Buffalo Springfield may have been short-lived, but their impact on the music world is nothing short of legendary. Rising to prominence in the mid-1960s, this iconic band fused folk, rock, and country into a unique sound that captured the spirit of a generation. With members like Stephen Stills, Neil Young, and Richie Furay, Buffalo Springfield was a powerhouse of talent that spawned some of the most timeless tracks in rock history. From their politically charged anthems to their hauntingly beautiful ballads, the band’s music continues to resonate with audiences today.
In this article, we dive into the top 10 most popular Buffalo Springfield songs of all time. Whether you’re a longtime fan or a newcomer to their music, these tracks showcase the band’s incredible range and influence. Expect to revisit classics that defined an era and discover deep cuts that reveal the true depth of Buffalo Springfield’s artistry. So, dust off your vinyls or queue up your streaming service—it’s time to take a journey through the unforgettable sounds of one of rock’s most influential bands. Let’s explore the songs that have not only stood the test of time but have also shaped the very fabric of modern music.
1. For What It’s Worth (1966)
Buffalo Springfield’s most iconic track, “For What It’s Worth,” was released in 1966 and quickly became an anthem for the counterculture movement. Written by Stephen Stills, the song captures the tension and unrest of the 1960s, with its haunting refrain, “Stop, hey, what’s that sound?” The track was inspired by the Sunset Strip riots in Los Angeles, where young people protested curfews and police brutality. The song’s minimalist arrangement, with its steady drum beat and eerie guitar harmonics, emphasizes the urgency and paranoia of the time. “For What It’s Worth” transcends its era, remaining a powerful protest anthem that resonates in times of social upheaval even today.
2. Mr. Soul (1967)
Penned by Neil Young, “Mr. Soul” was released in 1967 and stands out as one of Buffalo Springfield’s most electrifying tracks. The song’s gritty, distorted guitar riff sets the tone for its introspective lyrics, which explore the pressures of fame and identity. Young’s vocals carry a sense of alienation and weariness, reflecting his own experiences in the music industry. The song’s raw energy and edgy sound prefigured the harder rock styles that would emerge in the late ’60s and early ’70s. “Mr. Soul” remains a quintessential Neil Young composition, showcasing his ability to blend rock with deep, personal storytelling.
3. Bluebird (1967)
“Bluebird,” released in 1967, is a testament to Buffalo Springfield’s mastery of blending genres. Written by Stephen Stills, this track is a rollercoaster of musical styles, starting with a lively folk-rock melody before transitioning into a bluesy, extended jam. The song’s intricate guitar work, featuring both Stills and Neil Young, is a highlight, as is the dynamic interplay between the band members. “Bluebird” is an exploration of love and loss, with lyrics that are both poetic and poignant. The song’s evolving structure and rich instrumentation make it a standout in the band’s catalog, showcasing their versatility and creativity.
4. Expecting to Fly (1967)
“Expecting to Fly” is one of Buffalo Springfield’s most hauntingly beautiful tracks, released in 1967. Written and sung by Neil Young, the song is a departure from the band’s usual sound, featuring lush orchestration and a dreamlike atmosphere. The lyrics reflect a sense of longing and melancholy, as Young sings about the end of a relationship with a mixture of sadness and hope. The string arrangements, combined with Young’s delicate vocal delivery, create a cinematic quality that sets the song apart. “Expecting to Fly” is a masterpiece of mood and emotion, highlighting Young’s ability to craft deeply affecting music that resonates on a universal level.
5. Rock & Roll Woman (1967)
“Rock & Roll Woman,” co-written by Stephen Stills and David Crosby, was released in 1967 and is a celebration of the free-spirited, independent women of the 1960s. The song’s breezy melody and jangly guitars capture the essence of the era’s West Coast sound, with harmonies that evoke the influence of The Byrds. Stills’ lyrics paint a picture of a woman who embodies the rebellious spirit of rock and roll, living life on her own terms. The track’s upbeat tempo and infectious chorus make it one of Buffalo Springfield’s most memorable songs, a timeless tribute to the women who helped shape the rock scene.
6. Nowadays Clancy Can’t Even Sing (1966)
“Nowadays Clancy Can’t Even Sing,” released in 1966, was Buffalo Springfield’s debut single and introduced the world to the band’s unique sound. Written by Neil Young, the song features Richie Furay on lead vocals, delivering a poignant performance that captures the song’s themes of alienation and frustration. The lyrics tell the story of Clancy, a figure struggling to find his voice in a world that seems increasingly disconnected. The song’s melancholic melody, combined with its introspective lyrics, struck a chord with listeners and established Buffalo Springfield as a band to watch. “Nowadays Clancy Can’t Even Sing” remains a fan favorite, a song that encapsulates the spirit of the 1960s.
7. On the Way Home (1968)
Released in 1968, “On the Way Home” was one of Buffalo Springfield’s final recordings before their breakup. Written by Neil Young but sung by Richie Furay, the song is a reflection on the journey of life, with lyrics that convey a sense of nostalgia and contemplation. The track’s upbeat rhythm and rich harmonies give it a hopeful, uplifting feel, even as it acknowledges the bittersweet nature of change. “On the Way Home” is a fitting swan song for the band, capturing the essence of their sound while also hinting at the individual paths the members would soon embark on. It’s a song that resonates with anyone who has ever looked back on their life and wondered what might have been.
8. Go and Say Goodbye (1966)
“Go and Say Goodbye,” released in 1966, is a lively, country-tinged track written by Stephen Stills. The song’s upbeat tempo and catchy melody make it an instant toe-tapper, while its lyrics tell the story of a relationship coming to an end. Despite the subject matter, the song’s energy and spirit suggest a sense of resilience and moving forward. The track showcases Buffalo Springfield’s ability to blend rock with roots music, creating a sound that is both familiar and innovative. “Go and Say Goodbye” is a reminder of the band’s versatility and their ability to craft songs that are both relatable and musically engaging.
9. Sit Down I Think I Love You (1966)
“Sit Down I Think I Love You” is another gem from Buffalo Springfield’s 1966 debut album, written by Stephen Stills. The song’s bright melody and cheerful lyrics capture the excitement and uncertainty of newfound love. With its jangly guitars and tight harmonies, the track is a perfect example of the band’s early sound, blending folk, pop, and rock influences. The song’s infectious energy and catchy chorus made it a favorite among fans and a standout on the album. “Sit Down I Think I Love You” is a snapshot of the youthful optimism and romanticism that defined the 1960s, and it remains a delightful listen.
10. Broken Arrow (1967)
“Broken Arrow,” released in 1967, is one of Neil Young’s most ambitious compositions with Buffalo Springfield. The song is a multi-part suite, blending elements of rock, folk, and orchestral music into a complex and layered piece. The lyrics are abstract and enigmatic, touching on themes of love, loss, and introspection. The track’s structure, with its shifting tempos and moods, reflects the fragmented nature of memory and experience. “Broken Arrow” is a bold and experimental song that showcases Young’s innovative approach to songwriting. It’s a track that rewards repeated listens, revealing new depths and nuances each time.