Instrumental music has a unique power—it speaks without words, yet it can move us, thrill us, and transport us across time and space. From haunting guitar melodies to soaring orchestral themes and electrifying synth riffs, the greatest instrumentals have etched themselves into our collective memory. Whether they’ve set the tone for iconic films, dominated radio airwaves, or inspired generations of musicians, these tracks prove that music doesn’t need lyrics to make a lasting impact. In fact, some of the most unforgettable songs in history are the ones that let the instruments do all the talking.
In this article, we dive into the Top 15 Most Popular Best Instrumental Music Songs of All Time—a curated list of genre-defining masterpieces that have stood the test of time. These aren’t just background tunes; they are sonic landmarks that capture emotion, energy, and innovation in pure musical form. From the surf-rock swagger of the ’60s to the synth-heavy anthems of the ’80s and beyond, each track on this list has earned its place in music history. So turn up the volume, and let the music speak for itself—no lyrics required. Ready to explore the instrumental giants? Let’s dive into the soundscapes that changed the world.
1. “Axel F” – Harold Faltermeyer (1984)
There are few pieces of music that capture the essence of 1980s pop culture quite like “Axel F” by Harold Faltermeyer. Originally written as the theme for Beverly Hills Cop, the 1984 instrumental became an unexpected sensation, combining sleek electronic textures with an irresistible sense of rhythm and attitude. Using cutting-edge gear at the time—like the Roland Jupiter-8 and Yamaha DX7—Faltermeyer sculpted a futuristic yet funky sound that perfectly matched the film’s mix of humor and action. The track’s bouncy, synth-driven melody doesn’t just accompany the story of Eddie Murphy’s street-smart detective—it is the story, told without a single lyric. It hit the Top 10 in several countries and helped define the musical aesthetic of the decade. “Axel F” has since become an iconic part of pop culture, endlessly sampled, remixed, and parodied—from Crazy Frog’s infamous version to countless sporting events and commercials. Despite all the tributes and transformations, the original still stands out as a brilliantly composed instrumental that blends technical flair with pure, unfiltered fun. It’s a shining example of how a wordless tune can be just as evocative and unforgettable as any pop hit with vocals.
2. “Green Onions” – Booker T. & the M.G.’s (1962)
“Green Onions,” released in 1962, is more than just a song—it’s a vibe, a groove, and a landmark in soul music history. Recorded by the teenage Booker T. Jones and his legendary bandmates—Steve Cropper on guitar, Donald “Duck” Dunn on bass, and Al Jackson Jr. on drums—this instrumental track captured lightning in a bottle. Its signature Hammond organ riff is instantly recognizable, exuding a cool, effortless swagger that defined the early Stax Records sound. There’s something raw and hypnotic about the way the groove just locks in and never lets go. Without a single lyric, “Green Onions” became a surprise hit and a cultural staple, used in everything from film and TV to commercials and sports arenas. It’s been covered and referenced countless times, yet the original retains its magic. The track laid the foundation for instrumental soul and funk, showcasing how minimalism, groove, and chemistry can create something timeless. It even earned a place in the Grammy Hall of Fame, a fitting honor for a tune that still makes people bob their heads over 60 years later. “Green Onions” is the sound of cool distilled into two and a half minutes.
3. “Sleepwalk” – Santo & Johnny (1959)
Few instrumentals evoke emotion as deeply as Santo & Johnny’s “Sleepwalk,” a dreamy steel guitar ballad that first entranced listeners in 1959. Crafted late one night after a gig, the song was inspired by the wistful longing that creeps in after dark. Brothers Santo and Johnny Farina poured heart and soul into the pedal steel guitar melody, which gently floats above a hushed rhythm section like a slow dance in a moonlit diner. The result is haunting, nostalgic, and surprisingly powerful without uttering a single word. “Sleepwalk” quickly became a sensation, topping the Billboard Hot 100 and becoming one of the most beloved instrumental tracks of all time. It’s often heard in films and TV to underscore heartbreak, memory, or the passage of time—always evoking a deep, reflective mood. The track feels like a lullaby for lost love, rich with emotion and timeless in its simplicity. Decades later, its aching beauty still resonates. Whether you’re hearing it for the first time or the hundredth, “Sleepwalk” remains one of the most emotionally stirring pieces of music ever recorded—proof that sometimes, melody alone can speak louder than words.
4. “Chariots of Fire” – Vangelis (1981)
When Vangelis released “Chariots of Fire” in 1981, he wasn’t just creating a film score—he was crafting an anthem of human achievement. Composed for the Oscar-winning movie of the same name, the track became synonymous with determination, resilience, and triumph. Built around a slow, majestic synth progression, the piece gradually swells with emotion, mimicking the pacing of a runner finding their stride. Vangelis used analog synthesizers like the Yamaha CS-80 to blend orchestral grandeur with futuristic tones, creating a sound that was both timeless and forward-looking. Despite being an instrumental, “Chariots of Fire” connected deeply with listeners and even topped the Billboard Hot 100 in 1982—a rare feat for a non-vocal track. Its inspirational tone has made it a mainstay at Olympic ceremonies, marathons, and motivational montages. More than just background music, it has become a symbol of perseverance and human spirit. Whether you’re watching a film scene or pushing through a challenge of your own, “Chariots of Fire” provides the perfect soundtrack for that slow-burning journey toward greatness. It’s not just music—it’s momentum set to melody.
5. “Frankenstein” – The Edgar Winter Group (1973)
“Frankenstein” by The Edgar Winter Group is an explosive sonic experiment that crashed into the music scene in 1973 with the force of a rock ‘n’ roll thunderbolt. Named for its pieced-together structure during the editing process, the track is a thrilling instrumental monster of shifting tempos, wild solos, and genre-defying energy. Edgar Winter, a multi-instrumental wizard, laid down a blistering mix of electric guitar, saxophone, and the groundbreaking ARP 2600 synthesizer—all of which gave “Frankenstein” a futuristic edge that set it apart. Blending hard rock, jazz fusion, and proto-electronica, the track pushed the boundaries of what an instrumental rock song could be. Its jaw-dropping drum solos and sudden tempo changes made it feel like a live wire on vinyl. Shockingly, “Frankenstein” soared to No. 1 on the Billboard Hot 100, proving that a wordless, high-octane jam could capture the public’s imagination. It remains one of the most technically daring and innovative instrumentals ever recorded—a showcase of raw talent, experimentation, and sheer audacity. Decades later, it’s still a thrilling listen, a Frankenstein’s monster of music stitched together with brilliance and boldness.
6. “Classical Gas” – Mason Williams (1968)
“Classical Gas” is Mason Williams’ dazzling contribution to the world of instrumental music—a whirlwind fusion of classical precision and pop accessibility. Released in 1968, this guitar-driven masterpiece emerged from the world of television, originally composed for The Smothers Brothers Comedy Hour, where Williams was a head writer. But once audiences heard it, the piece took on a life of its own. Featuring lightning-fast fingerpicking backed by a rich orchestral arrangement, “Classical Gas” moves with cinematic flair, bouncing between energetic runs and moments of melodic grace. It’s a piece that bridges eras and genres—combining baroque elegance with the modern folk and pop sensibilities of the late ‘60s. The result? A multi-Grammy-winning instrumental that became a radio staple and concert favorite. It won awards for Best Instrumental Composition and Arrangement, and helped elevate the acoustic guitar to new heights of popularity. Whether you hear it in a concert hall or blasting from a car stereo, “Classical Gas” remains exhilarating, precise, and endlessly replayable. It’s a perfect example of how instrumental music can feel as complete and satisfying as any song with lyrics.
7. “Jessica” – The Allman Brothers Band (1973)
“Jessica” is a vibrant, sun-soaked instrumental from The Allman Brothers Band that radiates joy, freedom, and melodic brilliance. Released in 1973 on the Brothers and Sisters album, the track was composed by guitarist Dickey Betts as a tribute to his young daughter, and you can hear the love and energy in every note. From the moment it begins, “Jessica” bursts to life with intertwining guitar harmonies and an upbeat, galloping rhythm that never loses momentum. It’s a perfect blend of Southern rock, blues, and country with a splash of jazz improvisation. While Betts’ guitar work leads the way, Chuck Leavell’s rollicking piano lines add rich textures that elevate the composition to something greater than the sum of its parts. Even without lyrics, “Jessica” tells a vivid story—one of carefree drives, endless summer days, and heartfelt inspiration. It became a fan favorite and a radio staple, and was later immortalized as the theme song for Top Gear. Rolling Stone even ranked it among the greatest guitar songs of all time. “Jessica” proves that sometimes, the most expressive music doesn’t need words—it just needs heart.
8. “Albatross” – Fleetwood Mac (1968)
Before Fleetwood Mac transformed into the rock superstars of the ’70s and ’80s, they had their roots in British blues, and “Albatross” stands as one of the most beautiful artifacts from that era. Released in 1968, this tranquil instrumental was composed by guitarist Peter Green, who was inspired by the calm, endless rhythm of ocean waves. With gently flowing guitar lines drenched in reverb, “Albatross” invites listeners into a state of quiet reflection. Every note seems to hang in the air, unhurried and deliberate. The track was also partly inspired by Samuel Taylor Coleridge’s The Rime of the Ancient Mariner, and you can feel that poetic stillness in its tone. It became Fleetwood Mac’s first No. 1 hit in the UK and later influenced songs like The Beatles’ “Sun King.” At just over three minutes, “Albatross” is a masterclass in restraint—an ambient seascape that washes over the listener with meditative ease. Its peaceful energy continues to resonate decades later, reminding us that sometimes the most powerful music is the most serene. It’s not just a song—it’s a feeling floating in sound.
9. “The Good, the Bad and the Ugly” – Ennio Morricone (1966)
Few film scores have become as iconic—or as instantly recognizable—as Ennio Morricone’s theme for The Good, the Bad and the Ugly. Released in 1966 to accompany Sergio Leone’s spaghetti western classic, the piece redefined what movie music could be. From the eerie, whistling two-note motif that mimics a coyote’s howl to the use of galloping percussion, ocarina, electric guitar, and even whip cracks, Morricone created an aural world that perfectly captured the dusty tension and epic confrontations of the Old West. The theme’s slow build and dramatic flair became a blueprint for cinematic showdowns, so evocative it practically paints a desert landscape in your mind. While originally written for film, the piece quickly transcended its medium—becoming a pop culture reference point in everything from commercials to comedy sketches. It’s since been sampled, parodied, and studied, but never duplicated. The genius of Morricone lies in how he turned unconventional instruments into emotional tools, crafting a score that’s suspenseful, haunting, and unforgettable. Even decades later, hearing those opening notes conjures instant imagery of duels at high noon and silent standoffs. It’s not just music—it’s a masterclass in how sound can shape story.
10. “Love’s Theme” – The Love Unlimited Orchestra (1973)
Before disco had fully taken shape, Barry White was already laying its luxurious foundations with “Love’s Theme,” released in 1973. Performed by The Love Unlimited Orchestra, the song is a lush, sweeping instrumental that marries the grandeur of symphonic strings with the groove of funk and soul. It begins with a romantic, soaring melody and gradually layers in wah-wah guitar, steady bass, and a smooth rhythm section, creating a sensual, cinematic soundscape. Remarkably, “Love’s Theme” reached No. 1 on the Billboard Hot 100, becoming one of the first orchestral instrumentals to achieve such a feat. It showed that instrumental music could be both sophisticated and radio-friendly, paving the way for disco’s golden era. With its shimmering elegance and undeniable groove, the track feels like candlelight on vinyl—sultry, refined, and irresistibly danceable. Whether heard at a wedding, a dinner party, or under the lights of a glittering disco ball, it never fails to evoke a sense of romance and timeless cool. “Love’s Theme” wasn’t just a hit; it was a cultural mood-setter, establishing Barry White’s signature style and proving that sometimes, the most powerful love songs don’t need words at all.
11. “Apache” – The Shadows (1960)
Released in 1960, “Apache” by The Shadows is a pioneering instrumental that helped define an era of guitar-based music before surf rock had even crested its first wave. The track’s unforgettable melody—played with echo-drenched precision by lead guitarist Hank Marvin—evokes cinematic images of desert vistas, lone riders, and distant horizons. With its clean tone and rhythmic undercurrent, “Apache” draws influence from Western films and Native American themes, creating a mood that’s both adventurous and slightly mystical. It topped the UK charts for five weeks and established The Shadows as one of Britain’s most influential bands. “Apache” wasn’t just a hit; it became a blueprint for the instrumental rock genre, inspiring generations of musicians with its tone, phrasing, and style. Its impact didn’t stop in the ‘60s either—decades later, it was reimagined in the groundbreaking breakbeat version by the Incredible Bongo Band, which went on to influence early hip-hop and DJ culture. From classic rock to B-boy battles, “Apache” has lived many lives, proving its staying power through reinvention. It’s a timeless instrumental that, even without lyrics, tells a story of grit, glory, and uncharted terrain.
12. “Wipe Out” – The Surfaris (1963)
If there’s a single song that captures the adrenaline of early ‘60s surf culture, it’s “Wipe Out” by The Surfaris. Released in 1963, the track opens with a wild laugh and the shout of the title, then explodes into a legendary drum solo that’s become a rite of passage for aspiring percussionists. Ron Wilson’s pounding drums, combined with Dick Dale-inspired guitar licks drenched in reverb, deliver a sonic wave of energy that never lets up. Clocking in under three minutes, “Wipe Out” is fast, raw, and exhilarating—the musical equivalent of riding a wave at full speed. Though originally recorded as a B-side, the song’s popularity quickly eclipsed expectations, climbing the charts and becoming a defining anthem of surf rock. It’s been featured in countless movies, commercials, and TV shows, serving as shorthand for carefree youth, beach parties, and wild summer fun. Its raw, lo-fi charm still packs a punch decades later, especially for garage bands and drum enthusiasts looking for a challenge. “Wipe Out” isn’t just a surf tune—it’s a cultural touchstone that embodies the wild spirit of early rock ‘n’ roll in all its unpolished glory.
13. “Tequila” – The Champs (1958)
With a single word and a killer groove, The Champs’ “Tequila” became an enduring party anthem that’s spanned generations. Released in 1958, this Latin-tinged instrumental bursts with energy, driven by a catchy saxophone riff and an irresistible shuffle rhythm. The entire song builds to one triumphant, shouted word—“Tequila!”—which arrives like a punchline every time, and never gets old. That single exclamation gave the song its name, and its charm. A surprising smash hit, “Tequila” climbed to No. 1 on the Billboard Hot 100 and quickly embedded itself into the American pop culture landscape. It’s been featured in everything from The Sandlot to Pee-wee’s Big Adventure, where its quirky, offbeat spirit found a perfect home. With its infectious beat and fun-loving energy, “Tequila” became a go-to track for celebrations, parades, and dance parties. There’s nothing overly complex about it—and that’s exactly why it works. The Champs tapped into something primal and joyous, creating a track that remains fresh no matter how many times you hear it. “Tequila” is proof that sometimes all you need is rhythm, a sax, and a well-timed shout to create an unforgettable hit.
14. “Rise” – Herb Alpert (1979)
“Rise” marked a new chapter for Herb Alpert in 1979, showing the world that the trumpeter known for his brassy Tijuana Brass sound could evolve with the times—and do it in style. A smooth blend of jazz, funk, and disco, the instrumental track became an unlikely chart-topper, hitting No. 1 on the Billboard Hot 100. Its mellow groove, anchored by a funky bassline and slick percussion, sets the stage for Alpert’s velvety trumpet melodies to float above it all. The vibe is relaxed yet sophisticated, perfect for late-night drives or classy cocktail lounges. “Rise” also found success on the dance floor, bridging genres in a way few instrumentals had done before. It saw a major resurgence in the ‘90s when its hypnotic groove was sampled in The Notorious B.I.G.’s “Hypnotize,” bringing it to a whole new audience. Cool, polished, and endlessly listenable, “Rise” stands out as a rare moment where instrumental jazz-funk crossed over into the mainstream in a big way. It’s both a throwback to a classy era of instrumental pop and a forward-looking experiment in groove. In short, “Rise” lives up to its name—it lifts you.
15. “Tubular Bells” – Mike Oldfield (1973)
Mike Oldfield’s Tubular Bells, released in 1973, is an epic instrumental journey that defied categorization—and expectation. At just 19 years old, Oldfield composed, performed, and recorded almost the entire piece himself, layering guitars, keyboards, and percussion into a sprawling, multi-part opus. The opening piano motif became iconic thanks to its use in The Exorcist, giving the track a spooky, otherworldly reputation. But there’s far more to Tubular Bells than horror associations. The album evolves like a symphony, flowing through gentle melodic sections, complex progressions, and dramatic peaks with surprising cohesion. It was the first release on Virgin Records, launching both the label and Oldfield into fame. Clocking in at over 40 minutes, Tubular Bells challenged the pop landscape with its ambitious structure and genre-bending style, blending progressive rock, classical elements, and electronic experimentation. It proved that instrumental music could be bold, conceptual, and commercially successful. Even today, the piece stands as a testament to youthful creativity and artistic freedom. From its eerie beginnings to its triumphant conclusion, Tubular Bells is less a song and more a voyage—one that continues to captivate and inspire decades later.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
