Buffalo Springfield was a rock band formed in Los Angeles in 1966, and it played a crucial role in the development of folk-rock and country-rock genres during the 1960s. The band was known for its short but influential existence, lasting only from 1966 to 1968, but its impact on the music scene was significant.
The band’s sound incorporated elements of folk, rock, and country, creating a distinctive blend that reflected the diversity of its members’ musical influences. Buffalo Springfield released three studio albums: “Buffalo Springfield” (1966), “Buffalo Springfield Again” (1967), and “Last Time Around” (1968).
Some of Buffalo Springfield’s most well-known songs include “For What It’s Worth,” “Mr. Soul,” “Bluebird,” and “Rock and Roll Woman.” Internal tensions and creative differences led to the disbandment of Buffalo Springfield in 1968, but its members went on to have successful solo careers, with Stephen Stills, Neil Young, and Richie Furay achieving notable acclaim in their own right. Despite its relatively short lifespan, Buffalo Springfield’s music continues to be celebrated for its impact on the folk-rock and country-rock movements of the 1960s.
1. For What It’s Worth
“For What It’s Worth” is a song by Buffalo Springfield, a folk-rock band formed in Los Angeles in 1966. The song was written by Stephen Stills and released as a single in 1966. It became one of Buffalo Springfield’s most famous and enduring tracks.
The lyrics of “For What It’s Worth” are often associated with the social and political unrest of the 1960s, particularly addressing the protests on the Sunset Strip in Los Angeles. The song captures the tension and confrontations between young people and the police during that era. The famous opening lines, “There’s something happening here; what it is ain’t exactly clear,” set the tone for the song’s exploration of social change and discontent.
The distinctive guitar riff, played by Stephen Stills, and the song’s catchy melody contributed to its success. “For What It’s Worth” has been widely regarded as an anthem of the 1960s counterculture movement and is considered a classic in the folk-rock genre. The song has been covered and referenced by numerous artists over the years, and its timeless message continues to resonate.
2. Bluebird
“Bluebird” is a song by Buffalo Springfield, written by Stephen Stills. It was featured on the band’s second album, “Buffalo Springfield Again,” released in 1967. The song is notable for its intricate guitar work and harmonies, characteristic of the folk-rock sound associated with Buffalo Springfield.
“Bluebird” showcases Stephen Stills’ guitar skills, featuring intricate fingerpicking and a melodic solo. The lyrics are somewhat cryptic and open to interpretation, as is common in many folk and rock songs of the era. The imagery in the lyrics, combined with the dynamic musical arrangement, contributes to the song’s enduring appeal.
Buffalo Springfield was a short-lived but influential band that included notable musicians such as Stephen Stills, Neil Young, and Richie Furay. “Bluebird” remains one of the standout tracks from their brief yet impactful discography, and it is often cited as an example of the creativity and innovation of the 1960s folk-rock movement.
3. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, a seminal folk-rock band from the 1960s. It was written by Stephen Stills and was included in the band’s second album, “Buffalo Springfield Again,” released in 1967.
“Rock & Roll Woman” is notable for its catchy melody, tight harmonies, and Stills’ distinctive guitar work. The lyrics have been interpreted in various ways, but they are often seen as a commentary on the music industry and the lifestyle of a woman involved in the rock and roll scene.
Buffalo Springfield, whose members included Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin, played a significant role in the development of folk rock and country rock. The band’s short-lived existence (1966–1968) produced influential and enduring music, and “Rock & Roll Woman” is considered one of their standout tracks.
The song captures the spirit of the 1960s, reflecting the changing landscape of popular music during that era. Buffalo Springfield’s impact on rock music is still recognized today, and “Rock & Roll Woman” remains a classic example of their contributions to the folk-rock genre.
4. Mr. Soul
“Mr. Soul” is a song by Buffalo Springfield, written by Neil Young. It was released as a single in 1967 and also appeared on the band’s second album, “Buffalo Springfield Again.” The song is a showcase for Neil Young’s distinctive songwriting and guitar playing.
“Mr. Soul” features a memorable guitar riff and introspective lyrics that are open to interpretation. Some have suggested that the song addresses Young’s discomfort with the expectations and pressures of the music industry and fame. The lyrics include the repeated refrain “Oh, hello, Mr. Soul, I dropped by to pick up a reason,” conveying a sense of introspection and a search for meaning.
Buffalo Springfield, which included members like Stephen Stills, Richie Furay, and Neil Young, played a crucial role in the folk-rock and country-rock movements of the 1960s. “Mr. Soul” is considered one of Neil Young’s early classics, showcasing his ability to blend folk, rock, and introspective lyrics.
Neil Young’s solo career after Buffalo Springfield further solidified his reputation as one of the most influential and eclectic musicians in the history of rock music. “Mr. Soul” stands as a testament to Young’s songwriting prowess and the impact of Buffalo Springfield on the musical landscape of the 1960s.
5. Sit Down I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, written by Stephen Stills. It was released as a single in 1966 and also appeared on the band’s self-titled debut album, “Buffalo Springfield.” The song is characterized by its folk-rock sound and melodic structure.
“Sit Down, I Think I Love You” reflects the romantic themes common in the pop and rock music of the 1960s. The lyrics convey a mix of uncertainty and longing, with the protagonist expressing feelings of love but also seeking reassurance.
Buffalo Springfield, with members such as Stephen Stills, Neil Young, and Richie Furay, played a pivotal role in the development of folk rock and the Southern California rock sound. Their short-lived but influential career left a lasting impact on the landscape of 1960s rock music.
While “Sit Down, I Think I Love You” may not be as well-known as some of Buffalo Springfield’s other hits, it remains a charming example of the band’s early work, capturing the spirit of the mid-1960s with its blend of folk, rock, and introspective lyrics.
6. Kind Woman
“Kind Woman” is a song by Buffalo Springfield, written by Richie Furay. It appeared on the band’s second and final studio album, “Buffalo Springfield Again,” released in 1967. Richie Furay was the guitarist and vocalist for Buffalo Springfield, and “Kind Woman” is one of the notable contributions he made to the band’s repertoire.
“Kind Woman” stands out for its gentle, melodic sound and heartfelt lyrics. The song is characterized by its folk-rock style and acoustic instrumentation. Richie Furay’s vocals, along with the harmonies provided by Stephen Stills and Neil Young, contribute to the song’s emotional depth.
The lyrics of “Kind Woman” express gratitude and affection, making it a love song with a sincere and tender sentiment. The song is often praised for its simplicity, yet it carries a profound emotional impact. “Kind Woman” is considered one of the quieter and more contemplative moments on “Buffalo Springfield Again,” showcasing the diversity within the band’s sound.
7. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young. It was released as the band’s debut single in 1966, preceding their self-titled debut album. The song features Neil Young on lead vocals and acoustic guitar.
The lyrics of “Nowadays Clancy Can’t Even Sing” are somewhat enigmatic, with interpretations varying. The song is often considered a reflection of disillusionment with the music industry or a commentary on the challenges faced by musicians. Neil Young’s distinctive high-pitched vocals, characteristic of his early work with Buffalo Springfield, contribute to the song’s unique sound.
While “Nowadays Clancy Can’t Even Sing” did not achieve significant commercial success, it marked Buffalo Springfield’s entry into the music scene and showcased the songwriting talent of Neil Young. The band, which included other notable members like Stephen Stills and Richie Furay, went on to become a significant force in the folk-rock and country-rock genres during the 1960s.
8. Go and Say Goodbye
“Go and Say Goodbye” is a song by Buffalo Springfield, written by Stephen Stills. It was included in the band’s self-titled debut album, “Buffalo Springfield,” released in 1966. The song is recognized for its folk-rock sound and harmonies, characteristic of the band’s musical style.
“Go and Say Goodbye” features the vocal interplay between Stephen Stills and Richie Furay, two prominent members of Buffalo Springfield. The lyrics reflect a sense of disillusionment and a desire for clarity in a romantic relationship. The song’s acoustic instrumentation and heartfelt delivery contribute to its timeless appeal.
Buffalo Springfield, comprised of Stills, Furay, Neil Young, Bruce Palmer, and Dewey Martin, played a key role in the folk-rock and country-rock movements of the 1960s. “Go and Say Goodbye” is a testament to the band’s ability to blend folk, rock, and thoughtful lyricism.
While Buffalo Springfield had a relatively short existence, disbanding in 1968, their influence on the evolution of rock music is considerable. “Go and Say Goodbye” remains a noteworthy track in their catalog, showcasing the band’s early contributions to the rich tapestry of 1960s rock.
9. Expecting to Fly
“Expecting to Fly” is a song by Buffalo Springfield, written by Neil Young. It was released in 1967 on the band’s second album, “Buffalo Springfield Again.” The song stands out for its lush orchestration and melancholic atmosphere, showcasing Neil Young’s evolving songwriting style.
“Expecting to Fly” is notable for being one of the first instances where Neil Young’s distinctive voice and songwriting talents took center stage within Buffalo Springfield. The song features a dreamy, orchestral arrangement that adds a layer of sophistication to the band’s folk-rock sound. Young’s vocals convey a sense of longing and introspection, contributing to the emotional depth of the track.
While “Expecting to Fly” was not released as a single, it has become a fan favorite and is often regarded as one of Neil Young’s early masterpieces. The song’s intricate production and poetic lyrics exemplify the experimental and innovative spirit of the late 1960s music scene. Neil Young’s solo career would later see him explore similar sonic territories, making “Expecting to Fly” a glimpse into his evolving musical journey.
10. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, written by Neil Young. It is the title track from the band’s third and final studio album, released in 1967. “Broken Arrow” is a complex and experimental piece that stands out for its unconventional structure and musical exploration.
The song opens with an extended instrumental introduction featuring distorted guitar and unusual sound effects, creating an atmospheric and otherworldly mood. Neil Young’s lyrics in “Broken Arrow” are enigmatic and open to interpretation, with themes that touch on societal issues and personal reflections.
Buffalo Springfield, known for their eclectic approach to folk rock and the diversity of their songwriting, included members such as Stephen Stills, Neil Young, Richie Furay, Bruce Palmer, and Dewey Martin. “Broken Arrow” showcases the band’s willingness to experiment with different musical styles and push the boundaries of traditional rock and folk conventions.
Despite Buffalo Springfield’s relatively short lifespan, their impact on the development of rock music was substantial, and “Broken Arrow” remains an intriguing and influential piece in their discography. The song has been covered by various artists over the years, attesting to its enduring appeal and the band’s lasting influence.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
