in relationships. Peter Perrett’s songwriting often explores complex emotions and interpersonal dynamics, and this track is no exception. The music complements the lyrical content, creating a moody and atmospheric sonic backdrop.
While The Only Ones may not have achieved widespread commercial success, their influence on the post-punk and alternative rock scenes is notable. “Language Problem” remains a testament to the band’s unique musical approach and their willingness to experiment within the punk and new wave genres.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
