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Home Best Songs Guide

10 Best Tina Turner Songs of All Time

List of the Top 10 Best Tina Turner Songs of All Time

Samuel Moore by Samuel Moore
April 17, 2025
in Best Songs Guide
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10 Best Tina Turner Songs of All Time
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Few artists in music history have embodied raw power, resilience, and soul quite like Tina Turner. With a voice that could shake arenas and a presence that captivated millions, she didn’t just perform—she commanded the stage. From her early days with Ike Turner to her triumphant solo career, Tina turned pain into power and songs into anthems. Her music blended rock, soul, pop, and R&B, creating a genre-defying legacy that broke barriers and inspired generations. Whether belting out fiery rock hits or delivering heart-wrenching ballads, Tina’s spirit was unmistakable—fierce, fearless, and unforgettable.

In this article, we’re celebrating the Top 10 Most Popular Tina Turner Songs of All Time—tracks that defined her career and left a permanent mark on the world of music. These are the songs that topped charts, won awards, and etched themselves into the hearts of fans across the globe. From high-octane covers to emotional powerhouses, each song tells a story of survival, strength, and unrelenting talent. So get ready to crank up the volume and relive the magic of the Queen of Rock ’n’ Roll—because these songs aren’t just hits, they’re Tina Turner history. Let’s roll down the river of her greatest moments.

Table of Contents

  • 1. “What’s Love Got to Do with It” (1984)
  • 2. “Proud Mary” (1971)
  • 3. “Private Dancer” (1984)
  • 4. “The Best” (1989)
  • 5. “River Deep – Mountain High” (1966)
  • 6. “Better Be Good to Me” (1984)
  • 7. “Nutbush City Limits” (1973)
  • 8. “I Don’t Wanna Fight” (1993)
  • 9. “We Don’t Need Another Hero (Thunderdome)” (1985)
  • 10. “Typical Male” (1986)

1. “What’s Love Got to Do with It” (1984)

When Tina Turner released “What’s Love Got to Do with It” in 1984, it wasn’t just a song—it was a declaration of reinvention. After years in the shadows of her partnership with Ike Turner, this solo anthem catapulted her into the pop stratosphere. With its smooth, synth-driven production and laid-back groove, the track was a marked departure from her rock and soul roots, but it worked brilliantly. Tina’s vocal delivery is defiant and weary all at once, capturing the complexity of a woman who’s been through the fire and come out stronger. The lyrics, questioning the importance of romantic love in the face of emotional independence, resonated deeply with audiences. It topped the Billboard Hot 100, won three Grammy Awards, and became the cornerstone of her 1984 comeback album, Private Dancer. More than four decades later, it remains one of the most empowering pop songs ever recorded.

2. “Proud Mary” (1971)

Tina Turner’s electrifying rendition of “Proud Mary,” released in 1971 with Ike Turner, redefined what a cover could be. Originally a laid-back swamp rock tune by Creedence Clearwater Revival, the Turners transformed it into a fiery, soul-infused rollercoaster. Tina’s famous spoken-word intro—“We never do nothing nice and easy”—sets the stage for a dynamic performance that builds from a slow burn to a full-blown vocal explosion. Her raw, raspy energy and commanding stage presence turned the track into a showstopper, making it a staple of her live shows for decades. The song became a massive hit, peaking at No. 4 on the Billboard Hot 100, and earned the duo a Grammy in 1972. Its legacy lives on as one of the most iconic live performance songs in rock and soul history, proving that Tina could take any song and make it entirely her own.

3. “Private Dancer” (1984)

Mysterious, sultry, and hauntingly beautiful, “Private Dancer” gave the world a different side of Tina Turner. Released in 1984 as the title track of her comeback album, the song was written by Mark Knopfler of Dire Straits and originally intended for his own band. But in Turner’s hands, it became a poignant, melancholic exploration of vulnerability and survival. Set against a backdrop of smooth synths and jazzy guitar riffs, Tina steps into the role of a dancer reflecting on her commodified existence. Her voice is rich with emotion, conveying both resignation and strength. Unlike the fiery anthems of her earlier work, “Private Dancer” is subtle and introspective, showcasing Turner’s incredible emotional range. Though it wasn’t the biggest single from the album, it helped solidify her credibility as a solo artist capable of depth and nuance. The song’s smoky atmosphere and storytelling continue to captivate listeners decades later.

4. “The Best” (1989)

Few songs carry the triumphant energy of “The Best,” released in 1989. Often mistakenly titled “Simply the Best,” this power anthem is a celebration of excellence, devotion, and unwavering love. Originally recorded by Bonnie Tyler, it was Tina Turner who transformed it into a global anthem. Her commanding vocals ride atop a swelling arrangement of drums, keys, and guitar, building to a euphoric chorus that feels like a victory lap. What makes the song so magnetic is Tina’s ability to inject sincerity into every line, making it feel like both a love song and a tribute to resilience. Whether blasting from stadium speakers or playing in a personal moment of triumph, “The Best” has become synonymous with achievement and strength. It didn’t top the U.S. charts but became a massive hit in Europe and remains one of her most recognizable and celebratory tracks.

5. “River Deep – Mountain High” (1966)

“River Deep – Mountain High,” released in 1966, is a song that was far ahead of its time. Produced by Phil Spector and recorded with Tina Turner (though billed as Ike & Tina Turner), the track was a sonic cathedral of sound. Spector’s signature “Wall of Sound” production created a towering backdrop for Turner’s volcanic vocals, which rose and roared with unstoppable force. The song’s emotional extremes—love as deep as the river and as high as the mountain—were matched by Tina’s dynamic delivery. Though it initially underperformed in the U.S., it was a major hit in the UK and has since been hailed as one of the greatest pop records ever made. Tina herself considered it one of her finest performances. It’s a song that proved once and for all that she was not just a great singer, but a once-in-a-generation talent.

6. “Better Be Good to Me” (1984)

Released as part of her Private Dancer resurgence in 1984, “Better Be Good to Me” is Tina Turner at her most assertive. With a gritty rock edge and pulsing rhythm, the track finds Turner laying down the law in a relationship, demanding respect and honesty. The song blends rock, pop, and new wave elements, creating a sound that was fresh and fierce. Her vocals are urgent and unfiltered, elevating the lyrics from a plea to a powerful ultimatum. It became a top 5 hit in the U.S. and earned her a Grammy for Best Rock Vocal Performance, Female. “Better Be Good to Me” wasn’t just a song—it was a mission statement. At a time when many artists faded with age, Tina showed she could evolve and still dominate. It’s a track that perfectly encapsulates her strength, attitude, and timeless cool.

7. “Nutbush City Limits” (1973)

Written by Tina Turner herself and released in 1973, “Nutbush City Limits” is a funky, autobiographical romp through her Tennessee hometown. With its infectious guitar riff and pulsating beat, the song blends rock, funk, and soul into a high-energy tribute to small-town life. Tina’s lyrics describe the modest landmarks of Nutbush with affection and wit, while her vocal delivery is full of swagger and pride. The track was a hit internationally, especially in Europe, where it became a staple of dance floors and radio playlists. Its enduring popularity even led to a dance craze in Australia decades later. “Nutbush City Limits” stands out not just for its groove, but because it gave Tina a chance to tell her own story—on her own terms. It’s a song that celebrates roots, identity, and the power of self-expression, wrapped in a beat that’s impossible to resist.

8. “I Don’t Wanna Fight” (1993)

With “I Don’t Wanna Fight,” released in 1993, Tina Turner delivered a late-career gem that highlighted her emotional maturity and vocal finesse. Featured on the soundtrack for the biographical film What’s Love Got to Do with It, the song explores the weariness of conflict and a yearning for peace in a relationship. Set to a smooth R&B groove with subtle instrumentation, Turner’s voice is the centerpiece—rich, soulful, and tinged with a hard-earned wisdom. The song became a top 10 hit in several countries and showed that Tina could still command the charts and hearts alike. Unlike her earlier anthems of defiance, this track offers vulnerability and reflection. It’s a powerful reminder that strength sometimes lies in choosing peace over pride. As one of her final major hits, it’s a graceful, introspective bookend to her trailblazing career.

9. “We Don’t Need Another Hero (Thunderdome)” (1985)

Released in 1985 as part of the Mad Max Beyond Thunderdome soundtrack, “We Don’t Need Another Hero” blended cinematic grandeur with emotional intensity. Tina Turner, who also starred in the film, delivered a performance that was both epic and intimate. The song opens with a haunting synth line and builds into a sweeping ballad, with Tina’s voice soaring over orchestral flourishes and dramatic percussion. Lyrically, it’s a plea for peace and a rejection of empty saviors—a theme that resonated deeply during the Cold War era. The track peaked at No. 2 on the Billboard Hot 100 and remains one of her most beloved power ballads. It’s a rare blend of pop and philosophy, anchored by a voice that could move mountains. With this song, Tina proved she could not only rock the stage but command the silver screen with equal force.

10. “Typical Male” (1986)

In “Typical Male,” released in 1986, Tina Turner takes a witty, playful jab at gender roles and romantic frustration, wrapped in an irresistible pop-rock package. The song features a catchy melody and slick production, with a standout groove driven by a rhythmic piano and guitar combo. Turner’s vocals are confident and flirtatious, effortlessly shifting between sass and sincerity. Lyrically, she navigates the complexities of love and miscommunication, portraying the “typical male” as charming yet predictably elusive. The song reached No. 2 on the U.S. charts and showcased her ability to blend substance with style. It’s a track that proves Tina could tackle serious themes with a light touch, maintaining her edge while embracing mainstream appeal. “Typical Male” is both a product of its time and a timeless reflection on the dance of love and power dynamics.

Samuel Moore

Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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