Few bands have left as indelible a mark on the late 1960s music scene as Buffalo Springfield. Rising from the vibrant folk-rock movement, this legendary group—fronted by future icons like Neil Young, Stephen Stills, and Richie Furay—crafted a sound that blended the urgency of rock with the emotional depth of folk. Their music spoke to the seismic cultural shifts of the time, capturing the spirit of protest, rebellion, and transformation. Though their time together was relatively short, Buffalo Springfield’s influence has endured for decades, with their songs continuing to inspire generations of listeners.
In this article, we take a journey through the top 10 most popular Buffalo Springfield songs of all time—hits that not only defined the band’s legacy but also shaped the course of American rock music. From the politically charged anthems that fueled the counterculture to the soul-stirring ballads that showcased the band’s intricate harmonies, these tracks highlight why Buffalo Springfield remains a timeless force in music history. Whether you’re a long-time fan or a newcomer to their catalog, these songs are guaranteed to take you back to one of rock’s most transformative eras. Let’s dive into the unforgettable sounds of Buffalo Springfield!
1. For What It’s Worth (1967)
One of the most iconic protest songs of the 1960s, “For What It’s Worth” became an anthem for a generation. Released in January 1967, this track was written by Stephen Stills in response to the tensions between police and youth in Los Angeles, particularly around the Sunset Strip. Its haunting opening riff and Stills’ introspective lyrics, “Stop, hey, what’s that sound,” immediately transport listeners back to the turbulent era of anti-war protests and civil rights struggles. The song’s subtle yet powerful message about social unrest helped it become a timeless classic, still resonating with listeners today.
2. Mr. Soul (1967)
Released in June 1967, “Mr. Soul” is one of Neil Young’s most celebrated contributions to Buffalo Springfield. The song, with its raw energy and biting lyrics, reflects Young’s musings on fame and the pressures of the music industry. The opening guitar riff is reminiscent of the Rolling Stones’ “Satisfaction,” but the song’s mood is darker, reflecting a more introspective and troubled outlook. With its edgy sound and introspective themes, “Mr. Soul” continues to be a fan favorite and a standout track in Buffalo Springfield’s catalog.
3. Bluebird (1967)
“Bluebird,” also from June 1967, showcases Buffalo Springfield’s ability to blend folk, rock, and blues into a seamless and captivating sound. Written by Stephen Stills, the song features intricate guitar work and rich harmonies that build to a rousing crescendo. The song’s lyrical imagery evokes a sense of freedom and longing, while its dynamic instrumentation keeps listeners hooked. “Bluebird” is a perfect example of the band’s impressive range and their skill in pushing musical boundaries.
4. Rock and Roll Woman (1967)
“Rock and Roll Woman,” released in November 1967, is a quintessential track that captures the spirit of the late ’60s. Written by Stephen Stills, the song celebrates the independent and free-spirited women of the era. With its catchy melody and infectious rhythm, “Rock and Roll Woman” is one of Buffalo Springfield’s most radio-friendly tracks. The song’s breezy vibe and tight harmonies make it a standout on their album Buffalo Springfield Again, and it remains a fan favorite to this day.
5. Expecting to Fly (1967)
Neil Young’s “Expecting to Fly” is a hauntingly beautiful ballad that was released in November 1967. The song breaks away from the typical rock sound of the band, featuring lush orchestration and a deeply emotional delivery. Young’s melancholic lyrics and ethereal arrangement make this track one of Buffalo Springfield’s most unique offerings. The sweeping strings and delicate piano work give the song a dreamlike quality, and it has since become one of the most cherished tracks in the band’s catalog.
6. Nowadays Clancy Can’t Even Sing (1966)
Released in July 1966, “Nowadays Clancy Can’t Even Sing” was Buffalo Springfield’s debut single and introduced the world to their unique sound. Written by Neil Young and sung by Richie Furay, the song is a contemplative and somewhat cryptic reflection on disillusionment and alienation. Its unconventional structure and poignant lyrics made it stand out during the mid-’60s, and while it didn’t initially become a major hit, it has since earned a special place in the hearts of the band’s fans.
7. Sit Down, I Think I Love You (1966)
“Sit Down, I Think I Love You,” released in December 1966, is a bright and catchy tune penned by Stephen Stills. Its breezy melody and lighthearted lyrics made it an instant hit, capturing the romantic optimism of the era. The song was later covered by other artists, including The Mojo Men, but Buffalo Springfield’s original version remains the definitive one. With its infectious energy and feel-good vibe, “Sit Down, I Think I Love You” is a perfect snapshot of the band’s early sound.
8. On the Way Home (1968)
“On the Way Home,” released in July 1968, was written by Neil Young but sung by Richie Furay. The song has a reflective and nostalgic tone, with lyrics that explore themes of personal growth and moving forward in life. It was one of the last songs Buffalo Springfield recorded before their breakup, and it has since become one of the band’s most beloved tracks. Its heartfelt delivery and uplifting melody make it a timeless classic.
9. A Child’s Claim to Fame (1967)
Written by Richie Furay and released in November 1967, “A Child’s Claim to Fame” features a more country-influenced sound, showcasing the band’s versatility. The song’s laid-back arrangement and introspective lyrics give it a warm, inviting feel. It’s a song about personal reflection and the inevitable changes that come with time, making it a relatable and enduring track in the Buffalo Springfield catalog.
10. Broken Arrow (1967)
“Broken Arrow,” another Neil Young composition from November 1967, is an ambitious and experimental track that pushes the boundaries of what a rock song can be. The song is divided into distinct sections, blending elements of rock, folk, and orchestral music. Its abstract lyrics and unconventional structure make it one of Buffalo Springfield’s most intriguing songs. “Broken Arrow” is a testament to the band’s willingness to take risks and explore new musical territories.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
