Buffalo Springfield was a prominent American rock band formed in Los Angeles, California, in 1966. The band was notable for its influential blend of folk rock, psychedelic rock, and country music elements. Some of their most famous members included Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin.
The band’s formation was catalyzed by Stephen Stills and Richie Furay, who recruited Neil Young, Bruce Palmer, and Dewey Martin to complete the lineup. Buffalo Springfield released their self-titled debut album in 1966, featuring the hit single “For What It’s Worth,” which became a symbol of protest against the Vietnam War and social unrest of the 1960s.
Despite their relatively short time together (1966–1968), Buffalo Springfield left an indelible mark on the music industry and influenced countless artists and bands. Their music remains celebrated for its introspective lyrics, experimental sound, and political themes, making them one of the seminal bands of the 1960s rock era.
1. For What It’s Worth
“For What It’s Worth” is a song by Buffalo Springfield, released in 1966. It became one of the band’s most famous and enduring songs, and a significant anthem of the 1960s counterculture movement. Written by Stephen Stills, the song’s lyrics capture the tension and unrest of the time, particularly reflecting the protests and clashes between police and young people in Los Angeles.
The song’s memorable opening guitar riff and Stills’ distinctive vocals contributed to its immediate impact and popularity. “For What It’s Worth” became an anthem for social change and a symbol of protest against the Vietnam War and societal injustices. Its chorus, “Stop, children, what’s that sound? Everybody look what’s going down,” resonated with listeners and remains iconic in popular culture.
Although originally written about specific events in Los Angeles, “For What It’s Worth” continues to resonate with listeners for its timeless message of questioning authority and standing up for one’s beliefs. The song’s enduring relevance has ensured its place in rock music history, solidifying Buffalo Springfield’s legacy as pioneers of folk rock and influential figures in the 1960s music scene.
2. Mr. Soul
“Mr. Soul” by Buffalo Springfield is a standout track from their 1967 album “Buffalo Springfield Again.” Written by Neil Young, the song features his distinctive guitar work and introspective lyrics. It’s noted for its energetic rhythm and blues-inspired rock sound, characteristic of the band’s blend of folk and psychedelic rock. “Mr. Soul” reflects Young’s self-awareness as an artist grappling with fame and identity, with its catchy melody and Young’s raspy vocals adding to its enduring appeal. It remains a hallmark of Buffalo Springfield’s brief yet influential career, showcasing their contribution to the 1960s rock music landscape.
3. Bluebird
“Bluebird” is a classic song by Buffalo Springfield, appearing on their 1967 album “Buffalo Springfield Again.” Written by Stephen Stills, the song features intricate guitar work and harmonies typical of the band’s folk rock style. “Bluebird” is known for its upbeat tempo and melodic structure, showcasing Stills’ songwriting prowess and the band’s ability to blend folk and rock influences seamlessly. With its catchy chorus and memorable guitar riffs, “Bluebird” remains a favorite among fans of 1960s rock music, highlighting Buffalo Springfield’s role in shaping the sound of the era.
4. Rock & Roll Woman
“Rock & Roll Woman” by Buffalo Springfield is a quintessential 1960s rock track, featured on their 1967 album *Buffalo Springfield Again*. Written by Stephen Stills, the song epitomizes the era’s merging of folk rock with psychedelic influences. Its harmonious blend of jangly guitars and rich vocal harmonies, coupled with Stills’ contemplative lyrics about a free-spirited woman, creates a sound both nostalgic and innovative. This track not only captures the essence of the counterculture movement but also showcases Buffalo Springfield’s musical prowess and contribution to the evolution of rock music during a transformative period in American history.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young. It was included on their self-titled debut album, released in 1966. The song is notable for its melancholic lyrics and haunting melody, showcasing Neil Young’s songwriting ability and distinctive vocal style.
The lyrics of “Nowadays Clancy Can’t Even Sing” evoke a sense of nostalgia and sadness, reflecting on the passage of time and the loss of innocence. The song’s introspective tone and evocative imagery resonate with themes of disillusionment and personal reflection, common in the folk rock music of the 1960s.
Musically, “Nowadays Clancy Can’t Even Sing” features gentle acoustic guitar work and subtle harmonies, creating a subdued and introspective atmosphere. Neil Young’s vocal delivery adds emotional depth to the song, enhancing its impact on listeners.
Although not as commercially successful as some of Buffalo Springfield’s other songs, “Nowadays Clancy Can’t Even Sing” is revered for its poetic lyrics and atmospheric sound, showcasing the band’s talent for blending folk, rock, and introspective themes into a compelling musical narrative.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, released in 1966 on their debut self-titled album. It is one of the band’s more upbeat and pop-oriented tracks, contrasting with their more folk and rock-infused songs.
The song features catchy melodies and harmonies, with Stephen Stills and Richie Furay sharing vocal duties. “Sit Down, I Think I Love You” reflects themes of romantic uncertainty and longing, typical of many pop songs of the era. Its upbeat tempo and catchy chorus contributed to its appeal, making it a favorite among fans of 1960s pop rock.
While not as politically charged or introspective as some of their other songs, “Sit Down, I Think I Love You” showcases Buffalo Springfield’s versatility and ability to blend different musical styles. It remains a notable track in the band’s discography, reflecting their contribution to the vibrant music scene of the 1960s.
7. Broken Arrow
“Broken Arrow” by Buffalo Springfield is a profound and introspective track from their 1967 album *Buffalo Springfield Again*. Written and sung by Neil Young, the song is notable for its complex structure and experimental approach, diverging from traditional rock formats. It intertwines multiple musical sections, including a live concert intro and ambient soundscapes, reflecting Young’s avant-garde sensibilities.
Lyrically, “Broken Arrow” delves into themes of disillusionment, introspection, and the fractured American dream. Its layered arrangement, featuring piano, brass, and haunting melodies, creates an evocative atmosphere that encapsulates the tumultuous spirit of the late 1960s. The song stands as a testament to Young’s innovative artistry and Buffalo Springfield’s influence in shaping the landscape of rock music.
8. Expecting to Fly
“Expecting to Fly” by Buffalo Springfield is a hauntingly beautiful ballad from their 1967 album *Buffalo Springfield Again*. Written and sung by Neil Young, the song is distinguished by its lush orchestration and melancholic tone, showcasing Young’s lyrical vulnerability and emotive voice.
Produced by Jack Nitzsche, the track features sweeping string arrangements and intricate studio effects, creating an ethereal, almost cinematic soundscape that diverges from the band’s typical rock style. The lyrics explore themes of lost love and longing, with a dreamlike quality that resonates deeply.
“Expecting to Fly” captures a moment of introspection and transition, embodying the bittersweet essence of the era. The song’s layered production and poignant storytelling make it a standout piece in Buffalo Springfield’s catalog and an enduring example of Young’s ability to craft deeply affecting music.
9. Kind Woman
“Kind Woman” by Buffalo Springfield is a tender, soulful ballad featured on their 1968 album *Last Time Around*. Written and sung by Richie Furay, this song stands out for its heartfelt simplicity and country-tinged warmth.
Driven by gentle piano melodies, subtle guitar work, and Furay’s sincere vocal delivery, “Kind Woman” exudes a sense of earnestness and emotional intimacy. The lyrics celebrate the grace and nurturing spirit of a woman, embodying themes of love, appreciation, and devotion.
As one of Furay’s finest compositions, “Kind Woman” reflects his deep affection for his wife, inspiring a sense of romantic nostalgia. The song also foreshadows Furay’s later contributions to the country-rock genre with Poco, highlighting Buffalo Springfield’s versatility and influence. This track remains a poignant and memorable piece, capturing the essence of genuine affection and the band’s evolving sound.
10. On the Way Home
“On the Way Home” by Buffalo Springfield is an uplifting and reflective song from their 1968 album *Last Time Around*. Written by Neil Young, it is a standout track that balances introspection with a hopeful outlook. The song features lead vocals by Richie Furay, whose warm and expressive delivery adds a layer of sincerity and depth.
Musically, “On the Way Home” blends folk rock elements with a vibrant, orchestral arrangement, incorporating rich harmonies and buoyant instrumentation. Its melodies are both catchy and contemplative, capturing a sense of nostalgia and yearning.
Lyrically, the song explores themes of personal growth, self-discovery, and the journey back to one’s roots or true self. The recurring lines, “Although I rush ahead to save my time, I’m off again on my own,” reflect a poignant balance between the excitement of new experiences and the comfort of familiarity.
“On the Way Home” encapsulates the spirit of transition and the search for meaning, resonating deeply with listeners. It is a testament to Buffalo Springfield’s ability to blend profound storytelling with intricate musical composition, leaving a lasting impact on the folk rock genre and the band’s legacy.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
