JoJo has grown tired of trying to work with Blackground Records, who failed to release her third album and allegedly failed to pay producers that worked on music for it.
According to a lawsuit filed in New York Tuesday, July 29, JoJo wants out of the contract that was signed when she was a minor — the same one that has prevented her from releasing a new commercial studio album, tons of new music and has seemingly stifled her once promising career.
Among the arguments noted in the lawsuit is JoJo's age at the time the contract was signed, 12, and the term of the contract, which Blackground allegedly says is in full force.
"By claiming that the recording contract remains in full force and effect, defendants have caused and are causing JoJo to suffer irreparable damage to her professional career by depriving her of the benefits of Section 35.03 which reflects the considered public policy of the State of New York that under no circumstances shall a person who is a minor at the time of contract approval by the court be obligated by law to perform or render services under that contract for a period of more than seven years from the date of approval," reads one argument. "Specifically, JoJo has been deprived of the one thing that is most important for any recording artist, control over the direction of her professional career."
According to the filing, JoJo was twelve in 2003, when the contract was signed by her mother. She is now, in 2013, 22 years of age.
In addition to the above claim, the filing states that the label failed to release her third album despite delivery and acceptance of many master recordings; that they were not able to retain their distribution agreement with Universal Music (an agreement with Universal/Interscope expired or was terminated around 2012 and there is no current distributor), which was a requirement of the recording contract; and that they neglected to pay producers and “other vendors with whom JoJo has collaborated.
JoJo alleges that the failure to pay producers and others, for their services, has done even more damage to her career because now her reputation has been sullied.
JoJo's attorney also alleges that she is losing out on business opportunities due to this situation with Blackground and Da Family. That includes touring, endorsements and other lucrative business opportunities. The lawsuit also looks at time, key to JoJo's career, considering the years that have gone by since her last major hit.
Are you a fan of JoJo and her music? If so, you might be interested to know that she has recently filed a lawsuit against Blackground Records. The singer is seeking to end her contract with the label due to alleged breaches and exploitation.
JoJo’s legal battle with Blackground Records sheds light on the issue of artist exploitation in the music industry. Many artists have been taken advantage of by their record labels, leading to unfair contracts, financial struggles, and even mental health issues.
By standing up for herself and fighting back against Blackground Records, JoJo is not only advocating for her own rights but also raising awareness about this important issue.
JoJo’s Contract Dispute with Blackground Records
JoJo’s ongoing legal battle with Blackground Records has prompted her to file a lawsuit and seek court intervention in order to terminate their contract. It all began when JoJo filed a lawsuit against the record label for allegedly not allowing her to release new music for years. She claimed that Blackground Records had failed to fulfill its contractual obligations, which included releasing her third studio album.
According to reports, JoJo was only 12 years old when she signed with Blackground Records, and since then, she has been stuck in a contract that seemingly has no end in sight. The singer claims that the label refused to let her out of the deal even after it became clear that they were unable to release any new music from her due to various legal battles and financial struggles.
In response, JoJo is now seeking court intervention in order to terminate the contract once and for all. She argues that Blackground Records’ failure to adhere to their agreement has caused significant harm and damage both personally and professionally.
With this latest move, it remains unclear what will happen next or how long it will take before we see any resolution in this ongoing dispute.
The Issue of Artist Exploitation in the Music Industry
Exploitation of artists in the music industry continues to be a pervasive issue, leaving many feeling disillusioned and taken advantage of. It’s not uncommon for record labels to take advantage of aspiring musicians who are desperate to make it big. All too often, these artists sign contracts that heavily favor the label, leaving the artist with little control over their own music and career.
One common practice is for labels to require artists to sign away their rights to their own work in exchange for a percentage of sales revenue. This can lead to situations where an artist’s music becomes incredibly successful, but they see very little profit from it.
Additionally, labels may pressure artists into signing unfavorable contracts by dangling promises of success and fame in front of them. It’s important for both aspiring and established musicians alike to educate themselves on the inner workings of the industry before signing any contracts or agreements.
Aspiring musicians should seek out legal advice before agreeing to anything, while established musicians should use their platform to advocate for better treatment and fair compensation within the industry. Only through awareness and collective action can we hope to end the exploitation of artists in the music industry once and for all.
Conclusion
So there you have it, you’re JoJo and you’ve taken Blackground Records to court. You know that your contract is exploitative and unfair, and you’re determined to fight for your rights as an artist.
By filing this lawsuit, you’re hoping to put an end to the deal once and for all.
As we continue to see more and more artists take a stand against exploitation in the music industry, it’s clear that change is coming.
Hopefully, this case will serve as a wake-up call for record labels everywhere, reminding them that they can no longer get away with taking advantage of their artists.
It’s time for fair contracts, fair treatment, and equal opportunities for all musicians.
