Get on up and feel the funk—because we’re about to dive headfirst into the unstoppable energy of the Godfather of Soul himself, James Brown. With his explosive stage presence, electrifying dance moves, and a voice that could shout, scream, and soar like no other, James Brown didn’t just influence music—he revolutionized it. Funk, soul, R&B, hip-hop—you name it, and James Brown left his mark on it.
In this article, we’re counting down the top 10 most popular James Brown songs of all time—the groundbreaking tracks that made the world move, groove, and never look back. These songs are more than just hits—they’re the blueprint of modern music, bursting with raw power, tight rhythms, and an attitude that only James could deliver.
From the unstoppable drive of “I Got You (I Feel Good)” to the revolutionary funk of “Get Up (I Feel Like Being a) Sex Machine”, each song on this list is a masterclass in rhythm, soul, and sheer performance genius.
So tighten up your laces, turn up the volume, and prepare to dance through the legacy of a man who turned passion into performance. These are the tracks that made James Brown a music icon—and they still hit just as hard today.
1. “I Got You (I Feel Good)” (1965)
If there’s one James Brown song that everyone knows, it’s “I Got You (I Feel Good).” From the very first blast of horns to Brown’s electrifying scream, this 1965 track is pure energy. It’s a joyful, feel-good anthem with lyrics that radiate happiness and love, delivered with the passion and intensity that only Brown could bring. The driving beat, funky brass section, and relentless groove make it impossible to sit still while listening. This song became Brown’s highest-charting hit on the Billboard Hot 100, cementing his status as a powerhouse in popular music. Over the decades, it has appeared in countless movies, TV shows, and commercials, solidifying its place as one of the most recognizable songs in music history.
2. “Papa’s Got a Brand New Bag” (1965)
James Brown changed the course of music history with “Papa’s Got a Brand New Bag,” a song that laid the foundation for funk. Released in 1965, this track introduced a revolutionary approach to rhythm, putting groove and syncopation at the forefront rather than melody. The driving horns, tight guitar riffs, and Brown’s signature explosive vocals made it an instant classic. Lyrically, the song tells the story of an older man embracing the latest dance trends, symbolizing the constant evolution of music and culture. More than just a hit, this song marked a turning point in R&B and soul, pushing the boundaries of what popular music could be. “Papa’s Got a Brand New Bag” became one of Brown’s most influential recordings, earning him his first Grammy and helping to define the sound of funk for generations to come.
3. “Cold Sweat” (1967)
When “Cold Sweat” hit the airwaves in 1967, it was nothing short of groundbreaking. Widely considered one of the first true funk songs, this track took rhythm and groove to an entirely new level. James Brown, alongside his legendary band led by saxophonist Maceo Parker, stripped traditional R&B down to its core, creating a hypnotic, syncopated sound that would define funk for years to come. With its sharp horn stabs, call-and-response vocals, and relentless drum patterns, “Cold Sweat” wasn’t just a song—it was a blueprint for the genre. Brown’s raw, commanding performance made it clear that funk wasn’t just about the notes being played but the spaces in between.
4. “It’s a Man’s Man’s Man’s World” (1966)
Slowing things down but turning up the emotion, Brown delivered one of his most powerful ballads with “It’s a Man’s Man’s Man’s World” in 1966. Unlike his usual high-energy funk anthems, this song is a dramatic, soul-stirring reflection on the contributions of men to the world—while making it clear that none of it would matter “without a woman or a girl.” The orchestral arrangement and haunting strings add a cinematic quality, while Brown’s raw, impassioned vocals elevate it to another level. A poignant blend of social commentary and personal expression, this song remains one of his most respected and enduring works.
5. “Give It Up or Turnit a Loose” (1968)
Released in 1968, “Give It Up or Turnit a Loose” is one of Brown’s most electrifying funk performances. The song’s relentless bassline, energetic horn section, and infectious groove make it an undeniable classic. Brown’s signature call-and-response style is in full effect, creating a high-energy, almost hypnotic listening experience. The song became a favorite among DJs and breakdancers, later influencing hip-hop and electronic music. Over the years, multiple versions of this track have been recorded, including a 1970 live version that further showcases Brown’s unmatched ability to ignite a crowd.
6. “Say It Loud – I’m Black and I’m Proud” (1968)
More than just a song, “Say It Loud – I’m Black and I’m Proud” became an anthem for the Civil Rights Movement in 1968. At a time when the fight for racial equality was at its peak, Brown’s bold declaration of Black pride and empowerment resonated deeply. The track’s infectious groove, punchy horns, and the children’s chorus chanting the title made it both a rallying cry and a danceable hit. Brown used his platform not just to entertain but to inspire and uplift. The song’s impact extends far beyond music, as its message continues to echo in modern discussions about racial identity and empowerment.
7. “Get Up (I Feel Like Being a) Sex Machine” (1970)
Few songs define funk as perfectly as “Get Up (I Feel Like Being a) Sex Machine.” Released in 1970, this track signaled a new era for Brown, featuring his newly assembled band, The J.B.’s, with Bootsy Collins on bass. The song is built around a stripped-down, hypnotic groove that allows for extended jamming and spontaneous call-and-response moments. Brown’s playful, commanding presence, along with his iconic “hit me!” cues, make it one of the most electrifying songs in dance music history. Its influence on funk, disco, and hip-hop is immeasurable, ensuring its place as one of Brown’s most enduring tracks.
8. “Mother Popcorn” (1969)
James Brown continued pushing the limits of funk with “Mother Popcorn,” released in 1969. Built around a tight, syncopated groove, this track features some of Brown’s fastest, most high-energy vocal deliveries. Inspired by the “Popcorn” dance craze, the song has an infectious rhythm that practically demands movement. The horn section is razor-sharp, the beat is relentless, and Brown’s ad-libbed shouts and improvisations take center stage. This track reinforced his reputation as the “Hardest Working Man in Show Business” and remains a cornerstone of funk music.
9. “The Payback” (1973)
By 1973, James Brown had perfected his funk formula, and “The Payback” took it to the next level. Unlike his usual fast-paced anthems, this slow-burning, eight-minute groove is built around a deep, hypnotic bassline and a laid-back yet menacing vocal delivery. Originally intended for a blaxploitation film soundtrack (which ultimately rejected it), the song became one of Brown’s most iconic tracks. Its themes of revenge and resilience struck a chord with listeners, while its infectious rhythm made it a goldmine for hip-hop producers, leading to countless samples in rap music. “The Payback” is more than just a song—it’s a lesson in funk mastery and a testament to Brown’s lasting influence.
10. “Super Bad” (1970)
With “Super Bad,” James Brown delivered another funk masterpiece in 1970. Driven by a relentless bass groove, tight horn punches, and Brown’s dynamic vocal improvisations, this song is pure confidence and attitude. His exclamation, “I got soul, and I’m super bad!” became an anthem of self-empowerment, exuding swagger and coolness. The extended instrumental sections allowed Brown’s band to shine, further proving why they were one of the tightest ensembles in music history. The track’s raw energy and stripped-down funk sound made it a favorite among musicians, DJs, and later, hip-hop producers who sampled it extensively.









