R.E.M. is undoubtedly one of the most influential and revered alternative rock bands of all time. Formed in Athens, Georgia in 1980, the band consisted of Michael Stipe on lead vocals, Peter Buck on guitar, Mike Mills on bass, and Bill Berry on drums. Over the course of their career, R.E.M. released 15 studio albums, numerous singles and EPs, and sold over 85 million records worldwide. The band’s unique sound, characterized by Stipe’s distinctive vocals and Buck’s jangly guitar style, helped shape the alternative rock scene of the 1980s and 1990s.
In this article, we take a look at the top 20 best R.E.M. songs of all time, showcasing the band’s talent for crafting catchy melodies, poignant lyrics, and memorable hooks. From early hits like “Radio Free Europe” and “The One I Love” to later tracks like “Losing My Religion” and “Man on the Moon,” this list encompasses the breadth and depth of R.E.M.’s impressive catalog. Whether you’re a longtime fan or just discovering the band for the first time, this article is a must-read for anyone interested in exploring the best of alternative rock.
1. “Losing My Religion”
“Losing My Religion” is a classic alternative rock song by the American band R.E.M. released in 1991. It features a distinctive mandolin riff played by Peter Buck, which gives the song a unique sound. The song’s title is a southern American phrase that means “losing one’s temper” or “reaching the end of one’s patience,” and it speaks to the frustration and anxiety that comes with unrequited love. The lyrics are cryptic but powerful, and Michael Stipe’s delivery is emotional and haunting. The song became a massive hit for R.E.M. and helped to solidify their status as one of the most important bands of the alternative rock era. It remains a beloved and iconic song to this day.
2. “So. Central Rain”
“So. Central Rain” is a classic track from R.E.M.’s 1984 album “Reckoning”. It is a prime example of the band’s jangly, melodic sound that characterized their early work. The song’s lyrics are about lost love, with Michael Stipe’s vocals conveying a sense of heartbreak and longing. The song features Peter Buck’s distinctive guitar work and Mike Mills’ driving bass, which provide a propulsive energy to the track. The chorus of “I’m sorry” is one of the song’s most memorable moments, and has become a sing-along anthem for fans of the band. “So. Central Rain” was a minor hit for R.E.M. at the time of its release, but has since become recognized as one of the band’s classic tracks and a defining song of the jangle pop subgenre.
3. “It’s the End of the World as We Know It (And I Feel Fine)”
“It’s the End of the World as We Know It (And I Feel Fine)” is one of R.E.M.’s most well-known and beloved songs, released in 1987. The song features rapid-fire lyrics by Michael Stipe that seem to be a stream-of-consciousness response to the chaos and uncertainty of the world. The track is propelled by a fast-paced acoustic guitar riff and a driving drum beat that create a sense of urgency and excitement. The chorus is catchy and anthemic, with the repeated refrain of “It’s the end of the world as we know it, and I feel fine” becoming an instantly recognizable and iconic line. The song has become a staple of classic rock radio and is a fan favorite at R.E.M. concerts. It is a testament to the band’s ability to create memorable and unique songs that have stood the test of time.
4. “Nightswimming”
“Nightswimming” is a hauntingly beautiful ballad by the American rock band R.E.M. Released in 1993, the song features Michael Stipe’s distinctive vocals accompanied by a soft piano melody and minimalistic instrumentation. The lyrics describe the nostalgic memories of a group of friends who go for a late-night swim and skinny-dip in a pool, reflecting on the joy and innocence of youth and the bittersweet passage of time. The song’s emotional resonance and poignant imagery have made it a beloved classic among R.E.M. fans and music lovers worldwide. “Nightswimming” showcases the band’s ability to create a powerful atmosphere through understated instrumentation and evocative lyrics, making it a true masterpiece of alternative rock.
5. “Near Wild Heaven”
“Near Wild Heaven” is a track from R.E.M.’s 1991 album “Out of Time”. The song has a dreamy, ethereal quality to it, with Michael Stipe’s vocals soaring over a lush and melodic arrangement. The lyrics are poetic and evocative, with Stipe singing about the joys and pains of love and the longing for a state of pure happiness. The song features a prominent mandolin riff by Peter Buck, which adds to the song’s overall sense of whimsy and joy. “Near Wild Heaven” was a minor hit for R.E.M. but has since become a fan favorite and a staple of the band’s live performances. It is a prime example of R.E.M.’s ability to create beautiful, melodic songs that are both introspective and celebratory.
6. “Radio Free Europe” (Hib-tone Version)
“Radio Free Europe” (Hib-tone Version) is the debut single by the American alternative rock band R.E.M., released in 1981. The song features Peter Buck’s jangly guitar riffs, Mike Mills’ driving bass lines, and Michael Stipe’s enigmatic vocals, creating an energetic and melodic sound that quickly gained the attention of the independent music scene. The lyrics are abstract and open to interpretation, but they hint at political and cultural tensions in America during the early 1980s. The Hib-tone version of “Radio Free Europe” is a more raw and unpolished recording than the later re-recorded version released on the band’s debut album “Murmur,” but it captures the youthful spirit and urgency of R.E.M.’s early sound. The song became an underground hit and helped establish R.E.M. as one of the most influential and enduring bands of the alternative rock era. “Radio Free Europe” remains a beloved classic and a testament to the band’s innovative and eclectic approach to music.
7. “Fall on Me”
“Fall on Me” is a standout track from R.E.M.’s fourth studio album “Lifes Rich Pageant,” released in 1986. The song features Peter Buck’s chiming guitar arpeggios, Mike Mills’ soaring harmonies, and Michael Stipe’s enigmatic lyrics, creating a lush and atmospheric sound that showcases the band’s evolving musical style. The lyrics of “Fall on Me” touch on environmental themes and the interconnectedness of all living things, with Stipe’s signature cryptic imagery evoking a sense of wonder and urgency. The song’s catchy melody and catchy chorus make it a memorable and accessible track, but its underlying message has made it a favorite among fans of socially conscious music. “Fall on Me” is a quintessential R.E.M. song, blending elements of folk, rock, and alternative music into a unique and captivating sound that has inspired countless musicians and fans around the world.
8. “Everybody Hurts”
“Everybody Hurts” is a powerfully emotional ballad by R.E.M. released in 1993. The song features Michael Stipe’s empathetic and comforting vocals over a slow and steady musical arrangement that gradually builds to a cathartic crescendo. The lyrics are a message of hope and understanding, reminding listeners that everyone experiences pain and that it’s okay to feel vulnerable and overwhelmed. The chorus of “Everybody hurts, sometimes” is simple but profound, and has resonated with listeners around the world. The song has become a cultural touchstone, used in numerous films and television shows as a symbol of emotional catharsis. “Everybody Hurts” is a testament to R.E.M.’s ability to create powerful, emotionally resonant music that connects with listeners on a deep level.
9. “Half a World Away”
“Half a World Away” is a heartfelt ballad by R.E.M. from their critically acclaimed eighth studio album “Automatic for the People,” released in 1992. The song features a delicate acoustic guitar riff, subtle string arrangements, and Michael Stipe’s emotive vocals, creating a poignant and introspective atmosphere. The lyrics of “Half a World Away” touch on themes of distance and longing, as Stipe reflects on his own experiences of feeling disconnected and isolated from the world around him. The song’s simple yet powerful melody and Stipe’s vulnerable delivery have made it a beloved classic among R.E.M. fans and music lovers alike. “Half a World Away” showcases the band’s ability to create emotional depth and resonance through understated instrumentation and thoughtful lyrics, cementing their legacy as one of the most influential and innovative bands of the alternative rock era.
10. “Man on the Moon”
“Man on the Moon” is a classic song by R.E.M. from their eighth studio album “Automatic for the People,” released in 1992. The song features a lively and upbeat melody, complemented by Michael Stipe’s quirky and irreverent lyrics, which pay tribute to the late comedian Andy Kaufman and his unconventional approach to comedy. The song’s catchy chorus and infectious energy have made it a staple of R.E.M.’s live performances and a fan favorite. “Man on the Moon” also showcases the band’s knack for blending different musical styles, incorporating elements of rock, folk, and pop into a unique and compelling sound. The song’s title is a reference to the conspiracy theory that the Apollo moon landing was faked, adding to its irreverent and offbeat tone. “Man on the Moon” is a quintessential R.E.M. song, encapsulating the band’s signature style and irreverent spirit.
11. “Driver 8”
“Driver 8” is a standout track from R.E.M.’s third studio album “Fables of the Reconstruction,” released in 1985. The song features a driving, jangly guitar riff by Peter Buck, complemented by Michael Stipe’s cryptic lyrics, which paint a vivid picture of a train journey through the American South. The song’s catchy chorus and propulsive rhythm have made it a fan favorite and a staple of R.E.M.’s live performances. “Driver 8” showcases the band’s unique blend of rock, folk, and alternative music, combining traditional Southern influences with their signature sound. The song’s title refers to the designation given to a train’s conductor, adding to its nostalgic and evocative tone. “Driver 8” is a quintessential R.E.M. song, embodying the band’s musical style, poetic lyrics, and sense of place.
12. “The One I Love”
“The One I Love” is one of R.E.M.’s most popular and enduring tracks, released in 1987 as the lead single from their album “Document”. The song features a driving guitar riff by Peter Buck and Michael Stipe’s distinctive vocals, which convey a sense of urgency and intensity. The lyrics are somewhat ambiguous, with Stipe singing about a lover who may or may not be worth keeping. The chorus of “This one goes out to the one I love” is a memorable and anthemic hook that has become synonymous with the song. “The One I Love” was a commercial success for R.E.M., reaching the top 10 on the Billboard Hot 100 chart. It is a prime example of the band’s ability to create catchy and memorable songs with a certain level of mystery and ambiguity.
13. “Life and How to Live It”
“Life and How to Live It” is a standout track from R.E.M.’s 1985 album “Fables of the Reconstruction”. The song features a propulsive rhythm section and Peter Buck’s jangly guitar riffs, which create a sense of urgency and energy. Michael Stipe’s vocals are passionate and intense, with lyrics that touch on themes of self-discovery and the search for meaning in life. The chorus of “Hey, this is what we’ve waited for / This is it, boys, this is war” is a rallying cry that has become a fan favorite. “Life and How to Live It” showcases R.E.M.’s ability to create dynamic and powerful rock songs with introspective lyrics and a strong sense of melody. The song has become a staple of the band’s live shows and remains a beloved classic in their discography.
14. “What’s the Frequency, Kenneth?”
“What’s the Frequency, Kenneth?” is a memorable and catchy track from R.E.M.’s 1994 album “Monster”. The song features a driving guitar riff by Peter Buck and Michael Stipe’s distinctive vocals, which are full of attitude and swagger. The lyrics are inspired by a bizarre incident in which CBS news anchor Dan Rather was attacked on the street by a man who kept repeating the question “What’s the frequency, Kenneth?” The song’s chorus of “What’s the frequency, Kenneth? / Is your Benzedrine, uh-huh” is a memorable and quirky hook that has become synonymous with the track. “What’s the Frequency, Kenneth?” is a prime example of R.E.M.’s ability to create catchy and memorable songs with a certain level of quirkiness and humor. It remains a fan favorite and a staple of the band’s live shows.
15. “Find the River”
“Find the River” is a melancholic and introspective ballad by R.E.M. from their eighth studio album “Automatic for the People,” released in 1992. The song features a sparse arrangement, with Michael Stipe’s haunting vocals set against a gentle acoustic guitar and piano melody, creating a wistful and contemplative atmosphere. The song’s lyrics touch on themes of loss, mortality, and the passage of time, as Stipe sings about the fleeting nature of life and the search for meaning in a world that can often seem chaotic and confusing. “Find the River” is a poignant and deeply moving song, showcasing R.E.M.’s ability to create emotional depth and resonance through understated instrumentation and thoughtful lyrics. The song’s sense of introspection and longing makes it a fitting conclusion to “Automatic for the People,” one of the band’s most celebrated and influential albums.
16. “E-Bow the Letter”
“E-Bow the Letter” is a haunting and atmospheric track from R.E.M.’s 1996 album “New Adventures in Hi-Fi”. The song features a guest appearance by Patti Smith, whose distinctive vocals add an extra layer of emotion and depth to the track. The title of the song comes from the e-bow, a handheld device that creates a sustained guitar sound. Peter Buck’s use of the e-bow gives the song a dreamy and ethereal quality that perfectly complements the introspective lyrics. Michael Stipe’s vocals are full of emotion, with lyrics that touch on themes of loss and nostalgia. The chorus of “Take this letter / Drive it far / Take this letter / Drive it like a stolen car” is a memorable and poignant hook. “E-Bow the Letter” is a standout track from “New Adventures in Hi-Fi” and showcases R.E.M.’s ability to create beautiful and emotive songs that resonate with listeners.
17. “Überlin”
“Überlin” is a standout track from R.E.M.’s 2011 album “Collapse into Now”. The song features a driving guitar riff by Peter Buck and Michael Stipe’s distinctive vocals, which are full of emotion and energy. The lyrics touch on themes of renewal and transformation, with Stipe singing about a city that has been rebuilt and reborn. The chorus of “It’s not enough / I need more / Nothing seems to satisfy” is a memorable hook that perfectly captures the song’s sense of urgency and restlessness. “Überlin” showcases R.E.M.’s ability to stay relevant and vital more than 30 years into their career, and remains a fan favorite and a staple of the band’s live shows.
18. “Walk Unafraid”
“Walk Unafraid” is an empowering and anthemic song by R.E.M. from their tenth studio album “Up,” released in 1998. The song features a driving beat and energetic guitar riffs, complemented by Michael Stipe’s confident and uplifting lyrics, which encourage listeners to face their fears and walk boldly through life. The song’s catchy chorus and upbeat melody have made it a fan favorite and a popular choice for soundtracks and advertisements. “Walk Unafraid” showcases R.E.M.’s ability to blend rock, pop, and alternative music into a unique and compelling sound, while also delivering a powerful message of self-empowerment and resilience. The song’s title and lyrics are inspired by the writings of American author and feminist activist Gloria Steinem, adding to its themes of social justice and equality. “Walk Unafraid” is a classic R.E.M. song, embodying the band’s signature style and ethos of hope and optimism.
19. Pretty Persuasion”
“Pretty Persuasion” is a high-energy track from R.E.M.’s 1984 album “Reckoning”. The song features a jangly guitar riff by Peter Buck and Michael Stipe’s signature vocals, which are delivered with a sense of urgency and passion. Lyrically, the song explores themes of desire and longing, with Stipe singing about a girl who is “pretty persuasion” and “so young and pretty”. The chorus of “Why don’t you come on and let me know?” is a memorable hook that perfectly captures the song’s sense of yearning and anticipation. “Pretty Persuasion” is a classic example of R.E.M.’s early sound, which combined the energy of punk rock with the melodic sensibility of classic pop. The song remains a fan favorite and a testament to the band’s enduring influence on alternative rock.
20. “Begin the Begin”
“Begin the Begin” is the opening track from R.E.M.’s 1986 album “Lifes Rich Pageant”. The song is a frenetic rocker that showcases the band’s signature jangly guitar sound, driving rhythm section, and Michael Stipe’s enigmatic vocals. Lyrically, the song touches on themes of rebellion and revolution, with Stipe singing lines like “Silence means security, silence means approval” and “Let’s begin again, begin the begin”. The song’s urgent and propulsive energy sets the tone for the rest of the album, which is widely considered to be one of R.E.M.’s finest works. “Begin the Begin” remains a fan favorite and a testament to the band’s early sound and influence on alternative rock.
Darren Jamison is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
