Few bands have left a mark on rock ‘n’ roll quite like The Faces. Formed in 1969 from the remnants of Small Faces, this British powerhouse became a defining force in the ‘70s rock scene. Fueled by the raspy, unmistakable vocals of Rod Stewart and the electrifying guitar work of Ronnie Wood, The Faces crafted a sound that was raw, soulful, and unapologetically wild.
Their music was the soundtrack for reckless nights and rebellious spirits, blending blues, rock, and elements of folk into a style all their own. Whether it was a heart-wrenching ballad or a foot-stomping anthem, The Faces knew how to capture the raw emotion and energy of the time.
In this article, we’re counting down the top 10 most popular songs from The Faces’ legendary catalog. These tracks have stood the test of time, continuing to resonate with fans old and new alike. From iconic hits to underrated gems, each song is a testament to the band’s enduring influence and undeniable talent. So, crank up the volume and get ready to dive into the very best of The Faces!
1. “Stay With Me” (1971)
“Stay With Me,” from the 1971 album A Nod Is As Good As a Wink… To a Blind Horse, stands as one of The Faces’ most iconic tracks and an enduring classic of early ’70s rock. From the very first gritty guitar riff by Ronnie Wood, the song bursts with raw energy and swagger that encapsulates the band’s spirit. Rod Stewart’s raspy, commanding vocals weave through the raucous instrumentation, telling a cheeky tale of a one-night stand with unapologetic confidence.
The lyrics are brash and humorous, embodying the carefree and rebellious vibe of the era. Beneath the playful tone, the band’s tight musicianship shines. Ian McLagan’s rollicking keyboard runs and Kenney Jones’ thundering drums drive the rhythm forward with relentless force, making it nearly impossible to resist tapping along. The track’s infectious chorus and undeniable groove have cemented it as a staple of classic rock radio and live concert setlists.
“Stay With Me” wasn’t just a song—it was an anthem that captured the unrestrained joy and attitude of The Faces. It climbed into the top 20 in both the UK and the US, solidifying the band’s reputation as one of the most exciting acts of their time. On stage, the song often became the centerpiece of their wild, booze-fueled performances, electrifying audiences with its rowdy charm.
Decades later, “Stay With Me” remains a defining track for The Faces, a perfect blend of rock ‘n’ roll grit and showmanship. It’s a reminder of a time when rock was raw, fun, and full of life. Whether blasting through speakers or performed live, it continues to ignite the same spark that made it unforgettable in 1971.
2. “Ooh La La” (1973)
“Ooh La La,” the title track from The Faces’ 1973 album, is a bittersweet reflection on life’s lessons wrapped in a deceptively simple folk-rock melody. Unlike most of their hits, this song doesn’t feature Rod Stewart on lead vocals. Instead, Ronnie Wood takes center stage, his voice lending a wistful and vulnerable quality that perfectly complements the song’s reflective tone.
The lyrics, penned by Ronnie Lane and Wood, convey a deep sense of longing and nostalgia. The famous refrain, “I wish that I knew what I know now, when I was younger,” resonates universally, speaking to the inevitable wisdom gained through life’s experiences—and the regret that it often comes too late. The acoustic strumming, gentle percussion, and subtle yet poignant electric guitar accents create a warm, inviting soundscape that draws the listener into its contemplative mood.
Though it wasn’t a major commercial success at the time of its release, “Ooh La La” has grown in stature over the years. Its timeless message and unforgettable chorus have allowed it to transcend its era, appearing in movies, TV shows, and advertisements, introducing it to new generations of listeners. The song has become an anthem for those looking back on life’s choices, celebrating both its joys and regrets.
“Ooh La La” encapsulates a different side of The Faces—less raucous and more introspective—but no less powerful. It’s a testament to their versatility as a band and their ability to craft songs that resonate on a deeply emotional level. Whether you’re hearing it for the first time or revisiting it decades later, its timeless appeal and heartfelt message remain just as poignant.
3. “Cindy Incidentally” (1973)
“Cindy Incidentally,” a standout track from the Ooh La La album in 1973, is an underrated gem that showcases The Faces’ ability to blend rock with a soulful touch. The song’s upbeat tempo and bright, piano-driven melody provide the perfect backdrop for its narrative about breaking free and embracing life’s adventures.
Rod Stewart’s vocal delivery is heartfelt and charismatic, as he embodies the role of a man encouraging Cindy to leave behind her troubles and take a leap into the unknown. The lyrics are optimistic and empowering, making it a feel-good anthem that’s both relatable and uplifting. Ronnie Wood’s guitar work is crisp and energetic, while Ian McLagan’s piano adds a playful, almost honky-tonk flavor to the mix.
Despite its catchy hooks and infectious chorus, “Cindy Incidentally” didn’t achieve the same level of commercial success as some of The Faces’ other hits. However, its charm and craftsmanship have earned it a loyal following among fans. It’s a song that feels both personal and universal, capturing the spirit of youthful rebellion and the desire for freedom.
On stage, “Cindy Incidentally” often became a highlight of The Faces’ live performances, bringing a burst of energy and joy to their sets. Its vibrant instrumentation and sing-along quality made it a crowd-pleaser, even if it remained somewhat underappreciated in the broader rock landscape.
Today, “Cindy Incidentally” stands as a testament to The Faces’ talent for storytelling and their ability to infuse their music with genuine emotion and fun. It’s a track that deserves to be rediscovered, a reminder of the band’s knack for crafting songs that resonate long after the final note fades.
4. “Had Me a Real Good Time” (1971)
“Had Me a Real Good Time,” from the 1971 Long Player album, is the epitome of The Faces’ carefree and raucous spirit. This track captures the sheer joy and reckless abandon of living life to the fullest, serving as a celebration of good times, camaraderie, and the thrill of the moment.
The song kicks off with a rollicking piano intro from Ian McLagan, setting the stage for the band’s exuberant energy. Rod Stewart’s unmistakable voice bursts through with a cheeky, jubilant tone that perfectly complements the playful lyrics. He recounts a night of indulgence and revelry, drawing the listener into the story as if they were right there at the party. Ronnie Wood’s bluesy guitar licks and Kenney Jones’ dynamic drumming add layers of excitement, creating a sound that’s loose, raw, and infectious.
While the song didn’t dominate the charts, it became a staple of The Faces’ live performances, often stretching into extended jams that showcased the band’s improvisational prowess. On stage, “Had Me a Real Good Time” embodied the essence of The Faces—wild, unpolished, and irresistibly fun.
This track also reflects the band’s unique ability to combine rock, blues, and soul influences into something distinctly their own. It’s not just a song; it’s an invitation to let loose, laugh a little louder, and savor the best moments life has to offer. Decades later, “Had Me a Real Good Time” remains a fan favorite, a testament to The Faces’ unrelenting energy and their knack for creating music that feels like a party you never want to leave.
5. “Debris” (1971)
“Debris,” one of the most introspective and emotionally resonant tracks by The Faces, comes from their 1971 album A Nod Is As Good As a Wink… To a Blind Horse. Written and sung by bassist Ronnie Lane, this song diverges from the band’s more raucous anthems, offering a tender, heartfelt glimpse into Lane’s relationship with his father.
The song’s acoustic arrangement is understated yet profoundly moving, with a melancholic beauty that highlights its poignant lyrics. Lane’s vocals carry a raw sincerity as he reflects on love, loss, and the passage of time. The imagery in the lyrics paints a vivid picture of a son’s quiet moments with his father, interwoven with themes of memory and longing.
Musically, “Debris” stands out for its simplicity and elegance. Ronnie Wood’s gentle guitar work, Ian McLagan’s subtle organ flourishes, and Kenney Jones’ restrained drumming create a warm, contemplative atmosphere that allows the song’s emotions to shine. Rod Stewart’s background harmonies add a touch of depth, making the track feel like an intimate conversation shared with the listener.
While it wasn’t a commercial hit, “Debris” has earned a special place in the hearts of fans and critics alike. Its emotional depth and timeless message resonate on a universal level, showcasing a quieter, more vulnerable side of The Faces.
“Debris” is a testament to Lane’s songwriting brilliance and his ability to convey complex emotions with simplicity and grace. It remains a cherished gem in The Faces’ catalog, a song that reveals the band’s capacity for introspection and their versatility as musicians.
6. “Pool Hall Richard” (1973)
“Pool Hall Richard,” released as a stand-alone single in 1973, is a rollicking, blues-infused rocker that captures The Faces at their most raw and energetic. This track is a vivid story of a pool hustler, narrated with cheeky bravado by Rod Stewart’s gravelly vocals.
From the opening riff, Ronnie Wood’s guitar work grabs your attention, delivering gritty, bluesy licks that set the tone for the song’s high-octane energy. Ian McLagan’s rollicking piano lines add a playful, almost boogie-woogie vibe, while Kenney Jones’ pounding drums keep the rhythm driving forward with relentless force. The interplay between the instruments showcases the band’s undeniable chemistry, making the track feel alive and spontaneous.
Lyrically, “Pool Hall Richard” is brimming with personality. Stewart brings the titular character to life, spinning a tale of mischief and cunning in a way that feels both humorous and charismatic. The song’s rough-around-the-edges production only adds to its charm, capturing the raw, unfiltered sound that The Faces excelled at during their live performances.
Though it didn’t achieve massive chart success, “Pool Hall Richard” quickly became a favorite among fans and a staple of the band’s live sets. Its infectious energy and rebellious spirit embody everything that made The Faces such a beloved band in the rock landscape of the early ’70s.
Even decades later, “Pool Hall Richard” retains its appeal as a gritty, unpolished gem in The Faces’ catalog. It’s a reminder of the band’s knack for storytelling and their ability to inject their music with an undeniable sense of fun and authenticity.
7. “Maybe I’m Amazed” (1971 – Live)
The Faces’ live rendition of Paul McCartney’s “Maybe I’m Amazed,” recorded in 1971 for their Long Player album, is a stunning reinterpretation of the classic love song. While the original is tender and polished, The Faces transform it into a raw, soulful powerhouse, showcasing their ability to put their unique stamp on any piece of music.
Rod Stewart’s vocal performance is nothing short of electrifying. His raspy voice brings a gritty intensity to the song, conveying passion and vulnerability in equal measure. It’s a departure from McCartney’s smooth delivery, yet it feels equally heartfelt and genuine. The band’s chemistry is palpable as they build the song from a gentle, introspective beginning to a full-blown rock crescendo.
Ronnie Wood’s guitar work shines, adding bluesy licks that give the track an edgier feel. Ian McLagan’s organ playing provides a rich, emotional backdrop, while Kenney Jones’ drumming drives the song’s dynamic shifts with precision and power. The Faces’ version of “Maybe I’m Amazed” captures the raw energy of their live performances, making it a standout moment in their catalog.
This cover has earned a reputation as one of the best interpretations of the McCartney classic. It demonstrates The Faces’ ability to take a well-known song and infuse it with their signature sound, turning it into something entirely their own.
More than just a cover, “Maybe I’m Amazed” is a showcase of The Faces’ passion and artistry, highlighting their talent for blending soul, rock, and blues into a seamless and unforgettable performance.
8. “Miss Judy’s Farm” (1971)
“Miss Judy’s Farm,” from A Nod Is As Good As a Wink… To a Blind Horse (1971), is one of The Faces’ most playful and rebellious tracks, embodying the band’s signature swagger and unrestrained energy. The song tells the cheeky tale of a young man who finds himself drawn into a wild, carefree world on a farm run by the formidable yet irresistible Miss Judy. It’s a mix of rock, humor, and a bit of raunchy fun, with a tone that’s both mischievous and celebratory.
Rod Stewart’s vocals are at their raspiest and most charismatic here, delivering the lyrics with a playful edge that perfectly matches the story. The swaggering, syncopated rhythm and Ronnie Wood’s sharp guitar riff provide the perfect sonic backdrop to the song’s humorous narrative. Ian McLagan’s keyboard work adds another layer of energy, underscoring the carefree vibe that defines much of The Faces’ sound. Kenney Jones’ drumming keeps things tight and driving, ensuring that the song never loses its momentum.
The track’s carefree attitude is matched by its infectious, toe-tapping groove, which made it a favorite in The Faces’ live sets. It’s impossible to listen to “Miss Judy’s Farm” without feeling the infectious joy and freedom of the moment—it’s the sound of youth living in the now, unburdened by consequence or responsibility.
While the song’s subject matter may be a bit cheeky, its upbeat tempo and rollicking instrumentation make it a timeless anthem of youthful mischief and wild nights. “Miss Judy’s Farm” remains a beloved part of The Faces’ legacy, a perfect example of their ability to mix humor with rock ‘n’ roll energy.
9. “Flying” (1970)
“Flying,” from The Faces’ 1970 debut album First Step, is an intriguing blend of rock, blues, and folk influences, highlighting the band’s remarkable versatility. The song opens with a gentle, acoustic feel before blossoming into a full-blown rock anthem, capturing the essence of what made The Faces so unique in their early years. It’s a track that builds gradually, weaving through different musical phases before exploding into a vibrant and powerful climax.
Rod Stewart’s vocals here are an emotional rollercoaster, alternating between tender and full of raw power. His voice soars, matching the song’s sweeping musical arrangement, which builds intensity as it progresses. The combination of acoustic guitars, electric riffs, and McLagan’s organ work creates a dynamic sound that feels expansive, evoking a sense of freedom and possibility.
Lyrically, “Flying” is a meditation on escaping the confines of everyday life and soaring to new heights—both literally and metaphorically. It taps into the feeling of yearning for something greater, whether it’s adventure, enlightenment, or simply breaking free from the mundane. The song’s upbeat, anthemic quality captures that sense of hope and determination, even as it flows through moments of contemplation.
Though “Flying” wasn’t a massive commercial success, it was an important moment in The Faces’ development, establishing them as a band capable of experimenting with different styles and sounds. Its musical journey from mellow folk to an energetic rock anthem makes it an enduring track, beloved by fans for its depth and sonic exploration.
10. “Too Bad” (1971)
“Too Bad,” a fast-paced rock track from A Nod Is As Good As a Wink… To a Blind Horse (1971), perfectly encapsulates The Faces’ raw energy and rebellious spirit. From the very first chord, the song explodes with power and intensity, driven by Ronnie Wood’s gritty guitar riffs and Kenney Jones’ relentless drumming. It’s a no-nonsense rocker that cuts to the heart of what The Faces were all about—unfiltered, wild, and ready to have a good time.
Rod Stewart’s vocals are brimming with youthful brashness as he delivers the song’s simple, yet potent lyrics about dealing with tough situations and not letting anything hold you back. The song’s fast tempo and driving rhythm give it an urgency that matches the lyrics’ theme of frustration and defiance. Wood’s guitar work is as sharp as ever, delivering riffs that are both urgent and unpolished, while McLagan’s organ playing adds a layer of grit and texture to the track.
“Too Bad” is full of attitude, and its carefree, almost reckless energy reflects The Faces’ trademark sound—bluesy, unrefined rock ‘n’ roll that never slows down or takes itself too seriously. While it wasn’t as commercially successful as some of their other hits, “Too Bad” remains a fan favorite, prized for its rawness and its quintessential “Faces” spirit. It’s the type of track that makes you want to turn up the volume, throw caution to the wind, and enjoy the ride.
Though it never charted as highly as other songs from A Nod Is As Good As a Wink…, “Too Bad” remains a beloved part of The Faces’ catalog, showcasing their ability to channel youthful rebellion into a song that is both fun and full of attitude. It’s a perfect example of how The Faces mastered the art of high-energy, high-octane rock that still manages to be playful and unapologetic.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
