Buffalo Springfield was a Canadian-American rock band formed in Los Angeles in 1966. The band is best known for their hit song “For What It’s Worth,” which became an anthem of the 1960s counterculture movement. Buffalo Springfield’s music blended rock, folk, and country, creating a unique sound that influenced future genres. The original lineup consisted of Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. Despite their short tenure together, disbanding in 1968, the band’s members went on to achieve significant success in their subsequent musical careers, particularly Stills and Young, who became key figures in Crosby, Stills, Nash & Young. Buffalo Springfield’s legacy endures through their innovative music and contribution to the rock genre.
1. For What It’s Worth
“For What It’s Worth” is a seminal song by Buffalo Springfield, released as a single in 1966 and later included on their debut album. Written by Stephen Stills, the song became an anthem of the 1960s counterculture and protest movements. Its haunting melody, combined with poignant lyrics, captures the tension and unrest of the era, specifically referencing the Sunset Strip curfew riots in Los Angeles. The iconic opening line, “There’s something happening here,” sets the tone for its reflective and cautionary message. “For What It’s Worth” remains a timeless classic, symbolizing the power of music to address social issues.
2. Mr. Soul
“Mr. Soul” is a song by Buffalo Springfield, written by Neil Young. It was released as a single in 1967 and featured on the band’s second album, *Buffalo Springfield Again*. The song is notable for its raw, electric guitar riff and introspective lyrics. “Mr. Soul” was written by Young during a period of personal reflection following an epileptic seizure, and it explores themes of identity, fame, and the pressures of the music industry. The song’s edgy sound and lyrical depth have made it a standout track in Buffalo Springfield’s catalog and a favorite among fans of Neil Young’s extensive body of work.
3. Bluebird
“Bluebird” by Buffalo Springfield is a captivating track from their 1967 album “Buffalo Springfield Again.” Written by Stephen Stills, the song features intricate guitar work and a blend of folk, rock, and psychedelia. Its dynamic structure includes tempo shifts and diverse instrumentation, highlighted by Stills’ impressive banjo playing. The lyrics reflect themes of love and introspection, typical of the 1960s counterculture movement. “Bluebird” stands out for its innovative musical arrangement and has remained a beloved piece in Buffalo Springfield’s catalog, showcasing the band’s ability to fuse different genres and create a timeless, influential sound.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, featured on their 1967 album “Buffalo Springfield Again.” Written by Stephen Stills, the song captures the essence of the late 1960s rock scene with its rich harmonies and jangly guitar riffs. Known for its sophisticated production and layered vocals, it reflects the band’s innovative approach to rock music. The lyrics celebrate a free-spirited woman, embodying the era’s spirit of liberation and rebellion. “Rock & Roll Woman” remains a standout track, showcasing Buffalo Springfield’s musical prowess and their significant influence on the development of folk rock.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young. It was released as the band’s debut single in 1966 and also appeared on their self-titled first album. The song features Richie Furay on lead vocals, delivering Young’s introspective and poignant lyrics. The song’s narrative centers around a character named Clancy who is struggling with disillusionment and a sense of lost direction. Despite its relatively modest commercial success, “Nowadays Clancy Can’t Even Sing” received critical acclaim and helped establish Buffalo Springfield as a significant band in the 1960s rock scene. Its reflective tone and unique lyrical style exemplify Young’s early songwriting prowess.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, written by Stephen Stills. It was released on their 1966 self-titled debut album. The song features a catchy melody and upbeat rhythm, characteristic of the folk-rock sound that defined much of Buffalo Springfield’s music. The lyrics express the excitement and spontaneity of falling in love, with a straightforward and heartfelt declaration. Though not as widely known as some of their other hits, “Sit Down, I Think I Love You” showcases the band’s musical versatility and Stills’ talent for crafting memorable pop-rock tunes. The song remains a charming example of Buffalo Springfield’s early work and their contribution to the 1960s music scene.
7. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, written by Neil Young. It appears on their 1967 album *Buffalo Springfield Again*. The song is one of Young’s more experimental and ambitious compositions from this period, featuring a complex structure and a blend of various musical styles. “Broken Arrow” includes segments with different tempos and themes, interwoven with sound effects and snippets of dialogue, creating a tapestry of sounds and moods.
The lyrics of “Broken Arrow” are introspective and somewhat cryptic, touching on themes of disillusionment, lost innocence, and the search for identity. The title itself, “Broken Arrow,” suggests a sense of something precious that has been damaged or lost. The song’s innovative approach and lyrical depth have made it a standout track in Buffalo Springfield’s discography and a notable example of Neil Young’s early work as a songwriter and musician.
8. Expecting to Fly
“Expecting to Fly” is a beautifully melancholic song by Buffalo Springfield, featured on their 1967 album “Buffalo Springfield Again.” Written by Neil Young, the track stands out for its lush orchestration and introspective lyrics. Produced by Jack Nitzsche, the song departs from the band’s usual folk-rock style, incorporating strings and a dreamy, cinematic quality. Young’s emotive vocals and the song’s poignant arrangement convey a sense of longing and heartache. “Expecting to Fly” is often praised for its innovative production and emotional depth, highlighting Neil Young’s songwriting prowess and the band’s versatility in exploring different musical landscapes.
9. Kind Woman
“Kind Woman” is a song by Buffalo Springfield, written by Richie Furay. It was released in 1968 on the band’s final album, *Last Time Around*. This track is a heartfelt ballad that showcases Furay’s smooth, soulful vocals and his talent for writing tender, evocative lyrics. “Kind Woman” features a blend of country and rock elements, highlighting the band’s versatility and the influence of country music on Furay’s songwriting.
The song is a tribute to Furay’s wife, reflecting themes of love, devotion, and appreciation. Its gentle melody and warm, acoustic instrumentation create an intimate atmosphere, making “Kind Woman” one of the standout tracks on the album. The song also marked a transition for Furay, who would go on to form the country-rock band Poco after Buffalo Springfield disbanded. “Kind Woman” remains a beloved piece in Buffalo Springfield’s catalog and an enduring testament to Furay’s musical artistry.
10. On the Way Home
“On the Way Home” is a vibrant track by Buffalo Springfield, appearing on their final album, “Last Time Around,” released in 1968. Written by Neil Young, the song features lead vocals by Richie Furay. It captures a sense of nostalgia and reflection with its upbeat tempo and rich harmonies. The lyrics speak to the themes of personal growth and the journey of life, resonating with listeners as an anthem of hope and change. The song’s melodic structure and poignant message make “On the Way Home” a standout piece, showcasing Buffalo Springfield’s signature blend of folk-rock and lyrical depth.