Nina Simone (1933–2003) was an American singer, songwriter, pianist, arranger, and civil rights activist. Born Eunice Kathleen Waymon on February 21, 1933, in Tryon, North Carolina, Simone’s eclectic musical style spanned genres such as jazz, blues, classical, R&B, gospel, and folk. Her distinctive voice, characterized by its rich contralto and emotional depth, made her a singular and influential figure in the world of music.
Simone began her career as a classical pianist, studying at the Juilliard School in New York City. However, she transitioned to singing and playing a mixture of jazz, blues, and folk music in bars and clubs to make a living. Her breakthrough came with her rendition of “I Loves You, Porgy” in 1958, and she continued to gain recognition with hits like “My Baby Just Cares for Me” and “Feeling Good.”
Beyond her musical achievements, Nina Simone was a fervent civil rights activist. Her songs often reflected her commitment to social justice, and she became closely associated with the civil rights movement in the 1960s. Songs like “To Be Young, Gifted and Black” and “Mississippi Goddam” are powerful examples of her musical activism.
Nina Simone’s legacy endures not only for her musical contributions but also for her unapologetic voice against injustice. She was inducted into the Rock and Roll Hall of Fame in 2018, recognizing her impact on the world of music and her significant role in challenging societal norms.
1. “Feeling Good”
“Feeling Good” is a song that has been performed by various artists, but one of the most well-known renditions is by Nina Simone. Written by Anthony Newley and Leslie Bricusse, the song was originally written for the musical “The Roar of the Greasepaint – The Smell of the Crowd” in 1964. Nina Simone’s version, released in 1965 on her album “I Put a Spell on You,” has become iconic.
Nina Simone’s interpretation of “Feeling Good” is celebrated for its powerful and emotional delivery. Her deep and soulful voice adds a unique dimension to the song, enhancing its impact. The song’s lyrics convey a sense of liberation and empowerment, celebrating the feeling of starting anew and embracing positive change.
“Feeling Good” has transcended its original context and has been widely covered and used in various films, commercials, and television shows. The combination of Simone’s evocative performance and the uplifting message of the song has made it a timeless classic that resonates with audiences across generations.
2. “I Put a Spell on You”
“I Put a Spell on You” is a classic song originally written and composed by Screamin’ Jay Hawkins in 1956. However, Nina Simone’s rendition of the song, released in 1965 on her album “I Put a Spell on You,” is particularly renowned for its soulful and haunting interpretation.
Nina Simone’s version of “I Put a Spell on You” is characterized by its intense and dramatic vocal delivery. Her deep, resonant voice conveys a sense of both vulnerability and empowerment. The song is known for its slow and bluesy arrangement, featuring a prominent piano and Simone’s expressive vocalizations.
The lyrics of “I Put a Spell on You” explore themes of obsession, love, and the emotional power one person can have over another. Simone’s interpretation adds a layer of complexity and emotion to the already evocative song, turning it into a haunting and soul-stirring experience.
Over the years, Nina Simone’s rendition of “I Put a Spell on You” has become one of her signature songs. Its inclusion in various films, television shows, and commercials has further solidified its status as a timeless classic. The song showcases Simone’s ability to infuse deep emotion and personal interpretation into her performances, making it a standout piece in her diverse and influential body of work.
3. “My Baby Just Cares for Me”
“My Baby Just Cares for Me” is a classic jazz standard that has been performed by numerous artists, but one of the most famous renditions is by Nina Simone. Written by Walter Donaldson with lyrics by Gus Kahn, the song was originally composed in 1930 and gained popularity in the 1950s and 1960s.
Nina Simone recorded “My Baby Just Cares for Me” in 1958 for her debut album, “Little Girl Blue.” The song features a playful and upbeat melody, and Simone’s soulful and expressive vocals add a distinctive charm to the rendition. Despite its initial lack of commercial success, the song later experienced a resurgence in popularity when it was used in a 1987 Chanel No. 5 perfume commercial in the United Kingdom. The commercial’s widespread exposure propelled the song to international acclaim.
The lyrics playfully describe a romantic relationship, with the singer expressing delight in the fact that her partner cares for her, regardless of material possessions. The song’s catchy and lighthearted nature, coupled with Simone’s dynamic vocal delivery, has contributed to its enduring popularity and status as a jazz standard.
4. “Sinnerman”
“Sinnerman” is a traditional African American spiritual song that has been interpreted and recorded by various artists over the years. One of the most notable versions is by Nina Simone, featured on her 1965 album “Pastel Blues.”
Nina Simone’s rendition of “Sinnerman” is known for its intensity, incorporating elements of jazz, blues, and gospel. The song’s structure is dynamic, building up in intensity as it progresses. It features Simone’s powerful and soulful vocals, accompanied by energetic piano playing and a driving rhythm. The repetitive and hypnotic nature of the song adds to its sense of urgency.
Lyrically, “Sinnerman” addresses themes of redemption, spiritual reflection, and the desire for salvation. The lyrics evoke a sense of urgency and a plea for deliverance, creating a dramatic narrative that resonates with listeners.
“Sinnerman” has gained recognition for its unique blend of genres and its emotional impact. It has been used in various films, TV shows, and commercials, contributing to its enduring popularity. Nina Simone’s interpretation of “Sinnerman” remains a standout and influential piece in her extensive and diverse discography.
5. “Don’t Let Me Be Misunderstood”
“Don’t Let Me Be Misunderstood” is a song originally written by Bennie Benjamin, Gloria Caldwell, and Sol Marcus. It was first recorded by Nina Simone in 1964 for her album “Broadway-Blues-Ballads.” The Animals, a British rock band, later covered the song and released their version in 1965. Both versions have become iconic in their own right.
Nina Simone’s rendition of “Don’t Let Me Be Misunderstood” is characterized by her soulful and expressive vocal delivery. The song’s arrangement combines elements of jazz, blues, and R&B, showcasing Simone’s ability to infuse her unique style into the interpretation. Her emotional depth and vocal range add a layer of complexity to the lyrics, which convey a plea for understanding and empathy.
The Animals’ version of the song, on the other hand, is often associated with the rock genre. Eric Burdon’s raw and passionate vocals, along with the band’s energetic performance, give the track a different dynamic. The Animals’ version has a more rock-oriented sound, incorporating electric guitars and a driving rhythm.
Lyrically, “Don’t Let Me Be Misunderstood” expresses the fear of being misunderstood and the desire for acceptance and empathy. The song has resonated with audiences over the years due to its relatable themes and the powerful vocal performances of both Nina Simone and The Animals.
“Don’t Let Me Be Misunderstood” has been covered by numerous artists across various genres, and its enduring popularity underscores the timeless nature of the song’s message and melody.
6. “To Be Young, Gifted and Black”
“To Be Young, Gifted and Black” is a powerful anthem written by Nina Simone in collaboration with Weldon Irvine. The song was inspired by the play of the same name by Lorraine Hansberry, the playwright best known for “A Raisin in the Sun.” Nina Simone first released the song in 1969 on her album of the same title.
The lyrics celebrate the strength, resilience, and pride of Black individuals, particularly focusing on the youth. The phrase “To Be Young, Gifted and Black” itself became a powerful slogan during the civil rights movement and remains an enduring expression of African American pride and empowerment.
Nina Simone’s rendition of the song is marked by her emotive and soulful vocals, which resonate with the passion and urgency of the civil rights era. The song became closely associated with the struggle for racial equality and social justice, reflecting Simone’s own commitment to activism.
Over the years, “To Be Young, Gifted and Black” has been covered by various artists, and it continues to be a resonant and impactful piece. The song stands as a timeless tribute to the strength and potential of Black individuals and remains a poignant anthem in the ongoing fight against racial injustice.
7. “Mississippi Goddam”
“Mississippi Goddam” is a powerful and politically charged song written and performed by Nina Simone. Released in 1964, during the height of the Civil Rights Movement in the United States, the song is a response to racial injustice and the violent acts that occurred, particularly in Mississippi.
The lyrics of “Mississippi Goddam” address Simone’s frustration and anger about the racism, violence, and discrimination against African Americans. The title itself is a play on words, combining the state of Mississippi with a strong exclamation, reflecting the urgency and intensity of Simone’s feelings.
Musically, the song is a blend of jazz, blues, and gospel, featuring Simone’s distinctive voice and piano playing. The composition starts with a slow and reflective section, where Simone discusses the state of Mississippi, and then transitions into an upbeat and defiant chorus where she sings, “And I mean every word of it.” The arrangement mirrors the emotional journey of the lyrics.
“Mississippi Goddam” became an anthem for the Civil Rights Movement, capturing the frustration and determination of those fighting for equality. The song is a powerful example of how music can be used as a tool for protest and social change. Nina Simone’s bold and uncompromising approach in addressing social issues through her music has left a lasting impact on the history of protest songs and political art.
8. “Ain’t Got No, I Got Life”
“Ain’t Got No, I Got Life” is a medley by Nina Simone, originally recorded in 1968 for her album “Nina Simone ’69 Live at the Westbury Music Fair.” The medley combines two songs: “Ain’t Got No, I Got Life” and “Do What You Gotta Do.”
The first part, “Ain’t Got No,” expresses a litany of hardships and lacks in life, while the second part, “I Got Life,” celebrates the positive aspects and resilience in the face of adversity. The medley became one of Nina Simone’s signature pieces, known for its powerful vocal delivery and the emotional intensity she brought to her performances.
The songs were later featured in the musical “Hair.” “Ain’t Got No” was originally part of the musical’s score, and Simone’s medley brought her unique interpretation to these compositions.
Nina Simone’s rendition of “Ain’t Got No, I Got Life” is a dynamic and soulful expression of the complexities of life, combining the struggles and joys into a moving musical experience. The medley reflects Simone’s ability to infuse her performances with emotion and depth, making it a memorable and impactful piece in her extensive body of work.
9. “I Want a Little Sugar in My Bowl”
“I Want a Little Sugar in My Bowl” is a blues song written by Nina Simone, along with lyricists Zindzi Mandela and Peter Longfellow. Nina Simone first recorded the song for her 1967 album “Nina Simone Sings the Blues.”
The lyrics of “I Want a Little Sugar in My Bowl” convey a desire for intimacy and romantic fulfillment. The metaphor of wanting a little sugar in one’s bowl is a playful and suggestive way of expressing the yearning for affection and physical intimacy.
Musically, the song is rooted in the blues, showcasing Nina Simone’s soulful and emotive vocal delivery. The arrangement features a slow and sultry tempo, accentuating the sensuality of the lyrics. Simone’s vocal nuances, combined with the expressive piano playing, create a captivating and intimate atmosphere.
“I Want a Little Sugar in My Bowl” has been covered by various artists over the years, but Nina Simone’s version remains one of the most iconic renditions. The song is a testament to Simone’s ability to infuse emotion and depth into her performances, making it a memorable and enduring piece in her repertoire.
10. “Wild Is the Wind”
“Wild Is the Wind” is a song that has been covered by various artists, but one of the most notable renditions is by Nina Simone. The song was written by Dimitri Tiomkin and Ned Washington and was originally recorded for the 1957 film of the same name, performed by Johnny Mathis. However, it was Nina Simone’s version, recorded for her 1966 album of the same title, that became particularly acclaimed.
Nina Simone’s interpretation of “Wild Is the Wind” is characterized by its emotional intensity and her unique vocal stylings. The song explores themes of love, passion, and the unpredictability of emotions, comparing love to the untamed nature of the wind.
Simone’s version of “Wild Is the Wind” is often praised for its evocative delivery and her ability to convey a deep sense of longing and emotion. Her vocal performance, coupled with the lush orchestration, creates a haunting and atmospheric rendition that has resonated with listeners over the years.
The song’s enduring popularity is a testament to Nina Simone’s ability to infuse her interpretations with a distinctive and soul-stirring quality. “Wild Is the Wind” remains a powerful and evocative piece in the realm of jazz and popular music.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
