South Dakota, known for its vast landscapes and rich cultural heritage, has been home to musicians who have made noteworthy contributions to the world of music. Among these artists is a singer whose soulful voice echoes the spirit of the Great Plains. Through their music, they weave narratives inspired by the region’s natural beauty and the stories of its people, creating a sonic tapestry that resonates with authenticity.
Another notable singer from South Dakota brings a unique blend of folk and country influences, capturing the essence of life on the prairie. Their lyrics reflect the rhythms of small-town existence, celebrating the resilience of the community and the timeless themes of love and longing.
These singers from South Dakota, whether drawing inspiration from the state’s scenic landscapes or the everyday experiences of its residents, contribute to the musical diversity of the region. Through their artistry, they connect listeners to the heart and soul of South Dakota, leaving an indelible mark on the musical legacy of this Midwestern state.
1. Dorothy Provine
Dorothy Provine, born on January 20, 1935, in Deadwood, South Dakota, was an American actress, singer, and dancer. Rising to fame in the 1950s and 1960s, Provine showcased her versatile talents in both the entertainment and music industries.
Provine’s early career included roles in films such as “The Bonnie Parker Story” (1958) and “It’s a Mad, Mad, Mad, Mad World” (1963). However, she gained significant recognition for her work on television. Provine starred in the ABC series “The Roaring 20’s” (1960–1962), where she portrayed Pinky Pinkham and showcased her singing and dancing skills in a 1920s setting.
In addition to her acting career, Dorothy Provine pursued music, releasing albums that highlighted her singing talent. Her lively and spirited performances reflected the energy of the Roaring Twenties era. Songs like “Don’t Bring Lulu” and “Some of These Days” captured the essence of the period and showcased her ability to interpret classic tunes with charisma.
While her entertainment career saw its peak in the 1960s, Dorothy Provine’s contributions to both acting and music endure as a testament to her multifaceted talent. Her legacy includes a vibrant presence in the cultural landscape of mid-20th century entertainment.
2. EMA
EMA, born Erika Michelle Anderson on April 2, 1982, is an American singer, songwriter, and producer known for her experimental and genre-defying approach to music. Her work encompasses elements of indie rock, electronic, noise, and folk, creating a unique sonic landscape that challenges traditional genre boundaries.
EMA first gained attention as a member of the indie rock band Gowns in the mid-2000s. After the band disbanded, she embarked on a solo career under the moniker EMA. Her debut solo album, “Past Life Martyred Saints” (2011), received critical acclaim for its raw, confessional lyrics and atmospheric soundscapes. The album explored themes of personal struggle, identity, and emotional intensity.
In 2014, EMA released her second album, “The Future’s Void,” which delved into the impact of technology on society and the individual. The album showcased her versatility, incorporating electronic elements alongside her guitar-driven sound.
EMA continued to evolve her sound with subsequent releases, such as “Exile in the Outer Ring” (2017), exploring themes of political and social unrest. Her music often features introspective and thought-provoking lyrics, paired with innovative production techniques.
Known for her fearless approach to artistic expression, EMA has garnered a reputation for pushing boundaries and challenging listeners. Her work resonates with those seeking music that transcends conventional genres, embracing a spirit of experimentation and emotional authenticity.
3. We All Have Hooks for Hands
“We All Have Hooks for Hands” was an indie rock band based in Sioux Falls, South Dakota. Active from the mid-2000s to the early 2010s, the band gained recognition for their energetic live performances and a sound that blended indie rock, folk, and punk influences.
The band’s lineup included Eli Show (vocals, guitar), Zach Holden (bass), Joel Show (drums), and Nathan Luecking (guitar). They released several albums and EPs during their active years, including “The Shape of Energy” (2006) and “The Pretender” (2009).
“We All Have Hooks for Hands” was known for their dynamic and diverse musical style, incorporating elements of indie and folk with anthemic and often introspective songwriting. Their music explored themes of self-discovery, relationships, and the human experience.
While the band didn’t achieve mainstream success, they developed a devoted fanbase in the Midwest and received positive reviews for their recordings and live performances. Their DIY ethos and grassroots approach to music contributed to their appeal within the independent music scene.
After disbanding, some members pursued other musical projects, and the legacy of “We All Have Hooks for Hands” remains in the memories of fans who appreciated their distinctive sound and the contributions they made to the regional indie rock scene.
4. Cris Williamson
Cris Williamson, born on January 26, 1947, in Deadwood, South Dakota, is an American singer-songwriter and activist celebrated for her significant contributions to the women’s music movement and folk music. Emerging in the 1970s, Williamson’s music became a powerful voice for LGBTQ+ rights and women’s empowerment.
Williamson gained widespread acclaim with her groundbreaking album “The Changer and the Changed” (1975), often considered a seminal work in the women’s music genre. The album featured iconic tracks like “Waterfall” and “Sweet Woman,” and its impact extended beyond the music scene, resonating with audiences seeking representation and empowerment.
As an openly gay artist, Cris Williamson’s work became a cultural touchstone, providing a soundtrack for the feminist and LGBTQ+ movements. Her soulful voice and introspective lyrics explored themes of love, identity, and social justice. Williamson’s commitment to activism extended beyond her music, advocating for LGBTQ+ rights and visibility.
Throughout her career, Cris Williamson continued to release albums that blended folk, rock, and pop influences. Her enduring legacy is marked by her pioneering role in creating a space for women in the music industry and her lasting impact on the cultural landscape. Cris Williamson remains a respected figure, not only for her musical contributions but also for her role in fostering social change through her art and activism.
5. Brule
Brulé is a Native American contemporary music group that blends traditional Native American sounds with elements of rock, pop, and electronic music. Founded in 1995 by Paul LaRoche, a member of the Lower Brule Sioux Tribe in South Dakota, Brulé has become known for their unique and innovative approach to music.
The group’s music often incorporates traditional Native American instruments, such as drums and flutes, with modern instrumentation, creating a fusion that appeals to a broad audience. Brulé’s sound is characterized by its emotive melodies, rhythmic beats, and a commitment to honoring Native American culture through music.
One of Brulé’s notable achievements is their collaboration with the Lakota Nation on the album “We the People.” This project aimed to raise awareness about social and cultural issues affecting Native Americans. The album features a combination of traditional Lakota songs and contemporary compositions.
Over the years, Brulé has released numerous albums, including “Tatanka” (1996), “Painted Faces” (1998), and “One Holy Night” (2006). They have garnered recognition for their contributions to the genre of Native American music and have received awards for their cultural preservation efforts.
Brulé’s music and performances often serve as a bridge between Native American traditions and contemporary music, fostering an appreciation for indigenous culture. Through their artistic expression, Brulé continues to promote understanding and respect for Native American heritage.
6. Bob Stewart
Bob Stewart, whose full name is Robert Stewart, is an American jazz tubist and composer. He was born on October 4, 1945, in Sioux Falls, South Dakota. Stewart is known for his contributions to the world of jazz music, particularly for his innovative approach to the tuba.
Stewart began his career in the late 1960s and has worked with various notable jazz musicians and bands, including the World Saxophone Quartet and the Gil Evans Orchestra. He is known for his exceptional skill on the tuba and his ability to adapt the instrument to jazz contexts.
In addition to his work as a performer, Bob Stewart is a composer and has contributed to the jazz repertoire with his original compositions. His work often blends elements of traditional jazz, free jazz, and world music influences, creating a unique and dynamic sound.
Stewart’s ability to expand the possibilities of the tuba in jazz, as well as his contributions to the genre as a composer and bandleader, have solidified his status as a respected and influential figure in the world of jazz music. His innovative approach to the tuba and his dedication to pushing the boundaries of the instrument continue to be celebrated by jazz enthusiasts and musicians alike.
7. Myron Floren
Myron Floren (November 5, 1919 – July 23, 2005) was an American musician, best known as the accordionist on “The Lawrence Welk Show,” a popular television variety program that aired from 1951 to 1982. Born in Roslyn, South Dakota, Floren became a prominent figure in the world of polka music and accordion performance.
Floren joined Lawrence Welk’s band in 1950 and quickly became a featured performer. His virtuoso accordion playing and charismatic stage presence made him a fan favorite on the show. Floren’s musical versatility allowed him to showcase a range of styles, from polkas and waltzes to popular and classical tunes.
Beyond his contributions to “The Lawrence Welk Show,” Myron Floren established himself as a respected musician in his own right. He released several albums, including “Polka Party” and “76 Trombones and Other Great Songs,” showcasing his accordion skills and love for diverse musical genres.
Myron Floren’s impact extended beyond television, as he became a popular live performer, often touring and headlining events with his accordion. His association with Lawrence Welk and his influence in promoting the accordion as a versatile instrument contributed to the instrument’s popularity.
Myron Floren remained a beloved figure in the world of polka and accordion music until his passing in 2005. His legacy endures through his recordings, contributions to the Lawrence Welk legacy, and the lasting impression he made on fans of accordion music.
8. Boyd Raeburn
Boyd Raeburn (October 27, 1913 – August 2, 1966) was an American jazz bandleader and bass saxophonist, known for his innovative approach to big band music. Born in Faith, South Dakota, Raeburn’s career in music was characterized by experimentation and pushing the boundaries of traditional swing and big band styles.
In the 1940s, Raeburn formed his own big band, known as the Boyd Raeburn Orchestra. Notable for its avant-garde and progressive arrangements, the orchestra featured influential musicians such as trumpeter Dizzy Gillespie and saxophonist Johnny Bothwell. Raeburn’s approach to jazz was often ahead of its time, incorporating elements of bebop and modern jazz.
One of Boyd Raeburn’s most famous compositions is “Dalvatore Sally,” a piece that showcased his commitment to exploring new sounds within the big band format. Despite facing challenges and limited commercial success during his career, Raeburn’s contributions to the evolution of jazz were recognized by fellow musicians and critics.
Boyd Raeburn’s legacy lies in his adventurous spirit and his willingness to experiment with unconventional musical ideas within the context of a big band. His influence can be traced in the development of progressive and experimental jazz in the decades that followed.
9. Jess Thomas
Jess Thomas (August 4, 1927 – October 11, 1993) was an American operatic tenor renowned for his powerful and dramatic voice. Born in Hot Springs, South Dakota, Thomas achieved international acclaim for his performances in leading roles in the operas of Richard Wagner.
Thomas began his career as a heldentenor, specializing in the demanding roles of Wagnerian opera, which require strength, endurance, and a commanding vocal presence. His vocal prowess and ability to convey the emotional depth of characters made him a sought-after performer on the world’s leading opera stages.
One of Thomas’s notable roles was that of Siegmund in Wagner’s “Die Walküre.” He also gained recognition for his interpretation of Tristan in “Tristan und Isolde” and Parsifal in “Parsifal.” His performances were marked by a combination of vocal power, lyricism, and a keen dramatic sensibility.
In addition to his Wagnerian repertoire, Jess Thomas performed in a variety of operatic roles, including works by Giuseppe Verdi and Richard Strauss. He appeared at renowned opera houses such as the Metropolitan Opera in New York, the Royal Opera House in London, and the Bayreuth Festival in Germany.
Thomas’s contributions to the world of opera extended beyond his stage performances. He recorded extensively, leaving a legacy of acclaimed recordings that showcase his mastery of the Wagnerian repertoire. Jess Thomas’s impact on the operatic world, particularly in the realm of Wagner’s music, solidifies his place as one of the notable heldentenors of the 20th century.
10. Buddy Red Bow
Buddy Red Bow (1942 – August 20, 1993) was a Native American singer, songwriter, and activist of the Lakota Sioux tribe. Born as Lenard Michael Red Bow on the Pine Ridge Indian Reservation in South Dakota, he became a notable figure in Native American music, using his art to address social and political issues facing indigenous communities.
Buddy Red Bow’s music often blended traditional Native American sounds with contemporary folk and country influences. His lyrics, sung in both English and Lakota Sioux, addressed themes of cultural identity, the challenges faced by Native Americans, and the importance of preserving indigenous heritage.
Red Bow’s activism extended beyond his music. He worked to raise awareness about the struggles of Native American communities, advocating for social justice and improved conditions on reservations. His song “Proud to Be a Lakota” became an anthem for Native American pride and resilience.
Despite facing personal challenges, including struggles with alcoholism, Buddy Red Bow’s impact on Native American music and advocacy remains significant. His work contributed to a broader recognition of Native American voices and issues within the realm of music and social justice. His legacy lives on through the enduring influence of his music and his commitment to creating positive change for indigenous communities.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
