Few artists in music history possess the raw emotion, depth, and versatility of Nina Simone. Known as the “High Priestess of Soul,” Simone transcended genre boundaries to blend jazz, blues, folk, classical, and gospel into a uniquely powerful sound. Her voice—both commanding and tender—became a beacon for social justice, civil rights, and personal expression, making her one of the most iconic and influential musicians of the 20th century. Whether delivering delicate ballads or fiery protest anthems, Nina Simone’s music continues to resonate across generations, her songs becoming timeless testaments to both the beauty and the pain of the human experience.
In this article, we take a journey through the top 10 most popular Nina Simone songs of all time. From uplifting anthems like Feeling Good to the hauntingly beautiful I Put a Spell on You, these tracks showcase the breadth of Simone’s musical genius. Each song tells a story, not just of the artist herself, but of the struggles and triumphs of the era in which they were written. Prepare to be moved, inspired, and reminded once again why Nina Simone remains an enduring cultural force whose songs still resonate with the power to change hearts and minds.
1. Feeling Good – 1965
Few songs in Nina Simone’s catalog carry the same electric charge as Feeling Good. Released in 1965 on her album I Put a Spell on You, this track has since become an anthem of empowerment. Simone’s rich, expressive voice soars over the lush orchestration, creating a powerful atmosphere of liberation. Originally written for the musical The Roar of the Greasepaint – The Smell of the Crowd, Simone’s rendition transcends its theatrical roots, turning it into a soulful declaration of renewal. The song’s infectious refrain of “It’s a new dawn, it’s a new day, it’s a new life for me” has resonated with listeners for decades, making Feeling Good one of the most iconic and enduring songs in her repertoire.
2. I Put a Spell on You – 1965
With its eerie, hypnotic allure, I Put a Spell on You is one of Nina Simone’s most haunting and beloved tracks. Released in 1965, Simone took this song—originally composed by Screamin’ Jay Hawkins—and infused it with her signature blend of jazz and blues. Her performance is nothing short of mesmerizing, as she alternates between tender vulnerability and fierce passion. The song tells the story of an all-consuming love, and Simone’s delivery makes it feel like a spell has indeed been cast on the listener. Her emotional intensity, coupled with the dramatic instrumentation, ensures that I Put a Spell on You remains a timeless classic.
3. Sinnerman – 1965
Clocking in at nearly 10 minutes, Sinnerman is a tour de force that showcases Nina Simone at her most intense and spiritual. Released on her 1965 album Pastel Blues, this traditional African-American spiritual song was transformed by Simone into a relentless, urgent plea for salvation. The song builds gradually, with Simone’s piano and vocals intertwining in a frenzied dance, culminating in a powerful climax. Simone’s repetitive, almost trance-like refrain of “Sinnerman, where you gonna run to?” evokes a sense of desperation and reckoning, making this one of her most impactful performances. Sinnerman has since become a go-to track for films and TV shows, further cementing its place in popular culture.
4. My Baby Just Cares for Me – 1958
Simone’s version of My Baby Just Cares for Me, released in 1958 on her debut album Little Girl Blue, is one of her most joyful and playful recordings. The song was originally written for the 1930 musical Whoopee! but Simone’s take on it is infused with a breezy elegance that makes it feel timeless. Her piano playing is light and bouncy, while her vocals are sweetly effortless, bringing a sense of intimacy and joy to the track. Though the song initially flew under the radar, it became a surprise hit in the UK in the 1980s after being featured in a perfume commercial, introducing Simone’s charm to a new generation of listeners.
5. I Loves You, Porgy – 1958
Originally from the George Gershwin opera Porgy and Bess, I Loves You, Porgy was one of Nina Simone’s earliest hits, released in 1958. Her delicate, heartfelt rendition of the song is a masterclass in vulnerability and emotional expression. Unlike the more operatic versions that came before, Simone’s interpretation feels personal and introspective, as though she’s confiding in the listener. The soft piano accompaniment adds to the song’s tender atmosphere, allowing Simone’s voice to shine. This track helped establish Simone as a force in the music world, and it remains one of her most beloved performances.
6. Don’t Let Me Be Misunderstood – 1964
Don’t Let Me Be Misunderstood is a song that perfectly encapsulates Nina Simone’s ability to channel both strength and vulnerability. Released in 1964, the track was written specifically for Simone by Bennie Benjamin, Gloria Caldwell, and Sol Marcus. Simone’s version is slower and more contemplative than later covers, such as the rock-inflected version by The Animals. Her voice drips with emotion as she pleads for understanding, and the orchestral arrangement adds a dramatic depth to the song. This deeply personal anthem speaks to the universal human longing to be seen and heard, making it one of Simone’s most relatable and enduring tracks.
7. Mississippi Goddam – 1964
Released in 1964, Mississippi Goddam is perhaps Nina Simone’s most politically charged song. Written in response to the murder of civil rights activist Medgar Evers and the 16th Street Baptist Church bombing in Birmingham, Alabama, the song is a fiery protest against racial injustice in America. Simone’s anger and frustration are palpable as she delivers her biting lyrics with a mix of sarcasm, rage, and sorrow. Despite its heavy subject matter, the song has a surprisingly upbeat tempo, creating a stark and unsettling contrast. Mississippi Goddam was banned in several Southern states upon its release, but it remains a defining anthem of the Civil Rights Movement and a testament to Simone’s fearless activism.
8. Ain’t Got No, I Got Life – 1968
Simone’s Ain’t Got No, I Got Life, released in 1968, is a song of resilience and self-empowerment. Taken from the musical Hair, Simone’s version marries two separate songs (Ain’t Got No and I Got Life) into a powerful statement about finding strength in the face of adversity. The song’s upbeat tempo and joyous melody belie its deeper message about material deprivation and existential fulfillment. Simone’s voice radiates confidence and defiance as she lists all the things she doesn’t have, only to triumphantly declare what she does have—her life, her freedom, and her soul. This track remains a favorite for its uplifting spirit and timeless message.
9. To Be Young, Gifted and Black – 1970
To Be Young, Gifted and Black is one of Nina Simone’s most enduring contributions to the Civil Rights Movement and one of the most important anthems of Black pride. Released in 1970, Simone wrote the song in tribute to her friend, playwright Lorraine Hansberry, who had passed away in 1965. The song’s title was taken from Hansberry’s unfinished play of the same name. With its uplifting lyrics and stirring melody, the track is a celebration of Black culture and identity, urging young people to take pride in who they are. Simone’s powerful performance makes this song both a rallying cry and a source of comfort, and it remains as relevant today as when it was first released.
10. Wild is the Wind – 1959
Simone’s rendition of Wild is the Wind, released in 1959, is nothing short of breathtaking. Originally written by Dimitri Tiomkin and Ned Washington for the 1957 film of the same name, Simone’s interpretation transforms the song into a haunting ballad of unrequited love. Her voice, full of ache and longing, drifts over the sparse piano accompaniment, creating an atmosphere of raw emotion. The song builds slowly, rising and falling like the wind itself, as Simone delivers one of her most nuanced and heartfelt performances. Wild is the Wind has since been covered by numerous artists, but none have captured the song’s aching beauty quite like Nina Simone.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
