Buffalo Springfield, the legendary folk-rock band that helped define the sound of the late 1960s, is a cornerstone of rock history. Their unique blend of folk, country, and rock, coupled with lyrics that echoed the turbulent times, created music that resonated deeply with a generation. Formed by the iconic songwriting talents of Stephen Stills, Neil Young, and Richie Furay, Buffalo Springfield may have only been together for a few short years, but their influence is undeniable. From timeless protest anthems to introspective ballads, their songs continue to inspire and captivate music lovers to this day.
Whether you’re a die-hard fan or new to their music, this list of the Top 10 Most Popular Buffalo Springfield Songs of All Time is a must-read. We’ll take you on a journey through the band’s most beloved tracks, highlighting the songs that defined their brief but impactful career. From the politically charged “For What It’s Worth” to the hauntingly beautiful “Expecting to Fly,” these tracks have stood the test of time. So, get ready to rediscover the magic of Buffalo Springfield as we count down the songs that cemented their place in rock and roll history.
1. For What It’s Worth (1966)
Released in December 1966, “For What It’s Worth” became Buffalo Springfield’s most iconic and enduring song, symbolizing the cultural and political tensions of the 1960s. Written by Stephen Stills, the track was inspired by the Sunset Strip curfew riots in Los Angeles, a protest against curfews imposed on young people. The opening guitar riff is haunting, instantly setting a tone of unease, while the lyrics capture the growing frustration and unrest of a generation. The famous refrain, “Stop, children, what’s that sound? Everybody look what’s going down,” resonates deeply as a call to action, urging people to pay attention to the injustices unfolding around them. The song’s simplicity and directness allowed it to transcend its initial context, becoming a timeless anthem for social activism and resistance.
The power of “For What It’s Worth” lies in its ability to address issues of political and social unrest while remaining universally relatable. Even though it was born out of a specific moment in history, the song’s themes of questioning authority, standing up for what’s right, and challenging the status quo continue to resonate today. The combination of Stills’ poignant lyrics and the band’s understated but powerful instrumentation make it a song that not only defines its era but also captures a timeless spirit of rebellion and change. Over fifty years later, “For What It’s Worth” continues to serve as a rallying cry for those seeking justice and equality, reminding us all of the importance of standing up and speaking out in times of crisis.
2. Mr. Soul (1967)
“Mr. Soul,” written by Neil Young, is a high-energy track that became a standout on Buffalo Springfield’s 1967 album Buffalo Springfield Again. The song marked a pivotal moment for both Young and the band, introducing his signature gritty, raw sound that would later define his solo career. The track’s intense, distorted guitar riff sets the tone for a song that is as much about internal conflict and alienation as it is about the superficiality of fame. Through sharp, introspective lyrics, Young grapples with the pressures of stardom and the feeling of being both detached and overwhelmed by the world around him.
The song’s energetic pace and heavy rock influences set it apart from some of the folkier elements of the band’s previous work. The chorus, with its refrain “Mr. Soul, where are you?” feels like a desperate plea for self-understanding, a search for meaning in the chaotic world of celebrity and public expectation. The intensity of Young’s performance, paired with the song’s bold and defiant instrumentation, conveys the alienation he felt at the time, adding a layer of authenticity to the message. “Mr. Soul” is often seen as a precursor to the music Neil Young would later explore in his solo career, particularly the themes of introspection and dissatisfaction with the trappings of fame. It remains a fan favorite and a defining moment in Buffalo Springfield’s brief but influential run.
3. Expecting to Fly (1967)
Released in 1967, “Expecting to Fly” is one of the most emotionally charged and musically ambitious songs in Buffalo Springfield’s catalog. Written by Neil Young, the track departs from the band’s typical folk-rock sound, embracing a lush orchestral arrangement that elevates its introspective lyrics to new heights. The song’s production, helmed by Jack Nitzsche, includes sweeping strings and delicate, layered instrumentation that create an ethereal, almost dreamlike atmosphere. This rich soundscape provides the perfect backdrop for Young’s fragile, aching vocals, which convey a deep sense of yearning and loss.
“Expecting to Fly” explores themes of vulnerability and unfulfilled longing, with lyrics that reflect the uncertainty and emotional turmoil Young was experiencing at the time. The chorus, which repeats the phrase “I’m expecting to fly,” creates a sense of anticipation, as if something great is just out of reach, forever unattainable. The song’s melancholy tone and delicate arrangement make it one of the most beautiful and haunting pieces in Buffalo Springfield’s repertoire. Despite its sadness, the track also carries a sense of hope and emotional release, as if through the pain, there is a possibility of transcendence. “Expecting to Fly” stands as a testament to Young’s ability to capture complex emotions through both his songwriting and his performance, making it a standout in the band’s catalog and one of their most enduring pieces.
4. Bluebird (1967)
Released in 1967, “Bluebird” is a quintessential Buffalo Springfield track that exemplifies the band’s ability to merge various musical genres into a cohesive sound. Written by Stephen Stills, the song begins with a gentle, folk-inspired acoustic guitar intro before rapidly evolving into an energetic rock number, with electric guitars and drums driving the tempo forward. The track showcases Stills’ intricate guitar work and the band’s impressive ability to shift between genres, blending folk, rock, and blues into something uniquely their own.
The song’s lyrics, which feature vivid imagery of a bluebird and references to themes of freedom and escape, reflect the idealism and yearning for a better world that defined much of the 1960s counterculture. At its core, “Bluebird” is a song about longing—longing for something beautiful and unattainable, something that represents the freedom to break free from societal constraints. The extended jam section toward the end of the song is one of the highlights of “Bluebird,” allowing each band member to stretch out and showcase their musical talents. The spirited instrumental outro became a signature moment in the band’s live performances, adding to the track’s enduring appeal. “Bluebird” is both a beautiful example of Buffalo Springfield’s musical versatility and a testament to their ability to craft songs that resonate with listeners both musically and thematically.
5. Nowadays Clancy Can’t Even Sing (1966)
“Nowadays Clancy Can’t Even Sing” is a striking track from Buffalo Springfield’s 1966 self-titled debut album, combining a haunting melody with profound lyrical content. Written by Neil Young and sung by Richie Furay, the song delves deep into themes of isolation, disillusionment, and the loss of innocence. With its melancholic tone, the track captures a feeling of yearning for a simpler, more meaningful existence, and the lyrics—while somewhat cryptic—speak to the struggles of trying to find one’s place in an increasingly complex and disheartening world. Furay’s emotive delivery adds layers of depth to the song, making it an incredibly powerful moment in Buffalo Springfield’s early years.
The arrangement, while stripped back compared to the band’s later work, is still rich with texture. The intertwining acoustic guitar lines, supported by gentle percussion, create an almost ethereal atmosphere that complements the introspective lyrics. The song’s melancholy mood and rich harmonies convey a deep sense of emotional vulnerability, making it one of the band’s most haunting and resonant tracks. The title, “Nowadays Clancy Can’t Even Sing,” reflects the loss of hope and the sense of defeat that pervades the song, but it also hints at the desire for redemption and change. This emotional complexity and sense of longing for something better would become recurring themes in Neil Young’s later solo career, cementing this track as an important early example of his songwriting prowess.
6. Rock & Roll Woman (1967)
Released in 1967, “Rock & Roll Woman” is one of Buffalo Springfield’s most infectious and upbeat tracks. Written by Stephen Stills, the song captures the free-spirited essence of the 1960s rock scene, complete with jangly guitars, smooth vocal harmonies, and a driving rhythm. The lyrics, which describe a woman who embodies the excitement and freedom of rock and roll, are playful and celebratory, reflecting the joy and optimism of youth. The breezy melody and infectious chorus make it a perfect example of the kind of catchy, feel-good rock music that Buffalo Springfield was known for.
While the song is lighthearted and fun, there’s also an underlying sense of admiration and reverence for the rock and roll lifestyle. The protagonist of the song is portrayed as both alluring and elusive, embodying the spirit of the music itself—wild, free, and untamed. The energetic instrumental sections, especially the guitar solos, serve as a musical representation of the intensity and passion of the rock and roll world. “Rock & Roll Woman” was a fan favorite from the moment it was released, and its upbeat tempo and catchy chorus ensured that it would remain a staple of the band’s live performances. It’s a song that perfectly encapsulates the youthful exuberance of the late 1960s and stands as one of Buffalo Springfield’s most enduring anthems.
7. Go and Say Goodbye (1966)
“Go and Say Goodbye,” featured on Buffalo Springfield’s 1966 self-titled debut album, is a spirited country-rock track written by Stephen Stills. The song stands out as one of the more upbeat moments in an album that blends a variety of styles, showcasing the band’s ability to effortlessly fuse folk, rock, and country influences into a seamless sound. The song’s lively rhythm and catchy guitar riffs bring an infectious energy, making it one of the band’s most accessible tracks. The upbeat tempo and playful arrangement create a refreshing contrast to some of the album’s more melancholic moments, demonstrating the band’s range as musicians.
The lyrics, which tell the story of a man bidding farewell to a lover, are simple but effective, capturing the bittersweet emotions of love and loss. Stills’ expressive vocal performance brings depth to the lyrics, making it a memorable and relatable song. The combination of tight vocal harmonies, a driving rhythm section, and vibrant guitar work make “Go and Say Goodbye” a standout track on Buffalo Springfield. The song’s catchy melody and energetic arrangement make it a fan favorite, and it serves as an excellent example of the band’s ability to craft songs that are both musically complex and emotionally resonant.
8. On the Way Home (1968)
“On the Way Home,” released in 1968 on Last Time Around, marked the beginning of Buffalo Springfield’s departure from their earlier sound and a shift towards a more soulful and introspective direction. Written by Neil Young and sung by Richie Furay, the song carries an air of optimism, with a melody that feels uplifting and encouraging. However, the lyrics reveal a more introspective narrative about personal growth and self-discovery. The contrasting tone between the upbeat arrangement and the reflective content creates a dynamic listening experience, capturing the emotional complexity of the moment.
The song features rich harmonies and a prominent horn section that adds layers of depth to the arrangement. The inclusion of brass instruments gives the track a fuller, more dynamic sound than some of the band’s earlier, more stripped-back work. “On the Way Home” is often seen as a bittersweet farewell, both to the band’s own journey and to the era that Buffalo Springfield had come to define. The track’s optimistic feel contrasts with the sadness of the band’s breakup, making it a poignant reflection on change and growth. As the final track on their last album, it serves as a fitting, emotional conclusion to the Buffalo Springfield story.
9. Sit Down I Think I Love You (1966)
“Sit Down I Think I Love You” is a lively, catchy tune from Buffalo Springfield’s 1966 debut album, written by Stephen Stills. With its infectious melody and upbeat rhythm, the song encapsulates the youthful exuberance of the 1960s. The lyrics, which express the excitement and nervous energy of falling in love, are lighthearted and full of charm. The song’s breezy arrangement, featuring tight harmonies and a lively rhythm section, adds to its playful feel.
Despite its simplicity, “Sit Down I Think I Love You” is a track that sticks with you long after the music stops. Its catchy chorus and lighthearted lyrics make it a quintessential example of the band’s early sound, combining folk-rock influences with an exuberant sense of optimism. It’s one of those feel-good songs that instantly transports you to a more carefree time, and its timeless appeal continues to make it a fan favorite. The track is a shining example of Buffalo Springfield’s knack for crafting melodies that are both infectious and emotionally resonant.
10. Broken Arrow (1967)
“Broken Arrow,” released in 1967 on Buffalo Springfield Again, is one of Neil Young’s most ambitious compositions with the band. The track is a multi-part suite, blending folk, rock, and experimental elements into a cohesive whole. The song’s shifting time signatures, unconventional structure, and innovative sound effects make it a standout in the band’s catalog. It’s a song that defies traditional song form, taking the listener on a journey that feels more like a musical exploration than a typical pop song.
The lyrics of “Broken Arrow” are deeply introspective, reflecting Young’s personal feelings of disillusionment and confusion about fame, identity, and the American experience. The song’s unique arrangement, which includes a mix of acoustic and electric instruments, as well as haunting orchestral elements, creates an atmosphere that is both haunting and ethereal. “Broken Arrow” is a complex and layered track, showcasing Buffalo Springfield’s willingness to push musical boundaries and experiment with new sounds. It remains a powerful example of the band’s innovative approach to songwriting and is a lasting testament to Neil Young’s creative vision.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
