Buffalo Springfield was a folk rock band formed in Los Angeles in 1966. The band’s original lineup consisted of Stephen Stills (guitar, vocals), Neil Young (guitar, vocals), Richie Furay (guitar, vocals), Bruce Palmer (bass), and Dewey Martin (drums). They were known for their intricate vocal harmonies and blending of folk, rock, and country influences.
One of their most famous songs is “For What It’s Worth,” which became an anthem for the 1960s counterculture movement. The song’s lyrics reflected the unrest and protests of the time, particularly focusing on the Sunset Strip curfew riots in 1966.
Buffalo Springfield released three albums during their brief existence: *Buffalo Springfield* (1966), *Buffalo Springfield Again* (1967), and *Last Time Around* (1968). Despite their relatively short time together, Buffalo Springfield had a significant impact on the development of folk rock and country rock music. Several members went on to have successful solo careers, most notably Stephen Stills and Neil Young.
1. For What It’s Worth
“For What It’s Worth” by Buffalo Springfield, released in 1966, is a politically charged folk rock anthem that became a symbol of the turbulent times in America during the 1960s. Written by Stephen Stills, the song captures the unrest and social tension surrounding the Sunset Strip curfew riots in Los Angeles. Its iconic opening guitar riff and Stills’ plaintive vocals set the tone for a protest against perceived injustices and the suppression of youth culture. The lyrics, though concise, resonate with themes of civil rights, freedom of expression, and the desire for societal change. “For What It’s Worth” remains a timeless reflection of a pivotal moment in American history and continues to inspire generations with its message of standing up for one’s beliefs.
2. Mr. Soul
“Mr. Soul” is a rock song by Buffalo Springfield, released in 1967 as part of their second album “Buffalo Springfield Again.” Written by Neil Young, the song features a distinctive, driving rhythm and Young’s characteristic guitar work.
Lyrically, “Mr. Soul” reflects Young’s frustration with being labeled and categorized by the music industry and society at large. The song’s lyrics express a desire for authenticity and independence, rejecting superficiality and commercialism. Young’s vocals convey a sense of defiance and introspection, supported by the band’s energetic instrumentation.
“Mr. Soul” is celebrated for its raw energy and introspective lyrics, capturing the spirit of counterculture and the search for personal identity during the 1960s. It remains a powerful example of Neil Young’s songwriting prowess and Buffalo Springfield’s impact on the folk rock and psychedelic rock genres of the era.
3. Bluebird
“Bluebird” is a song by Buffalo Springfield, written by Stephen Stills, and released on their debut self-titled album in 1966. The song is noted for its intricate guitar work and harmonies, characteristic of the band’s folk rock sound.
“Bluebird” features a lively and upbeat melody, driven by Stills’ guitar playing and complemented by the band’s tight instrumentation. The lyrics evoke a sense of yearning and freedom, with themes of travel, exploration, and the pursuit of personal dreams. Stills’ vocals are expressive and dynamic, capturing the optimism and restlessness of youth.
The song’s enduring popularity lies in its infectious melody, memorable guitar solos, and Stills’ charismatic delivery. “Bluebird” remains a standout track in Buffalo Springfield’s repertoire, showcasing their musical prowess and contributions to the folk rock movement of the 1960s.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, written by Stephen Stills. It was released in 1967 on their second album, *Buffalo Springfield Again*. The song is notable for its driving beat, catchy guitar riffs, and Stills’ distinctive vocals.
“Rock & Roll Woman” is seen as a commentary on the music scene of the time, with lyrics that suggest a sense of rebellion and freedom associated with rock and roll. The song’s upbeat tempo and energetic performance make it a standout track on the album and a favorite among fans of Buffalo Springfield and 1960s rock music in general.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a poignant folk rock song by Buffalo Springfield, written by Neil Young and featured on their self-titled debut album released in 1966. The song is notable for its introspective lyrics and melancholic melody, showcasing Young’s early songwriting prowess.
The lyrics of “Nowadays Clancy Can’t Even Sing” paint a picture of disillusionment and loss, with imagery that evokes feelings of loneliness and alienation. The title character, Clancy, becomes a metaphor for the struggles and hardships faced in a changing world. Young’s emotive vocals and the band’s subdued instrumentation contribute to the song’s somber atmosphere.
Despite its initial commercial reception, “Nowadays Clancy Can’t Even Sing” has since been recognized as a standout track in Buffalo Springfield’s early catalog. It reflects the band’s ability to blend folk and rock influences while addressing deeper themes of societal unrest and personal introspection, making it a timeless piece of 1960s folk rock music.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, written by Stephen Stills. It was released in 1966 as the band’s second single, following their debut “Nowadays Clancy Can’t Even Sing.” The song features a catchy melody, Stills’ distinctive vocals, and the band’s signature folk-rock sound.
“Sit Down, I Think I Love You” is a light-hearted love song with a playful, upbeat feel. The lyrics convey the excitement and uncertainty of new love, with the singer expressing their feelings of affection and attraction. The song’s infectious chorus and memorable guitar riff helped it become one of Buffalo Springfield’s most popular tracks, showcasing the band’s talent for crafting melodic, introspective songs with a rock edge.
7. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, written by Neil Young, and featured on their second album, “Buffalo Springfield Again,” released in 1967. The song stands out for its ambitious structure, blending folk rock with experimental elements.
“Broken Arrow” is known for its intricate arrangement and layered instrumentation, including electric guitars, piano, and orchestral elements. The lyrics are cryptic and poetic, exploring themes of disillusionment, introspection, and the search for meaning. The song’s title references a Native American symbol of peace and reconciliation, adding to its thematic depth.
Neil Young’s distinctive vocals and the band’s musical versatility contribute to the song’s haunting and atmospheric quality. “Broken Arrow” exemplifies Buffalo Springfield’s evolution as a band, showcasing their willingness to push musical boundaries and experiment with new sounds.
The song has since become a cult favorite among fans of 1960s rock music, appreciated for its introspective lyrics, intricate arrangements, and Neil Young’s emotive performance.
8. Expecting to Fly
“Expecting to Fly” is a song by Buffalo Springfield, written by Neil Young and released as a single in 1967. It’s notably different from the band’s typical folk rock sound, featuring lush orchestration and a dreamy, ethereal atmosphere.
The song’s lyrics evoke themes of longing, melancholy, and introspection, with Young’s vocals conveying a sense of vulnerability and emotional depth. The orchestral arrangement, including strings and horns, adds to the song’s cinematic quality and creates a haunting backdrop for Young’s introspective lyrics.
“Expecting to Fly” is often regarded as one of Neil Young’s early masterpieces, showcasing his ability to blend folk rock with orchestral elements and experimental production techniques. It stands out as a departure from Buffalo Springfield’s usual style and demonstrates Young’s artistic growth and ambition.
The song remains a favorite among fans and critics alike, appreciated for its atmospheric soundscapes, evocative lyrics, and Neil Young’s emotive performance. It continues to be a poignant example of the creativity and innovation that characterized the 1960s rock music scene.
9. Kind Woman
“Kind Woman” is a song by Buffalo Springfield, written by Richie Furay. It was released in 1968 on their final album, *Last Time Around*. The song features Furay on lead vocals and acoustic guitar, with Stephen Stills adding harmonies and Neil Young contributing lead guitar.
“Kind Woman” is a gentle, introspective ballad that reflects Furay’s heartfelt lyrics and melodic sensibilities. The song’s lyrics express gratitude and appreciation for a compassionate and understanding partner, with Furay singing, “Kind woman, won’t you love me tonight?” The song’s heartfelt sentiment and beautiful melody have made it a fan favorite and a standout track in Buffalo Springfield’s catalog.
10. On the Way Home
“On the Way Home” is a folk rock song by Buffalo Springfield, written by Neil Young and sung by Richie Furay. It was released on their final studio album, “Last Time Around,” in 1968. The song showcases the band’s signature harmonies and reflective lyrics.
Lyrically, “On the Way Home” explores themes of journey and self-discovery. The narrator reflects on their experiences and observations while traveling, expressing a sense of anticipation and introspection. The song’s gentle melody and acoustic guitar-driven arrangement create a serene atmosphere, complemented by the band’s tight harmonies.
Richie Furay’s lead vocals are earnest and heartfelt, conveying a sense of longing and nostalgia. The song builds gradually, culminating in a climactic chorus that emphasizes its theme of seeking understanding and finding one’s way home, both literally and metaphorically.
“On the Way Home” remains a beloved track in Buffalo Springfield’s discography, appreciated for its introspective lyrics, melodic beauty, and the band’s harmonious blend. It encapsulates the spirit of 1960s folk rock and continues to resonate with listeners as a timeless piece of music.