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Home Best Songs

10 Best The Replacements Songs of All Time

List of the Top10 Best The Replacements Songs of All Time

Erica Henderson by Erica Henderson
May 3, 2023
in Best Songs
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10 Best The Replacements Songs of All Time
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The Replacements are one of the most influential bands to emerge from the Minneapolis punk and alternative music scene of the 1980s. They were known for their catchy and raw rock sound, as well as their irreverent attitude and onstage antics. Led by the songwriting of frontman Paul Westerberg, The Replacements gained a cult following and influenced countless musicians with their rebellious spirit and heartfelt lyrics. With over a decade of material to choose from, picking just ten of their best songs is no easy task. From their early punk rock beginnings to their more polished later work, The Replacements consistently delivered music that was both energetic and emotive. Their discography is filled with gems that capture the essence of their sound and style, ranging from heartfelt ballads to raucous anthems. In this article, we will take a look at the ten best songs by The Replacements, exploring their unique musical style and the enduring impact of their music.

Table of Contents

  • 1. “I Will Dare” (1984)
  • 2. “Androgynous” (1984)
  • 3. “Bastards Of Young” (1985)
  • 4. “Swingin Party” (1985)
  • 5. “Kiss Me On The Bus” (1985)
  • 6. “I.O.U.” (1987)
  • 7. “Unsatisfied” (1984)
  • 8. “Alex Chilton” (1987)
  • 9. “Answering Machine” (1984)
  • 10. “Left Of The Dial” (1985)

1. “I Will Dare” (1984)

“I Will Dare” is the opening track from The Replacements’ critically acclaimed album “Let It Be.” The song is a perfect blend of punk rock energy and melodic pop hooks, showcasing the band’s ability to create catchy and memorable songs. The guitar work is particularly noteworthy, with its jangly riffs and infectious chorus hook that will get stuck in your head for days. The lyrics, written by frontman Paul Westerberg, convey a sense of youthful rebellion and a desire to break free from the confines of society. The addition of guest vocalist Peter Buck from R.E.M. on the track adds an extra layer of excitement to the song, as his distinctive guitar playing and vocal harmonies complement the band’s sound perfectly. “I Will Dare” is a standout track in The Replacements’ discography and a testament to their ability to create timeless and influential music.

2. “Androgynous” (1984)

“Androgynous” is a standout track from The Replacements’ album “Let It Be.” The song features a stripped-down arrangement, with simple acoustic guitar and piano accompaniment, giving the track a raw and intimate feel. The lyrics, also written by Paul Westerberg, explore themes of gender identity and the breaking down of societal norms around gender roles. The vocals, shared between Westerberg and bassist Tommy Stinson, add an extra layer of depth and emotion to the song, with Stinson’s higher register contrasting with Westerberg’s gruff vocals. “Androgynous” is a poignant and powerful track that resonates with audiences to this day. Its message of acceptance and celebration of individuality has made it an anthem for the LGBTQ+ community and a testament to the band’s willingness to tackle important social issues through their music.

3. “Bastards Of Young” (1985)

“Bastards of Young” is a powerful and anthemic song that has become a classic in The Replacements’ catalog. It opens with a distinctive drum beat and guitar riff that set the tone for the rest of the track. The lyrics, written by Paul Westerberg, reflect the disillusionment and frustration of a generation coming of age in a world that doesn’t seem to care. The chorus is particularly memorable, with its defiant call to arms: “We are the sons of no one, bastards of young.” The song builds to a cathartic crescendo, with the band playing with ferocious intensity. “Bastards of Young” has become a symbol of the band’s rebellious spirit and their willingness to speak truth to power. It remains a beloved song among fans and a testament to the enduring power of rock and roll music to inspire and uplift.

4. “Swingin Party” (1985)

“Swingin Party” is a haunting and introspective ballad from The Replacements’ album “Tim.” The song features a sparse and melancholic arrangement, with a simple piano melody and restrained vocals from Paul Westerberg. The lyrics are a meditation on the emptiness and loneliness of the party scene, with Westerberg lamenting, “If being afraid is a crime, we hang side by side.” The song is a departure from the band’s typical punk rock sound, showcasing their ability to create music that is both introspective and emotional. The restrained instrumentation and understated vocals give the song a sense of vulnerability and authenticity that is rare in rock music. “Swingin Party” has become a fan favorite and a testament to The Replacements’ ability to push the boundaries of what rock music can be.

5. “Kiss Me On The Bus” (1985)

“Kiss Me On The Bus” is a playful and catchy track from The Replacements’ album “Tim.” The song features a driving rhythm and infectious guitar riff that will have you tapping your foot in no time. The lyrics, written by Paul Westerberg, are a lighthearted tribute to young love and the thrill of a first kiss. The chorus is particularly memorable, with its plea to “kiss me on the bus” capturing the sense of excitement and anticipation of a budding romance. The song is a departure from the band’s more punk rock-influenced sound, showcasing their ability to create music that is both upbeat and heartfelt. “Kiss Me On The Bus” has become a fan favorite and a testament to the band’s ability to craft memorable and timeless pop songs that capture the essence of youth and rebellion.

6. “I.O.U.” (1987)

“I.O.U.” is a fast-paced and energetic track from The Replacements’ album “Pleased to Meet Me.” The song features a driving rhythm and catchy guitar riff that showcase the band’s punk rock roots. The lyrics, written by Paul Westerberg, are a wry commentary on the perils of the music industry and the pitfalls of fame. The chorus is particularly memorable, with Westerberg singing, “I owe you nothing,” a defiant statement of independence and self-determination. The song is a testament to the band’s rebellious spirit and their willingness to speak truth to power. “I.O.U.” has become a fan favorite and a reminder of The Replacements’ impact on the punk and alternative music scenes of the 1980s. Its raw energy and unapologetic attitude make it a timeless classic that continues to inspire generations of musicians and fans alike.

7. “Unsatisfied” (1984)

“Unsatisfied” is a powerful and emotional track from The Replacements’ album “Let It Be.” The song features a slow and mournful melody, with Paul Westerberg’s vocals conveying a sense of despair and longing. The lyrics are a poignant reflection on the search for meaning and purpose in life, with Westerberg lamenting, “Look me in the eye, then tell me that I’m satisfied.” The song builds to a cathartic climax, with the band playing with intense emotional intensity. “Unsatisfied” has become a fan favorite and a testament to The Replacements’ ability to create music that is both vulnerable and raw. Its honest and introspective lyrics continue to resonate with audiences to this day, making it a timeless classic in the alternative rock canon.

8. “Alex Chilton” (1987)

“Alex Chilton” is an upbeat and catchy track from The Replacements’ album “Pleased to Meet Me.” The song features a driving rhythm and jangly guitar riffs that showcase the band’s pop sensibilities. The lyrics, written by Paul Westerberg, pay tribute to the legendary singer-songwriter Alex Chilton, best known as the frontman of Big Star. The chorus is particularly memorable, with Westerberg singing, “Children by the million sing for Alex Chilton when he comes ’round, they sing ‘I’m in love, what’s that song? I’m in love with that song.'” The song is a testament to The Replacements’ ability to create music that is both catchy and heartfelt. “Alex Chilton” has become a fan favorite and a testament to the enduring influence of Chilton and Big Star on the alternative rock scene. Its infectious energy and memorable lyrics make it a classic in The Replacements’ catalog.

9. “Answering Machine” (1984)

“Answering Machine” is a melancholic and introspective track from The Replacements’ album “Let It Be.” The song features a simple arrangement, with Paul Westerberg’s vocals and guitar accompanied by a soft drumbeat. The lyrics are a reflection on the pain of unrequited love and the futility of trying to connect with someone who doesn’t want to be reached. The chorus is particularly memorable, with Westerberg singing, “Hang up and try again, I’ve got nothing to say to you.” The song is a testament to The Replacements’ ability to create music that is both vulnerable and authentic. Its understated instrumentation and heartfelt lyrics make it a fan favorite and a reminder of the band’s impact on the alternative rock scene of the 1980s. “Answering Machine” remains a classic in The Replacements’ catalog, a testament to the enduring power of raw and honest songwriting.

10. “Left Of The Dial” (1985)

“Left of the Dial” is a lively and upbeat track from The Replacements’ album “Tim.” The song features a driving rhythm and catchy guitar riffs that showcase the band’s punk rock roots. The lyrics, written by Paul Westerberg, pay tribute to the power of college radio and the independent music scene. The chorus is particularly memorable, with Westerberg singing, “We’re gonna drink and dance and have some fun, I’m not the only one.” The song is a testament to The Replacements’ ability to create music that is both energetic and insightful. “Left of the Dial” has become a fan favorite and a reminder of the band’s influence on the alternative rock scene of the 1980s. Its infectious energy and memorable lyrics make it a classic in The Replacements’ catalog, and a testament to the enduring power of independent music.

Erica Henderson

Erica Henderson is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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