When it comes to soul music that hits you right in the gut and gets your feet moving, Wilson Pickett stands in a league of his own. With a voice like gravel dipped in honey and a stage presence that could ignite any room, Pickett transformed every song he touched into a fiery explosion of rhythm, passion, and raw emotion. From the sweaty soul clubs of the American South to the top of the R&B and pop charts, he carved out a legendary career that helped shape the very sound of the 1960s and ’70s. Whether he was howling about heartbreak or commanding the dance floor with infectious grooves, Pickett delivered every note with fearless intensity. His music still pulses with life, decades after its release. In this list, we’re counting down the top 10 most popular Wilson Pickett songs of all time—the timeless tracks that not only defined his career but also helped write the soundtrack of soul. These aren’t just songs; they’re anthems of a generation, each one bursting with the grit, groove, and glory that made Pickett a true icon. Ready to feel the power of The Wicked Pickett? Let’s dive into the soul-soaked greatness.
1. In the Midnight Hour (1965)
Released in 1965, Wilson Pickett’s “In the Midnight Hour” became a defining moment in soul music. Co-written by Pickett and Steve Cropper of Booker T. & the M.G.’s, the track was recorded at the legendary Stax Studios in Memphis, capturing the essence of 1960s Southern soul. Pickett’s raw, impassioned vocals, marked by his signature raspy delivery, are perfectly complemented by Cropper’s tight guitar licks and the driving rhythm section. The song’s deliberate, slow beat set it apart from the fast-paced hits of the era, matching the dance style of the time. “In the Midnight Hour” became an instant classic, reaching No. 1 on the R&B charts and breaking into the Top 40 on the pop charts. More than just a love song, it is a heartfelt declaration of desire, pulsing with emotion and yearning. This track launched Pickett’s solo career into the stratosphere, helping shape the sound of 60s soul music and cementing his place in music history.
2. Mustang Sally (1966)
Originally written by Sir Mack Rice in 1965, “Mustang Sally” took on a life of its own when Wilson Pickett released his version in 1966. From the opening piano riff to the infectious chorus, Pickett’s rendition turned the track into a cultural phenomenon. His confident swagger and gritty, playful vocal delivery brought the story of a wild woman and her Mustang to vivid life. The iconic chorus—“Ride, Sally, ride!”—became an anthem, shouted in bars and parties for generations. Backed by the Muscle Shoals Rhythm Section, the song had a tight, funky groove that made it a jukebox staple across America. Though it didn’t top the charts at first, its enduring popularity speaks to Pickett’s talent in turning a simple song into an unforgettable hit. Bold, brash, and full of energy, “Mustang Sally” continues to captivate listeners, still racing down soul highways decades later.
3. Land of 1000 Dances (1966)
Released in 1966, Wilson Pickett’s version of “Land of 1000 Dances” transformed Chris Kenner’s original into an electrifying anthem of soul and dance. With the addition of the famous “na na-na-na-na” chant, a hallmark of Pickett’s rendition, the track became one of the most recognizable intros in music history. The horns blast, the drums pound, and Pickett’s voice rips through the track with intensity, creating a sonic storm that demands attention. Backed by the legendary Muscle Shoals crew, the song surged to No. 6 on the Billboard Hot 100 and hit No. 1 on the R&B charts. It’s a call to the dance floor, celebrating rhythm and movement, capturing the explosive energy of 60s soul. With its infectious groove and commanding vocals, “Land of 1000 Dances” remains one of the most iconic party tracks of its time, still energizing dance floors today.
4. Don’t Let the Green Grass Fool You (1971)
In 1971, Wilson Pickett’s “Don’t Let the Green Grass Fool You” showcased a more refined, yet still emotionally charged side of the soul legend. Written by producer Jerry Akines and his team, the song advises against chasing illusions of greener pastures in love, delivering a poignant message with soul and conviction. Pickett’s vocal performance is a masterclass in emotional storytelling, blending caution and heartfelt sincerity. The arrangement, with its blend of funk and gospel influences, features a rolling groove and bright horn stabs that keep the momentum alive. The track reflects the early 70s shift toward a more polished, orchestrated sound in soul music, yet Pickett’s gritty, raw voice cuts through with power. Reaching No. 2 on the Billboard R&B chart, this song proved that Pickett’s appeal was just as potent in the 70s as it had been in the 60s, offering a timeless reminder that all that glitters isn’t gold.
5. Funky Broadway (1967)
Wilson Pickett’s “Funky Broadway” made history in 1967, becoming the first song with the word “funky” in its title to chart on Billboard. Originally written and recorded by Dyke and the Blazers, Pickett’s version ramped up the groove, adding his signature raw vocals and a punchier horn section. The track is a celebration of urban life, with “Broadway” symbolizing the heart of the funk and soul movement, not New York’s iconic street, but the metaphorical hub of rhythm and style. Pickett’s commanding voice rides over a relentless rhythm that practically dares you to move. The song’s infectious energy helped it hit No. 1 on the R&B chart and crack the Top 10 on the pop charts, cementing Pickett’s place as a pioneer of funk-infused soul. Bold, brash, and brilliantly funky, “Funky Broadway” remains a defining track of the genre.
6. 634-5789 (Soulsville, U.S.A.) (1966)
Wilson Pickett’s “634-5789 (Soulsville, U.S.A.)” became a soul anthem when it was released in 1966. Written by Eddie Floyd and Steve Cropper, the track offered a metaphorical hotline for love—Pickett’s invitation to his lover (and the world) to call him at any time. The punchy horns, tight rhythm section, and Pickett’s seductive yet assertive delivery made it an unforgettable track. Pickett’s voice commands attention as he declares his emotional availability, while the song’s infectious groove ensures it stays stuck in your head. This was Pickett at his most dynamic, blending passion and romance with fiery soul. Reaching No. 1 on the R&B charts, “634-5789” showcased Pickett’s crossover power, making it a quintessential track in the golden age of R&B music.
7. Hey Jude (1969)
Covering The Beatles is always a daring move, but Wilson Pickett’s 1969 version of “Hey Jude” didn’t just meet expectations—it redefined them. Recorded at Fame Studios in Muscle Shoals, Alabama, this cover was remarkable not just for Pickett’s soul-stirring vocals but also for featuring Duane Allman on guitar. From the very first note, Pickett injects the song with a raw, gospel-infused energy that takes it to new heights. As the song builds, so does Pickett’s intensity, culminating in a cathartic breakdown that transforms the classic ballad into a soul-driven masterpiece. While the original version by The Beatles is introspective and restrained, Pickett’s rendition is passionate and cathartic, offering a soulful take on the timeless song. Though it didn’t chart as highly as some of his other hits, it remains a classic, with even George Harrison calling it his favorite version.
8. Everybody Needs Somebody to Love (1967)
Originally written by Solomon Burke, Wilson Pickett’s 1967 cover of “Everybody Needs Somebody to Love” injected the track with raw, unrelenting energy. Where Burke’s version was warm and sermon-like, Pickett’s take was explosive and urgent. His commanding vocals plead for love, capturing the universal longing for connection in a way that feels both personal and universal. The track, driven by a stomping rhythm and jubilant horns, became a fan favorite, even if it didn’t quite top the charts like Burke’s original. Pickett’s rendition helped solidify the song as a soul standard, later covered by countless artists. It’s a fiery celebration of humanity’s most basic need—love.
9. I’m in Love (1967)
“I’m in Love,” released in 1967, marks one of Wilson Pickett’s most tender performances. Written by Bobby Womack, the song is a heartfelt confession of emotional vulnerability. Unlike many of Pickett’s more aggressive songs, this track slows things down, allowing the emotion to take center stage. His smooth, impassioned vocals capture the fear and joy of falling in love. The understated instrumentation, featuring gentle horns and a laid-back groove, complements the sincerity of the lyrics, making it one of his most soulful ballads. While it didn’t soar on pop radio, it resonated deeply with soul fans, climbing into the Top 10 on the R&B charts. It’s a beautiful testament to the power of vulnerability in soul music.
10. Engine Number 9 (1970)
Released in 1970, “Engine Number 9” is a high-energy soul-funk track that captures the spirit of longing and pursuit. From the moment it starts, the song barrels forward with a relentless bassline and syncopated drums, creating a locomotive groove. Pickett’s untamed vocals convey a fiery desperation as he searches for the woman who left him, with the train metaphor adding depth to the emotional narrative. Blending gritty Southern soul with the rhythmic complexity of funk, the track is a dynamic reflection of the evolving soundscape of the 70s. While it didn’t become one of Pickett’s biggest commercial hits, “Engine Number 9” remains a standout in his catalog, showcasing his ability to adapt to the changing soul music scene.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
