Few bands have captured the raw energy, unfiltered passion, and infectious charisma of rock ‘n’ roll quite like The Faces. Known for their raucous live performances and the magnetic presence of frontman Rod Stewart, The Faces blended bluesy swagger with anthemic melodies, forging a sound that continues to resonate with fans decades later. With a lineup that included legends like Ronnie Wood and Ian McLagan, the band’s music is a testament to an era when rock was gritty, heartfelt, and unapologetically fun.
In this article, we’re counting down the top 10 most popular songs by The Faces—a celebration of the tracks that defined their legacy and continue to light up playlists around the world. From soulful ballads to rollicking jams, these classics have stood the test of time, showcasing the band’s impeccable musicianship and undeniable chemistry. Whether you’re a lifelong fan or new to their catalog, this list will take you on a thrilling ride through some of the finest moments in rock history. So crank up the volume, pour yourself a drink, and let’s dive into the unforgettable music of The Faces—songs that will make you laugh, cry, and dance like nobody’s watching!
1. Stay With Me (1971)
“Stay With Me” is arguably The Faces’ most electrifying anthem—a swaggering, unapologetic slice of early ’70s rock ‘n’ roll that captures the band at their most raucous and unfiltered. Released in 1971 on the album A Nod Is As Good As a Wink… to a Blind Horse, the song became a defining hit for the group, propelled by Rod Stewart’s gritty vocals and Ronnie Wood’s searing guitar riffs. The track tells the cheeky tale of a fleeting romantic encounter, with the narrator laying out candid terms for a one-night stand. Its infectious energy and memorable chorus made it a staple on classic rock radio and a fan favorite during live performances. The song’s structure, starting with a steady groove and building up to a double-time climax, exemplifies The Faces’ dynamic musical approach. “Stay With Me” remains a testament to the band’s ability to blend humor, raw energy, and musical prowess into a timeless rock classic.
2. Ooh La La (1973)
“Ooh La La” stands out as one of The Faces’ most enduring and reflective tracks. Released in 1973 on the album of the same name, the song features Ronnie Wood on lead vocals—a rarity for the band. The lyrics, penned by Ronnie Lane and Wood, convey a grandfather’s sage advice to his grandson about the complexities of love and relationships. The memorable refrain, “I wish that I knew what I know now, when I was younger,” encapsulates the song’s theme of hindsight and the bittersweet lessons of life. The acoustic strumming and heartfelt delivery lend the track a timeless quality, resonating with listeners across generations. Despite internal band tensions during its recording, “Ooh La La” emerged as a poignant farewell, marking the end of The Faces’ studio albums. Its enduring appeal has led to numerous covers and its inclusion in various films and commercials, solidifying its place in rock history.
3. Cindy Incidentally (1973)
“Cindy Incidentally” showcases The Faces’ ability to blend rock swagger with soulful melodies. Released in 1973 on the album Ooh La La, the song became one of the band’s biggest UK hits, reaching number two on the charts. Written by Rod Stewart, Ronnie Wood, and Ian McLagan, the track features Stewart’s distinctive vocals, Wood’s crisp guitar work, and McLagan’s vibrant piano playing. The lyrics narrate a story of departure and change, capturing the bittersweet emotions of moving on. Some interpretations suggest the song reflects Stewart’s own feelings about his evolving career and impending departure from the band. The upbeat tempo and catchy chorus contrast with the underlying themes of transition and self-discovery. “Cindy Incidentally” remains a testament to The Faces’ musical versatility and their knack for crafting songs that resonate both emotionally and rhythmically.
4. Had Me a Real Good Time (1971)
“Had Me a Real Good Time” is a jubilant celebration of life’s pleasures, encapsulating The Faces’ free-spirited ethos. Featured on the 1971 album Long Player, the song exudes a rollicking energy, driven by rollicking piano lines and Rod Stewart’s exuberant vocals. The lyrics paint a vivid picture of carefree revelry, emphasizing the joy of living in the moment. The track’s dynamic arrangement, with its shifting tempos and spirited instrumentation, mirrors the unpredictability and excitement of a night out. “Had Me a Real Good Time” captures the essence of The Faces’ live performances, known for their spontaneous and infectious energy. The song serves as an anthem for those who embrace life’s adventures with open arms, reinforcing the band’s reputation for delivering music that celebrates the human experience in all its messy, glorious splendor.
5. Debris (1971)
“Debris” offers a poignant glimpse into Ronnie Lane’s introspective songwriting, diverging from The Faces’ typically boisterous sound. Released in 1971 on the album A Nod Is As Good As a Wink… to a Blind Horse, the song delves into themes of familial relationships and the passage of time. Lane’s gentle vocals and the song’s understated arrangement create an intimate atmosphere, drawing listeners into a reflective narrative. The lyrics depict a scene at a Sunday market, symbolizing the remnants of past experiences and the complexities of father-son dynamics. “Debris” stands as a testament to Lane’s ability to convey deep emotion through simple yet evocative storytelling. Its melancholic tone and heartfelt delivery highlight the band’s range, showcasing their capacity to balance raucous rock with tender balladry. Over the years, “Debris” has garnered appreciation for its emotional depth, solidifying its place as one of The Faces’ most cherished compositions.
6. Flying (1970)
“Flying” is a soaring, heartfelt track that reveals The Faces at their most introspective and optimistic. Released on their 1970 debut album First Step, it marked a strong introduction to the band’s songwriting sensibilities, blending folk, blues, and rock with emotional sincerity. Co-written by Ronnie Lane, Rod Stewart, and Ronnie Wood, the song opens with gentle acoustic guitar strumming and gradually builds to a more powerful crescendo, creating a sense of lift and movement that mirrors the song’s title. The lyrics evoke a yearning for freedom and escape, touching on themes of renewal and starting anew. With its rich vocal harmonies and sweeping instrumental sections, “Flying” feels almost cinematic in its emotional arc. It’s a beautiful showcase of the band’s ability to write deeply resonant songs that go beyond the boozy bravado they were often associated with. “Flying” remains one of their most underrated yet beloved tracks, praised for its melodic beauty and emotional depth. It signaled early on that The Faces were capable of delivering not just rock anthems, but songs that spoke to the heart as much as the hips.
7. Three Button Hand Me Down (1970)
“Three Button Hand Me Down” is a witty, attitude-filled closer from The Faces’ debut album First Step (1970), and it exemplifies the band’s knack for combining clever lyricism with irresistibly funky grooves. With a swaggering bass line and Rod Stewart’s cheeky vocal delivery, the song pokes fun at materialism and social posturing. The lyrics tell the story of a man dismissed for his appearance—wearing a secondhand three-button suit—yet unapologetically owning who he is. It’s a brilliant middle finger to fashion snobs and trend chasers, wrapped in the band’s signature blend of rock, blues, and soul. The instrumental arrangement is tight and rhythmic, driven by Ronnie Lane’s bouncing bass and Ian McLagan’s lively keyboard work. “Three Button Hand Me Down” has remained a fan favorite thanks to its infectious energy and timeless message of self-acceptance. It’s The Faces at their most fun, firing on all cylinders and reminding us not to take life—or ourselves—too seriously. For a band often known for their looseness, this song proves they could be as sharp and purposeful as they were wild and free.
8. Miss Judy’s Farm (1971)
“Miss Judy’s Farm,” the opening track of A Nod Is As Good As a Wink… to a Blind Horse (1971), kicks things off with a raw, bluesy punch. This gritty rocker combines southern-fried guitar licks with Rod Stewart’s raspy storytelling, instantly immersing listeners in the world of Miss Judy and her notorious “farm.” Though open to interpretation, the lyrics have often been seen as a sly nod to themes of exploitation and rebellion. The song’s galloping rhythm and greasy riffs give it a working-class grit that fits right in with the era’s hard-living rock ethos. What truly makes “Miss Judy’s Farm” stand out is the way it blends playful innuendo with serious musical muscle. Ronnie Wood’s slide guitar work adds a gritty texture, while Kenney Jones’ driving drums propel the track forward with unrelenting force. This song captures The Faces at their rawest—grimy, loud, and completely in their element. It’s a perfect snapshot of a band who could walk the line between bawdy and brilliant, delivering sharp social commentary wrapped in a barroom brawl of a song.
9. Too Bad (1971)
“Too Bad” is a spirited and rebellious track that captures the raucous energy The Faces were known for. Featured on A Nod Is As Good As a Wink… to a Blind Horse (1971), the song rides in on a wave of rollicking piano, snarling guitars, and Rod Stewart’s defiant vocals. It’s a story of youthful indiscretion, late nights, and brushes with authority—essentially a musical ode to being young and not giving a damn. The lyrics revel in mischievous antics, from stealing wine to defying curfews, but there’s also a tongue-in-cheek self-awareness to the chaos. It’s as if the band is saying, “Yeah, we messed up—but wasn’t it fun?” That mix of roguish charm and musical tightness makes “Too Bad” a standout. Ian McLagan’s piano work is particularly fantastic here, channeling a honky-tonk vibe that adds even more color to the track. In the world of The Faces, mistakes aren’t regrets—they’re stories worth singing about. “Too Bad” perfectly captures that spirit, making it a quintessential example of the band’s no-holds-barred rock ‘n’ roll ethos.
10. Glad and Sorry (1973)
“Glad and Sorry” is a poignant, understated ballad that highlights Ronnie Lane’s soulful songwriting and emotional sensitivity. Featured on Ooh La La (1973), the song is a quiet departure from the band’s usual high-octane fare, trading swagger for reflection. Lane’s soft, almost hesitant vocals bring a vulnerability that is both intimate and deeply affecting. The song’s piano-driven melody, paired with subtle guitar and organ touches, creates a warm, melancholic atmosphere. Lyrically, it explores the delicate aftermath of a romantic relationship, striking a tone that’s neither bitter nor overly sentimental—it’s simply honest. The title encapsulates the bittersweet essence of the song: feeling both fortunate and regretful, grateful and heartbroken. “Glad and Sorry” is one of those rare tracks that sneaks up on you with its emotional honesty, sticking with listeners long after it ends. It’s a beautiful reminder that The Faces weren’t just party animals—they could also reach deep and write songs that spoke to life’s quieter, more contemplative moments. It’s no surprise the song has been covered by artists across generations, a true testament to its enduring resonance.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
