“The Only Ones” is a song by ZZ Top from their 1983 album *Eliminator*. This track stands out for its catchy, rhythmic groove and the band’s signature blend of rock and blues. The song features Billy Gibbons’ distinctive guitar work and memorable vocal delivery, reflecting themes of confidence and individualism. While not as widely recognized as some of their other hits from the album, such as “Legs” and “Gimme All Your Lovin’,” “The Only Ones” still showcases ZZ Top’s ability to craft engaging, high-energy rock music. Its energetic vibe and catchy chorus make it a notable part of the *Eliminator* era.
1. Miles from Nowhere
“Miles from Nowhere” is a track from ZZ Top’s 1994 album *Recycler*. This song is a classic example of the band’s ability to blend blues-rock with a more modern, gritty edge. It features Billy Gibbons’ signature guitar riffs, combined with Dusty Hill’s and Frank Beard’s steady rhythm section. The lyrics convey a sense of longing and distance, both physically and emotionally. With its strong groove and evocative storytelling, “Miles from Nowhere” highlights ZZ Top’s enduring appeal and their skill in crafting songs that resonate with themes of travel and introspection.
2. The Whole of the Law
“The Whole of the Law” is a song by The Only Ones, released in 1980 on their self-titled album. The track is known for its driving rhythm, catchy melody, and Peter Perrett’s distinctive vocals. Lyrically, the song explores themes of rebellion and existential reflection, characteristic of the band’s punk and new wave influences. The song’s powerful, straightforward arrangement and insightful lyrics make it a standout track, showcasing The Only Ones’ unique blend of punk rock with a more introspective and melodic approach. “The Whole of the Law” remains a notable example of the band’s influential sound and lyrical depth.
3. Another Girl, Another Planet
“Another Girl, Another Planet” is a standout track by The Only Ones, released in 1978 on their self-titled debut album. The song is known for its catchy, upbeat melody, driving guitar riff, and Peter Perrett’s distinctive vocals. Lyrically, it reflects themes of longing and escapism, with a narrative that captures the feeling of being on a different planet as a metaphor for emotional detachment and romantic uncertainty. The track combines elements of punk rock with a more melodic, pop sensibility, making it one of The Only Ones’ most beloved and enduring songs. Its infectious chorus and memorable guitar work have made it a classic of the late 1970s and early 1980s rock scene.
4. City of Fun
“City of Fun” is a track by The Only Ones, featured on their 1978 debut album. The song showcases the band’s distinctive punk rock sound with its energetic rhythm and driving guitar lines. Lyrically, “City of Fun” captures a sense of disillusionment and critique of urban life, reflecting themes of escape and dissatisfaction. The track combines The Only Ones’ characteristic blend of punk and new wave influences, characterized by Peter Perrett’s emotive vocals and the band’s tight, punchy instrumentation. “City of Fun” is a notable example of the band’s ability to infuse their music with both intensity and lyrical depth.
5. Out There in the Night
“Out There in the Night” is a track by The Only Ones, featured on their 1978 self-titled debut album. The song is marked by its urgent tempo, driving guitar riffs, and Peter Perrett’s evocative vocals. It captures the band’s blend of punk rock energy and lyrical introspection, with themes that delve into the sense of alienation and existential reflection. The track’s compelling rhythm and raw sound are characteristic of The Only Ones’ style, blending a sense of urgency with emotional depth. “Out There in the Night” exemplifies the band’s ability to combine powerful rock instrumentation with thought-provoking lyrics.
6. From Here to Eternity
“From Here to Eternity” is a track from ZZ Top’s 1985 album *Afterburner*. This song features the band’s characteristic blend of rock and blues with a touch of 1980s synthesizer flair. The lyrics reflect themes of passionate commitment and enduring love, set against a backdrop of energetic riffs and a driving beat. Billy Gibbons’ guitar work is prominent, with a catchy solo that complements the song’s dynamic rhythm. The track showcases ZZ Top’s ability to blend traditional rock elements with contemporary production, making it a standout on the *Afterburner* album.
7. Programme
“Programme” is a song by The Only Ones, released in 1979 as a single and featured on their self-titled debut album. The track showcases the band’s distinctive punk rock sound with a driving beat, edgy guitar work, and Peter Perrett’s evocative vocals. The lyrics explore themes of disillusionment and the search for meaning, reflecting a critical perspective on contemporary society and personal experiences. “Programme” blends raw energy with lyrical depth, capturing The Only Ones’ ability to merge punk’s intensity with introspective commentary. The song remains a notable example of the band’s influential and genre-defining style.
8. Why Don’t You Kill Yourself
“Why Don’t You Kill Yourself” is a track from ZZ Top’s 1990 album *Recycler*. Known for its provocative title and raw energy, the song features the band’s signature blues-rock style with gritty guitar riffs and a driving beat. The lyrics convey a sense of frustration and defiance, using strong language and themes to express a rebellious attitude. The track stands out for its edgy content and the band’s powerful performance, reflecting ZZ Top’s ability to tackle bold and controversial themes while maintaining their distinct musical identity.
9. Me and My Shadow
“Me and My Shadow” is a classic song from the 1927 Broadway musical *The Sunshine Girl*. Written by Al Jolson, Billy Rose, and Dave Dreyer, it was famously performed by Al Jolson. The song is known for its upbeat melody and nostalgic lyrics, which reflect a playful and affectionate relationship with one’s own shadow. The track has been covered by various artists over the years and remains a nostalgic favorite for its charming simplicity and timeless appeal. Its lively rhythm and joyful spirit capture the essence of early 20th-century musical theater.
10. Language Problem
“Language Problem” is a track from ZZ Top’s 1985 album *Afterburner*. The song features the band’s signature mix of rock and blues with an 80s synth-driven sound. The lyrics humorously address communication barriers and misunderstandings, using playful wordplay and a catchy rhythm to explore the theme. Billy Gibbons’ guitar work is prominent, providing a funky, engaging backdrop to the narrative. “Language Problem” showcases ZZ Top’s knack for blending clever lyrics with infectious melodies, maintaining their signature style while experimenting with contemporary sounds of the era.