When it comes to soul music, few names are as iconic as Smokey Robinson. A true Motown legend, Robinson’s silky-smooth voice, heartfelt lyrics, and timeless melodies have earned him a place among the greatest songwriters and performers of all time. With a career spanning over six decades, both as the frontman of The Miracles and as a solo artist, Smokey has crafted an extraordinary catalog of songs that continue to define the very essence of rhythm and blues.
From heart-wrenching love songs to infectious dance hits, Smokey’s music captures the full spectrum of human emotion, and his influence on popular music is immeasurable. Whether you’re a longtime fan or a new listener, you’ll find yourself singing along to his unforgettable hooks and getting lost in his soulful storytelling. In this article, we’ve compiled a list of the top 10 most popular Smokey Robinson songs of all time—tracks that have left an indelible mark on music history. Get ready to explore the songs that made Smokey a household name, from the aching vulnerability of “The Tracks of My Tears” to the smooth groove of “Cruisin’.” These are the tunes that continue to inspire generations and keep Smokey’s legacy alive.
1. “The Tracks of My Tears” (1965)
One of Smokey Robinson’s most poignant and enduring hits, “The Tracks of My Tears” became a hallmark of Motown’s golden era. Released in 1965 as part of Going to a Go-Go with The Miracles, this song epitomized Robinson’s lyrical mastery. The song tells the story of someone putting on a brave face while their heart silently breaks inside. Smokey’s tender yet powerful vocal performance, combined with the song’s lush orchestration, captures the emotional vulnerability of heartbreak. The iconic guitar riff that opens the song immediately draws listeners in, setting the stage for the soulful journey that follows. “The Tracks of My Tears” has since become a timeless classic, covered by numerous artists across genres.
2. “Ooo Baby Baby” (1965)
“Ooo Baby Baby,” also from Going to a Go-Go (1965), is a heart-wrenching ballad that showcases Smokey Robinson’s falsetto at its finest. The song is a confession of mistakes and a plea for forgiveness, with Smokey delivering a hauntingly emotional performance. Its minimalist arrangement, featuring a tender piano line and subdued instrumentation, allows the raw emotion in Robinson’s voice to take center stage. The vulnerability in the lyrics and the aching melody have made “Ooo Baby Baby” a staple in Smokey’s catalog, resonating with listeners who have ever experienced regret or sought redemption.
3. “Cruisin'” (1979)
“Cruisin’,” from Smokey Robinson’s 1979 solo album Where There’s Smoke…, is a sultry ode to love and relaxation. Unlike the heartache-filled songs of his earlier career, this track is a smooth and laid-back love anthem that invites listeners to unwind and enjoy the moment. Smokey’s vocals are as smooth as silk, effortlessly gliding across a mellow groove that blends elements of R&B, jazz, and soul. The infectious chorus—“I love it when we’re cruisin’ together”—became a signature line, making the song a favorite for romantic getaways and quiet moments. “Cruisin’” showed Smokey’s versatility as an artist, proving he could conquer the late ’70s sound while staying true to his soulful roots.
4. “Tears of a Clown” (1967)
Released in 1967 on Make It Happen with The Miracles, “Tears of a Clown” gained even greater popularity when it was re-released in 1970, becoming a No. 1 hit. The song’s upbeat, circus-like melody stands in stark contrast to its melancholy lyrics, which tell the story of someone hiding their sadness behind a facade of joy. Smokey’s clever wordplay and metaphorical storytelling are on full display here. His soulful delivery, paired with Stevie Wonder’s bright, carnival-like arrangement, makes “Tears of a Clown” a unique and unforgettable Motown track. It’s a perfect example of Robinson’s ability to juxtapose sorrow and joy, creating something that is both danceable and deeply emotional.
5. “Shop Around” (1960)
As one of Motown’s earliest hits, “Shop Around” (1960) played a critical role in establishing both Smokey Robinson and The Miracles—and Motown itself—as major forces in the music industry. The song’s catchy melody, combined with its playful lyrics about a mother advising her son to carefully choose the right partner, made it an instant hit. Smokey’s voice, youthful and filled with energy, perfectly complements the upbeat piano and doo-wop-inspired background vocals. “Shop Around” became Motown’s first million-selling single, marking the beginning of Smokey’s illustrious career and the rise of the iconic label.
6. “Being With You” (1981)
“Being With You,” from Robinson’s 1981 album of the same name, is a shining example of his ability to craft love songs that touch the soul. In this track, Smokey sings of a love so strong that it transcends societal pressures and opinions. The song’s smooth, mid-tempo groove blends elements of pop and R&B, and Robinson’s voice exudes warmth and sincerity. “Being With You” was a major success, reaching No. 2 on the Billboard Hot 100 and topping charts internationally, further cementing Smokey’s status as a solo star in the post-Miracles era. Its universal message of love and devotion continues to resonate with listeners worldwide.
7. “You’ve Really Got a Hold on Me” (1962)
“You’ve Really Got a Hold on Me” (1962) is a masterclass in emotional conflict, as Smokey Robinson sings about the complicated feelings of being in a relationship that is both irresistible and painful. Released on The Fabulous Miracles, it became one of Motown’s early landmark hits. The song’s slow, bluesy feel is accentuated by Smokey’s pleading vocals and the soulful harmonies of The Miracles. Its chorus—“I don’t want to leave you, but I can’t stay”—captures the essence of conflicted love, a theme that resonated deeply with audiences. This song’s impact was so profound that it was famously covered by The Beatles in 1963, further solidifying its place in music history.
8. “I Second That Emotion” (1967)
“I Second That Emotion,” released in 1967, is one of the quintessential tracks from Smokey Robinson & The Miracles. With its infectious melody and clever wordplay, the song became an instant hit. The phrase “I second that emotion” cleverly twists the common saying “I second that motion,” injecting a playful, romantic twist. Smokey’s smooth, effortless delivery, combined with the song’s upbeat tempo, makes it an irresistible Motown gem. The tight harmonies and crisp production exemplify the polished sound of late-60s Motown, and the song’s lighthearted approach to love and desire made it a favorite on both the radio and the dance floor.
9. “More Love” (1967)
Released in 1967, “More Love” is a sweet, heartfelt ballad that showcases Smokey Robinson’s ability to write deeply personal love songs. The song, written for his wife Claudette, reflects Smokey’s gratitude for their love, particularly after Claudette suffered several miscarriages. Smokey’s light, tender vocals soar over a lush orchestration, delivering a message of everlasting love and devotion. “More Love” became one of The Miracles’ biggest hits, further solidifying Robinson’s reputation as a master lyricist and performer. The sincerity and emotional depth of the song continue to resonate with listeners, making it a timeless classic.
10. “Baby, Baby Don’t Cry” (1969)
Released in 1969 on Time Out for Smokey Robinson & The Miracles, “Baby, Baby Don’t Cry” is an emotionally charged ballad that showcases Robinson’s ability to console and uplift through song. The track opens with a dramatic orchestral introduction, immediately setting a tone of urgency and compassion. Smokey’s vocal performance is both tender and reassuring as he sings to someone in the throes of heartbreak, urging them not to give in to sorrow. The song’s sweeping strings and rich harmonies create an atmosphere of grandeur, while the lyrics offer a message of hope and resilience. “Baby, Baby Don’t Cry” became another major hit for The Miracles, securing their place as one of Motown’s premier vocal groups.