Carl Perkins, born on April 9, 1932, in Tiptonville, Tennessee, was an influential American singer, songwriter, and guitarist. Known as the “King of Rockabilly,” Perkins played a pivotal role in shaping the sound of early rock and roll with his distinctive guitar style and energetic performances.
Perkins’ music was deeply rooted in the blend of country, blues, and rhythm and blues that defined the rockabilly genre. His innovative guitar playing, characterized by fast-paced licks, rhythmic strumming, and catchy riffs, set him apart from his peers. His songwriting showcased his ability to craft infectious melodies and lyrics that resonated with audiences.
Perkins’ breakout hit came in 1956 with the release of “Blue Suede Shoes.” The song, featuring his signature guitar intro, became an instant classic and a rock and roll anthem. It topped the charts and solidified Perkins’ status as a rising star.
Despite his early success, Perkins’ career was interrupted by a tragic car accident in 1956 that left him temporarily unable to perform. During this time, another rock and roll legend, Elvis Presley, covered “Blue Suede Shoes” and achieved great success with it. However, Perkins’ influence on subsequent generations of musicians and his impact on the rockabilly sound cannot be overstated.
Perkins’ catalog includes other notable songs, such as “Matchbox,” “Honey Don’t,” and “Boppin’ the Blues.” His music showcased his versatility as he explored various styles within the rockabilly and rock and roll genres.
Throughout his career, Perkins collaborated with other rock and roll pioneers, including Johnny Cash, Jerry Lee Lewis, and Roy Orbison, in what became known as the “Million Dollar Quartet” recording session. These collaborations further solidified Perkins’ status as a key figure in the early days of rock and roll.
While Perkins did not achieve the same level of commercial success as some of his contemporaries, his influence can be heard in the music of artists such as The Beatles, The Rolling Stones, and Eric Clapton, all of whom have cited him as an inspiration.
Carl Perkins’ impact on rock and roll, particularly the rockabilly subgenre, is undeniable. His guitar skills, songwriting talents, and contributions to the early days of rock and roll have left an enduring legacy. His music continues to be celebrated and appreciated by fans of authentic, rootsy rock and roll.
1. Honey Don’t
Carl Perkins' classic rock 'n' roll song, "Honey Don't," is an upbeat and catchy tune that's remained popular for decades. It has an infectious rhythm that begs you to dance. The lyrics express heartbreak in a simple, yet effective, way. Throughout the song, you can hear Perkins' distinctive guitar playing.
The Beatles covered it early in their career, making it a cult classic. Perkins composed the song himself, showcasing his talent as a writer and performer. It has an energetic performance that stirs emotion and excitement.
The phrase "honey don't" came from an incident outside a motel room where Perkins was staying on tour. He jotted it down on paper for a future song.
It's no surprise that "Honey Don't" is timeless. It's still enjoyed worldwide with as much enthusiasm as when it was first recorded. It's a shining example of Perkins' brilliance. Even a simple phrase can make a catchy chorus – unlike my attempts at singing in the shower!
2. That’s Right
Carl Perkins' 'That's Right' is an infectious tune. His signature rockabilly sound, with twangy guitar riffs, creates an energetic atmosphere perfect for singing and dancing. His vocals add a special something to the track.
But 'That's Right' isn't just about the music. Perkins' songwriting abilities are on full display. He describes a love triangle with an unexpected turn – proof of his ability to bring stories to life with his songs.
That's why 'That's Right' is one of the top 10 Carl Perkins songs. It's the perfect mix of guitar, vocals, and storytelling. It's no surprise it's a standout in his career.
Don't miss out! Give it a listen and find out why Carl Perkins is a rockabilly legend. Everybody may be trying to be your baby, but Carl Perkins' guitar skills are the real heartbreakers in this classic.
3. Everybody’s Trying To Be My Baby
Carl Perkins' "Everybody's Trying To Be My Baby" is an energetic track. It's infused with wit and irony, and features a catchy guitar hook and lively rhythms. This song has become one of his most cherished numbers.
The Beatles also covered it on their album Beatles for Sale, making it even more famous. George Harrison even cited Perkins as his biggest musical influence!
It's not surprising that the song has been used in modern pop culture. Movies like Pulp Fiction and TV series like Gilmore Girls have featured it to add mood or emphasize plot points. So, pull on your blue suede shoes and get ready to dance to this timeless rockabilly hit!
4. Blue Suede Shoes
Elvis Presley may have lit the way with "Blue Suede Shoes," yet Carl Perkins' rockabilly version was definitive. This 1956 hit was an instant classic, its infectious beats, guitar riff and lyrics earning its place as one of Perkins' best tracks. His guitar style combined country, blues and rock n roll, and the song featured some of his most innovative playing.
You might be surprised to learn how it came about: Rolling Stone magazine reports that Perkins found inspiration from a man's words at a dance – "Don't step on my suedes!" From this simple phrase, a timeless masterpiece was born.
Perkins' influence on rock n roll is undeniable. He was a pioneer alongside Elvis Presley and Jerry Lee Lewis, and his music still inspires fans and artists more than six decades later. Listening to Matchbox is like getting a speeding ticket in a vintage Chevy – it's a wild ride, but worth every penny!
5. Matchbox
Matchbox is a treasured song by Carl Perkins. It came out in '57 and became popular right away. Many artists have covered it, making it a classic rock 'n' roll tune.
Here's a table with facts about Matchbox:
Category | Details |
---|---|
Release | Feb 11, 1957 |
Label | Sun Records |
Songwriting credit | Carl Perkins |
Chart Peak | No. 11 (US) |
This song was inspired by a convo between Perkins and his brother. They talked about their experiences with women. Rolling Stone said it was recorded two days after this talk.
Matchbox is an important song in Carl Perkins' discography. Its melody and lyrics are still meaningful after all these years. So, let's rock to Matchbox!
6. Dixie Fried
Dixie Fried is a Carl Perkins classic, sitting at number 6 on our list of his best songs. It's a perfect blend of country, blues, and rockabilly, and the audience loves it! It starts off with an upbeat tempo and catchy guitar riffs combined with driving drums.
The lyrics are fun, about Southern food favorites like fried chicken and peach cobbler. Perkins' vocal performance is full of energy and life, and the electric guitar solo captures the essence of rockabilly. Its unique melody has kept it iconic over the years, and it's been covered by numerous artists.
This song was actually written by producer Sam Phillips and musician Charlie Feathers, who later re-recorded it with Jerry Lee Lewis. Carl Perkins and his guitar create a bluesy beat that stays with you long after it's done playing.
7. Boppin’ the Blues
Carl Perkins' 'Boppin’ the Blues' is a must-hear for rockabilly fans. Its catchy rhythm and Perkins' distinct vocals make it irresistible to dance or tap your feet. It was released in 1956, at the peak of his career. Even today, it's still popular.
The song features a lively guitar riff that blends blues and country music. The lyrics are classic rockabilly, about dancing, partying, and love. It creates a lively atmosphere that makes anyone feel good.
'Boppin’ the Blues' was written as a ballad. But, with the help of guitarist Jay Chevalier, it became an up-tempo track. It was one of Perkins' biggest hits. It showcased his talent for mixing genres into one sound that Americans couldn't get enough of.
It was so popular, even Hollywood wanted it for their films about greasers and sock hops. 'Movie Magg' was the perfect soundtrack.
8. Movie Magg
"Movie Magg" is one of Carl Perkins' early hits. It has a catchy tune and it showcases his rockabilly sound. This song is about a girl who loves movies, but not him. The lyrics are simple and effective. The guitar solo is memorable too.
This was Perkins' first recording at Sun Records in Memphis. He worked with producer Sam Phillips and some of the legends of early rock and roll. It's no wonder this song has lasted.
You can hear Perkins' voice clearly in "Movie Magg". There are catchy lyrics and an upbeat tempo that will make you move your feet. Perkins' signature style adds a unique touch to the track.
Not only is this song energetic, but it also tells a story. It's a tale of unrequited love that many listeners can relate to. This is why fans have been singing its praises for over 60 years.
If you haven't heard "Movie Magg" yet, you're missing out! Give it a listen and see why it's a true rockabilly classic.
9. Your True Love
Carl Perkins' "Your True Love" is an iconic song. It has a classic rockabilly beat and catchy guitar riffs. The lyrics reveal a longing for a loyal partner. It also highlights Perkins' vocal range and musical talents.
This song was popular back in the 1950s. It put Carl Perkins in the spotlight, competing with Elvis Presley and Jerry Lee Lewis. Fans loved it at his live shows.
Listen to "Your True Love" for the highest-quality sound. Or rock out to 'Let the Jukebox Keep On Playing' for a broken heart.
10. Let the Jukebox Keep On Playing
Carl Perkins' tune is a must for rockabilly playlists! 'Let the Jukebox Keep On Playing' has fast beats – perfect for dancing. Its lyrics talk about how music can heal and help us forget troubles – still relevant.
Perkins' country guitar playing fits the energy of the song. His joyful voice sings about the jukebox playing his faves. It's a classic from the very first note!
Plus, 'Let the Jukebox Keep On Playing' demonstrates Perkins' skill as a songwriter. Catchy hooks, clever wordplay – sing along and it won't be forgotten!
Fun Fact: The idea came from Perkins' love of music and visiting jukeboxes around Memphis in the 1950s. He wrote it while on tour, missing his hometown's bar scene.