Music has been a constant source of entertainment, inspiration, and cultural expression for centuries. From classical to pop, jazz to rock, and everything in between, music has always been a powerful medium to convey emotions and ideas. The 20th century, in particular, saw an explosion of musical genres and styles, each with its unique sound and message.
In this article, we celebrate the greatest albums from 1959, a year that marked the beginning of a new era in music. From the emergence of rock and roll to the growing popularity of jazz and soul, 1959 witnessed the birth of some of the most iconic albums in music history. We have carefully curated a list of 100 albums that not only shaped the sound of the year but also had a lasting impact on music in the decades to come. From the raw energy of Elvis Presley’s “A Date with Elvis” to the sophisticated jazz of Miles Davis’ “Kind of Blue,” from the soulful ballads of Ray Charles’ “The Genius of Ray Charles” to the rockabilly stylings of Buddy Holly’s “The Buddy Holly Story,” this list is a tribute to the diversity and richness of music in 1959. So sit back, relax, and let’s take a journey back in time to explore the greatest albums from one of the most influential years in music history.
1. Gerry Mulligan – What Is There To Say?
Gerry Mulligan’s “What Is There To Say?” is a classic jazz album that showcases the saxophonist’s signature sound. Released in 1959, the album features Mulligan’s baritone saxophone backed by a talented group of musicians including Art Farmer on trumpet, Bill Crow on bass, and Dave Bailey on drums. The album’s tracks range from upbeat swing to soulful ballads, and Mulligan’s fluid playing and inventive solos are a highlight throughout. Notable tracks include the playful “Just in Time” and the melancholy “My Funny Valentine.” Overall, “What Is There To Say?” is a must-listen for jazz fans and a testament to Mulligan’s enduring legacy as a jazz icon.
2. The Horace Silver Quintet – Finger Poppin’
The Horace Silver Quintet’s “Finger Poppin'” is a high-energy jazz album that captures the spirit of the era. Released in 1959, the album features Horace Silver on piano, Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The tracks on the album are characterized by their catchy melodies, funky rhythms, and soulful solos, with highlights including the title track “Finger Poppin'” and the hard-swinging “Juicy Lucy.” Overall, “Finger Poppin'” is a classic example of the hard bop style that was popular in the late 1950s and early 1960s, and a testament to the talent and creativity of the Horace Silver Quintet.
3. T-Bone Walker – T-Bone Blues
T-Bone Walker’s “T-Bone Blues” is a seminal blues album that showcases the singer and guitarist’s raw talent and emotional depth. Released in 1959, the album features Walker’s soulful vocals and electrifying guitar playing, backed by a tight rhythm section. The tracks on the album range from slow, mournful ballads to upbeat, swinging tunes, with highlights including the classic “Call It Stormy Monday” and the rocking “Strollin’ with Bones.” Overall, “T-Bone Blues” is a masterclass in blues guitar and an important milestone in the genre’s development, and a must-listen for anyone interested in the roots of American music.
4. John Cage / David Tudor – Indeterminacy: New Aspect of Form in Instrumental and Electronic Music
“Indeterminacy: New Aspect of Form in Instrumental and Electronic Music” is an experimental album by avant-garde composer John Cage and pianist David Tudor. Released in 1959, the album features Cage’s spoken word pieces accompanied by Tudor’s piano and a variety of electronic and acoustic sounds. The album’s tracks range from humorous anecdotes to philosophical musings, with Cage’s distinctive voice and unorthodox approach to music shining throughout. Overall, “Indeterminacy” is a groundbreaking work that challenges traditional notions of music and performance, and an essential listen for anyone interested in the history of experimental music.
5. Quincy Jones – The Birth of a Band!
“The Birth of a Band!” is a dynamic jazz album by composer, arranger, and bandleader Quincy Jones. Released in 1959, the album features a large ensemble of talented musicians including Clark Terry on trumpet and Phil Woods on alto saxophone. The tracks on the album range from swing to bebop to blues, with Jones’ innovative arrangements and tight compositions shining throughout. Notable tracks include the title track “The Birth of a Band” and the soulful “Moanin’.” Overall, “The Birth of a Band!” is a landmark album in Jones’ prolific career and a must-listen for anyone interested in the history of jazz.
6. Hampton Hawes Trio – Four! Hampton Hawes!!!!
“Four! Hampton Hawes!!!!” is a classic piano trio album by jazz pianist Hampton Hawes. Released in 1959, the album features Hawes on piano, with Red Mitchell on bass and Chuck Thompson on drums. The tracks on the album are characterized by their fast tempos, intricate improvisations, and tight interplay between the trio members. Highlights include the lively title track “Four!” and the bluesy “Blues the Most.” Overall, “Four! Hampton Hawes!!!!” is a testament to Hawes’ skill as a pianist and bandleader, and a must-listen for fans of the piano trio format in jazz.
7. Cal Tjader – Monterey Concerts
“Monterey Concerts” is a lively live album by Latin jazz vibraphonist Cal Tjader. Recorded at the Monterey Jazz Festival in 1958, the album features Tjader’s quintet playing a set of upbeat and danceable Latin jazz tunes, with Tjader’s virtuosic vibraphone solos taking center stage. The tracks on the album range from fiery cha-cha to cool bossa nova, with highlights including the catchy “Viva Cepeda” and the sultry “Mi China.” Overall, “Monterey Concerts” captures the infectious energy and skillful musicianship of Tjader’s live performances, and is a must-listen for fans of Latin jazz.
8. The Louvin Brothers – Satan Is Real
“Satan Is Real” is a groundbreaking album by American country music duo The Louvin Brothers. Released in 1959, the album features the duo’s trademark close harmony vocals and poignant songwriting, with a focus on the themes of sin, redemption, and faith. The album’s title track, “Satan Is Real,” is a standout, with its fiery lyrics and haunting spoken word interlude. Other notable tracks include the heartbreaking “The Angels Rejoiced Last Night” and the foot-stomping “Are You Afraid to Die?” Overall, “Satan Is Real” is a powerful testament to The Louvin Brothers’ influence on the country music genre, and a must-listen for fans of traditional country music.
9. Hank Thompson – Songs for Rounders
“Songs for Rounders” is a classic album by American country music artist Hank Thompson. Released in 1959, the album features Thompson’s signature honky-tonk sound, with a focus on songs about drinking, gambling, and other vices. The album’s standout tracks include the rollicking “A Six Pack to Go,” the heartbreaking “Hangover Tavern,” and the infectious “Cocaine Blues.” With its mix of traditional country instrumentation and witty lyrics, “Songs for Rounders” captures the spirit of the honky-tonk bars and roadhouses of Thompson’s era, and remains a beloved album for fans of classic country music.
10. The Lester Young & Teddy Wilson Quartet – Pres & Teddy
“Pres & Teddy” is a landmark jazz album featuring tenor saxophonist Lester Young and pianist Teddy Wilson. Recorded in 1956 and released in 1959, the album showcases the musical chemistry between the two musicians, who had previously collaborated in the Benny Goodman Quartet. The album’s standout tracks include the ballad “All of Me,” the bluesy “Prisoner of Love,” and the uptempo “Pres Returns.” With its elegant and understated style, “Pres & Teddy” is a testament to the artistry of Young and Wilson and their influence on the development of jazz as a sophisticated and expressive form of music.
11. Champion Jack Dupree – Blues From The Gutter
“Blues from the Gutter” is a 1958 album by the American blues pianist and singer Champion Jack Dupree. It features a mix of original compositions and blues standards, all showcasing Dupree’s boisterous and soulful piano playing and gritty vocals. The album’s standout tracks include the rollicking “Junker’s Blues,” the mournful “TB Blues,” and the uptempo “Stack-O-Lee.” With its raw energy and authenticity, “Blues from the Gutter” is widely considered a classic of the blues genre and a testament to Dupree’s influence on subsequent generations of musicians. The album has been reissued several times and continues to inspire blues fans and musicians alike.
12. Lightnin’ Hopkins – Lightnin’ Hopkins
Lightnin’ Hopkins is an eponymous album by the legendary blues musician. Released in 1959, the album features Hopkins on guitar and vocals, showcasing his unique blend of country blues and urban electric blues. With a raw and intimate sound, Hopkins’ guitar playing and soulful vocals take center stage on tracks like “Penitentiary Blues” and “Bad Luck and Trouble”. The album also features some of Hopkins’ signature instrumentals, including “Lightnin’s Boogie” and “Hopkins’ Sky Hop”. Lightnin’ Hopkins’ self-titled album remains a classic example of the blues genre, capturing the essence of a masterful musician at the height of his powers.
13. Art Blakey & The Jazz Messengers – Moanin’
Art Blakey and The Jazz Messengers’ album “Moanin'” was released in 1958 and is considered a hard bop masterpiece. It features some of the most recognizable jazz tunes like “Moanin'” and “Blues March” with outstanding solos from Lee Morgan, Benny Golson, and Bobby Timmons. The group’s driving rhythm section and masterful horn arrangements make this album a classic example of the hard bop style. The album was praised for its explosive energy and passionate performances, setting a high standard for the jazz genre. It is a must-have for any jazz enthusiast and a cornerstone of Art Blakey’s legacy as one of the greatest drummers in jazz history.
14. Miles Davis Quintet – Workin’ with The Miles Davis Quintet
“Workin’ with The Miles Davis Quintet” is a classic jazz album that features the legendary Miles Davis on trumpet, with John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. The album includes a mix of original compositions and jazz standards, showcasing the exceptional talents of each musician. The tight interplay between the group is on full display, with each member given plenty of room to shine in solos and collective improvisation. The album is a must-have for any jazz lover, and a testament to the brilliance of these iconic musicians.
15. Miles Davis – Porgy and Bess
Miles Davis’ “Porgy and Bess” is a landmark album in jazz history. The album is a jazz interpretation of George Gershwin’s opera of the same name, and Davis infuses his unique style into each track. Davis assembled an all-star cast for the album, featuring Gil Evans as arranger and several members of his regular band, including Cannonball Adderley and Paul Chambers. The album features some of Davis’ most famous performances, including “Summertime” and “It Ain’t Necessarily So,” and showcases his ability to blend traditional jazz elements with modern sounds. “Porgy and Bess” is a masterpiece of jazz interpretation and improvisation.
16. Frank Sinatra – Come Dance with Me!
Frank Sinatra’s “Come Dance with Me!” is a classic big band album. Released in 1959, the album won three Grammy Awards and was Sinatra’s best-selling album. The album features upbeat arrangements of classic songs such as “Cheek to Cheek” and “I Could Have Danced All Night.” Sinatra’s smooth, velvety voice paired with the swinging horns of the Count Basie Orchestra creates a timeless sound that is still enjoyable today. The album’s danceable rhythms and romantic ballads have made it a favorite among listeners and dancers alike. “Come Dance with Me!” is a must-have for any fan of classic big band music.
17. Chuck Berry – Chuck Berry Is on Top
“Chuck Berry Is on Top” is a classic album by the legendary rock and roll musician Chuck Berry, released in 1959. The album features Berry’s signature guitar style and energetic vocals, as well as his witty and clever lyrics. The album includes some of his most iconic songs, such as “Johnny B. Goode”, “Maybellene”, and “Roll Over Beethoven”. With its upbeat and catchy tunes, “Chuck Berry Is on Top” helped solidify Berry’s place as a key figure in the development of rock and roll. This album remains an essential part of any rock and roll collection, and a must-listen for fans of the genre.
18. Ornette Coleman – The Shape of Jazz To Come
Ornette Coleman’s 1959 album, “The Shape of Jazz To Come,” is a groundbreaking work that helped usher in the free jazz movement. The album features Coleman on alto saxophone, Don Cherry on cornet, Charlie Haden on bass, and Billy Higgins on drums. The quartet’s unconventional approach to improvisation, harmony, and melody challenged traditional jazz structures and paved the way for future avant-garde experimentation. The album features five original compositions by Coleman, including the iconic “Lonely Woman.” “The Shape of Jazz To Come” remains a seminal work in jazz history and an essential listening experience for any jazz enthusiast.
19. The Dave Brubeck Quartet – Time Out
The Dave Brubeck Quartet’s “Time Out” is a landmark album in the history of jazz. Released in 1959, it features unconventional time signatures and explores jazz’s harmonies and melodies in new ways. The album’s most famous track, “Take Five,” became a hit and is now a jazz standard. Other tracks like “Blue Rondo a la Turk” and “Three to Get Ready” display the Quartet’s mastery of unconventional time signatures. The album’s experimentation with different time signatures and genres like classical and world music paved the way for future jazz musicians to explore new sonic territory. “Time Out” is a must-listen for any jazz lover.
20. Miles Davis – Kind of Blue
Miles Davis’ “Kind of Blue” is a landmark album in the history of jazz, often regarded as one of the best jazz albums ever recorded. The album is notable for its improvisational style, with Davis allowing his musicians to explore their own sounds and styles in each performance. The album features influential musicians such as John Coltrane, Cannonball Adderley, and Bill Evans, among others. The tracks on “Kind of Blue” are characterized by their cool, contemplative, and introspective mood. This album remains one of the most beloved and influential recordings in the history of jazz, inspiring generations of musicians to follow.
21. Charles Mingus – Mingus Ah Um
Charles Mingus’ 1959 masterpiece “Mingus Ah Um” is a pivotal jazz album that showcases his composing, arranging, and bass playing prowess. The album features memorable and highly original compositions such as “Better Git It in Your Soul,” “Goodbye Pork Pie Hat,” and “Boogie Stop Shuffle,” and boasts a stellar cast of musicians, including saxophonists John Handy and Booker Ervin, trumpeter Jimmy Knepper, and drummer Dannie Richmond. The music is a perfect blend of jazz, blues, gospel, and classical influences, and Mingus’ singular vision as a bandleader shines through. “Mingus Ah Um” is a must-have for any jazz enthusiast and a true classic of the genre.
22. Idrees Sulieman, John Coltrane, Kenny Burrell & Tommy Flanagan – The Cats
“The Cats” is a classic jazz album featuring the talents of Idrees Sulieman, John Coltrane, Kenny Burrell, and Tommy Flanagan. Released in 1957, the album showcases the musicians’ impressive skill and creativity. The songs on the album range from upbeat and swinging to mellow and contemplative, with each track highlighting the individual style and personality of the performers. The interplay between the musicians is exceptional, making “The Cats” a must-listen for any jazz enthusiast. With its tight arrangements, virtuosic playing, and memorable melodies, this album is a testament to the enduring power and beauty of jazz music.
23. Jimmy Reed – Rockin‘ With Reed
“Rockin’ With Reed” is a classic blues album by Jimmy Reed, originally released in 1959. The album features some of Reed’s biggest hits, including “Baby What You Want Me to Do,” “Honest I Do,” and “Big Boss Man.” Reed’s distinctive voice and harmonica playing are complemented by his simple and direct songwriting style. His music influenced countless blues and rock musicians, and this album remains a beloved classic. “Rockin’ With Reed” showcases the best of the Chicago blues sound, with tight rhythms, soulful vocals, and searing guitar riffs. This is a must-listen for any fan of blues or early rock and roll.
24. Hank Ballard & The Midnighters – Singin’ and Swingin’
“Hank Ballard & The Midnighters – Singin’ and Swingin'” is a fun and energetic album that showcases the group’s mix of R&B and early rock and roll sounds. Released in 1959, the album features some of the band’s biggest hits, such as “Let’s Go, Let’s Go, Let’s Go” and “The Twist.” The upbeat tempos and catchy melodies are sure to get listeners dancing and singing along. Ballard’s soulful vocals are backed by a tight rhythm section and lively horns, creating a sound that was ahead of its time. This album is a must-have for fans of early rock and roll and R&B music.
25. Helen Merrill – You’ve Got a Date with the Blues
Helen Merrill’s “You’ve Got a Date with the Blues” is a masterful jazz album featuring the iconic singer’s sultry, emotive vocals. The album was released in 1959 and is a wonderful example of the bluesy jazz sound that was popular during that time. Tracks such as “Baby Ain’t I Good to You” and “Am I Blue” showcase Merrill’s incredible range and versatility, while the hauntingly beautiful “Troubled Waters” is a standout track that highlights her ability to convey deep emotion through her music. Overall, “You’ve Got a Date with the Blues” is a timeless classic that is sure to captivate jazz lovers and casual listeners alike.
26. Roy Haynes, Phineas Newborn, Paul Chambers – We Three
“We Three” is a classic jazz album, recorded in 1958 by drummer Roy Haynes, pianist Phineas Newborn, and bassist Paul Chambers. The trio displays their exceptional musical chemistry through a variety of upbeat and soulful tracks, as well as a few ballads, all of which showcase their virtuosity and improvisational skills. The album features some memorable compositions, including “Phineas’ Rainbow,” “We Three,” and “Solitaire,” which all demonstrate the trio’s impeccable timing and dynamic interplay. Overall, “We Three” is a masterful showcase of some of the greatest jazz musicians of the era, each at the height of their creative powers.
27. Beverly Kenney – Like Yesterday
Beverly Kenney’s “Like Yesterday” is a perfect example of a classic jazz vocal album. Released in 1958, it features the young singer backed by a swinging trio led by pianist Ellis Larkins. Kenney’s voice is pure and emotive, and she delivers each song with precision and grace. The album features a mix of standards and lesser-known tunes, all given new life by Kenney’s fresh interpretation. Highlights include the playful “The Surrey with the Fringe on Top” and the achingly beautiful “Ballad of the Sad Young Men.” “Like Yesterday” is a timeless album that showcases Kenney’s talent as a jazz vocalist.
28. Oscar Peterson – Ben Webster Meets Oscar Peterson
“Ben Webster Meets Oscar Peterson” is a 1959 collaboration between two jazz giants: pianist Oscar Peterson and tenor saxophonist Ben Webster. This album features the musicians performing a set of jazz standards, including “How Deep Is the Ocean,” “In the Wee Small Hours of the Morning,” and “Bye, Bye Blackbird.” Peterson’s virtuosic piano playing and Webster’s soulful saxophone work seamlessly blend together to create a beautiful, swinging sound. The interplay between the two musicians is a highlight of the album, as they take turns soloing and accompanying each other. This classic jazz album is a must-listen for fans of both Peterson and Webster.
29. Wynton Kelly – Kelly Blue
“Kelly Blue” is an album by pianist Wynton Kelly, recorded in 1959 and released the following year. The album features a trio format, with Kelly being supported by Paul Chambers on bass and Jimmy Cobb on drums. The music on the album is a mixture of original compositions by Kelly and covers of popular standards. The playing is characterized by its bluesy feel and the strong interplay between the musicians. The album has been praised for its relaxed and swinging atmosphere, as well as for Kelly’s understated but highly effective piano playing. It is a classic of the hard bop genre.
30. Cannonball Adderley Quintet – Cannonball Adderley Quintet
The self-titled album by the Cannonball Adderley Quintet showcases the remarkable playing of Cannonball Adderley on alto saxophone, joined by brother Nat Adderley on cornet, pianist Victor Feldman, bassist Sam Jones, and drummer Louis Hayes. Released in 1959, the album features a blend of bebop and hard bop styles with memorable compositions like “Wabash,” “Azule Serape,” and “Grand Central.” The standout track is the quintet’s version of “This Here,” a funky blues piece that became a huge hit and established Cannonball Adderley as a major jazz figure. The album remains an essential example of 1950s hard bop and Adderley’s dynamic playing.
31. Memphis Slim – At the Gate of Horn
“At the Gate of Horn” is an album by Memphis Slim, recorded live in Chicago in 1959. The album features the pianist’s bluesy style accompanied by drummer Gus Johnson and guitarist Matt “Guitar” Murphy. Slim’s distinct voice and piano playing are showcased on classics like “Steppin’ Out”, “Mother Earth” and “Rockin’ the House”. This album captures the essence of a live performance, where the musicians feed off each other’s energy, creating an electrifying experience for the audience. “At the Gate of Horn” is a must-listen for blues enthusiasts and anyone looking for an authentic live recording of classic blues tunes.
32. Antônio Carlos Jobim & Luiz Bonfá – Black Orpheus
“Black Orpheus” is a soundtrack album to the 1959 French-Brazilian film of the same name, composed by Antônio Carlos Jobim and Luiz Bonfá. It features a blend of bossa nova and jazz, with a distinct Brazilian flavor. The album is characterized by the use of nylon-string guitar, percussion, and woodwinds to create a laid-back and sultry atmosphere. The songs are mostly instrumental, with occasional vocals by Bonfá and Jobim. The album’s title track, “Black Orpheus,” is a particularly standout piece, featuring a catchy melody and intricate rhythms. This album is a classic representation of Brazilian music and a must-listen for any bossa nova or jazz enthusiast.
33. Chet Atkins – Chet Atkins in Hollywood
Chet Atkins in Hollywood is a 1959 album featuring guitar virtuoso Chet Atkins. The album showcases Atkins’ unique style of combining elements of jazz, pop, and country music, and features several classic tunes from the golden age of Hollywood, including the themes from “The Three Musketeers,” “Gone with the Wind,” and “A Summer Place.” The album also includes some of Atkins’ own original compositions, such as “Hi-Lili, Hi-Lo” and “Poinciana.” Throughout the album, Atkins’ impeccable fingerstyle guitar playing is accompanied by a full orchestra, creating a lush and evocative soundscape. This album is a classic example of Atkins’ legendary talent and his enduring influence on the music world.
34. Annie Ross & Zoot Sims – A Gasser!
“A Gasser!” is a 1959 collaborative album by vocalist Annie Ross and saxophonist Zoot Sims. The album features a selection of jazz standards, including “I Love Paris” and “You’re Driving Me Crazy”. Ross’s virtuosic scat singing and Sims’s fluid saxophone playing complement each other perfectly, making this a timeless classic in the jazz canon. The album’s swinging rhythms and joyful improvisations showcase the energy and excitement of jazz in the late 1950s. With impeccable musicianship and a deep understanding of jazz tradition, “A Gasser!” is a must-listen for fans of vocal jazz and the classic jazz sound of the mid-century.
35. Lord Melody – Calypso Through the Looking Glass
“Calypso Through the Looking Glass” is a classic album by Trinidadian calypsonian Lord Melody. Originally released in 1962, the album features Melody’s unique blend of humor and social commentary, accompanied by upbeat calypso rhythms. The album includes popular tracks such as “Juanita”, “The Barber’s Advice”, and “Hoola Hoop Calypso”. Melody’s witty and insightful lyrics touch on a wide range of topics, from politics to relationships, making this album both entertaining and thought-provoking. With its infectious melodies and clever wordplay, “Calypso Through the Looking Glass” remains a beloved classic of the genre to this day.
36. Andr̩ Previn РAndre Previn Plays Jerome Kern
“Andre Previn Plays Jerome Kern” is a jazz piano album released in 1959 by German-American pianist André Previn. The album features Previn’s solo renditions of several popular and classic compositions by Jerome Kern, a prominent American composer of musical theater and film music. Previn’s interpretations are characterized by his clean, articulate, and melodic piano playing style, which showcases his technical skill as well as his nuanced approach to rhythm and phrasing. The album is notable for its straightforward and unadorned approach to the material, which emphasizes the beauty and timelessness of Kern’s music.
37. John Lee Hooker – I’m John Lee Hooker
“I’m John Lee Hooker” is a powerful and raw blues album that showcases the gritty vocal and guitar talents of the legendary bluesman. With just his voice and guitar, Hooker creates a sparse but hypnotic sound that immerses the listener in the essence of the blues. The album includes classic blues standards such as “Boom Boom” and “Dimples”, as well as original compositions. Each track is a testament to Hooker’s mastery of the blues and his ability to convey the pain and joy of the human experience through his music. This album is a must-have for any blues fan.
38. Oscar Peterson – Plays the Cole Porter Song Book
Oscar Peterson’s “Plays the Cole Porter Song Book” is a tribute to the legendary composer and lyricist Cole Porter. The album was recorded in 1959 and features Peterson on piano, Ray Brown on bass, and Ed Thigpen on drums. The trio delivers stunning performances of Porter’s classic songs, including “Love for Sale,” “I Love Paris,” and “Night and Day.” Peterson’s virtuosic piano playing, combined with Brown’s impeccable bass lines and Thigpen’s dynamic drumming, make for a truly unforgettable listening experience. This album is a must-have for any jazz fan, and a testament to the enduring legacy of Cole Porter’s music.
39. Stan Getz & Jọo Gilberto РGetz/Gilberto
“Getz/Gilberto” is an influential bossa nova album that introduced the style to the world. It features the partnership of saxophonist Stan Getz and Brazilian guitarist and singer João Gilberto, along with pianist and composer Antônio Carlos Jobim and percussionist João Gilberto’s wife, Astrud Gilberto, who sang the track “The Girl from Ipanema.” The album showcases a unique fusion of American jazz and Brazilian music, characterized by its cool, laid-back, and romantic sound. The album won the Grammy Award for Album of the Year in 1965, and its influence is still felt in modern jazz and popular music.
40. Sonny Rollins – Saxophone Colossus
Released in 1956, “Saxophone Colossus” is a landmark album in the history of jazz. Sonny Rollins’ powerful tenor saxophone playing is on full display on this album, accompanied by a stellar rhythm section. The album’s most famous track, “St. Thomas,” is a joyful calypso tune that became an instant classic. Rollins’ virtuosity and creativity are evident throughout the album, as he takes on a mix of originals and standards. The album’s title is fitting, as Rollins’ playing is nothing short of colossal, establishing him as one of the greatest saxophonists of all time.
41. Jackie Wilson – Lonely Teardrops
Jackie Wilson’s “Lonely Teardrops” is a soulful album that features the powerhouse vocals and energetic performances that Wilson is known for. The title track, “Lonely Teardrops,” is a highlight of the album and a classic in its own right. Other standout tracks include “That’s Why (I Love You So),” “In the Blue of the Evening,” and “Doggin’ Around.” Wilson’s powerful voice, backed by an array of horns, strings, and percussion, make for a dynamic listening experience. This album captures Wilson at the height of his career and solidifies his place as one of the greats of soul and R&B.
42. Chico Hamilton – Gongs, East!
Released in 1960, “Gongs, East!” is an album by American jazz drummer Chico Hamilton. It is a fusion of jazz with Eastern influences, featuring contributions from players such as cellist Fred Katz, flutist Paul Horn, and bassist Carson Smith. The album is known for its distinctive, ethereal sound, which is created through the use of exotic instruments such as the Chinese gongs and a Japanese bamboo flute. Hamilton’s signature light touch on the drums and the interplay between the musicians make this album a standout in the genre of West Coast jazz. It is a must-listen for fans of jazz experimentation.
43. Jackie McLean – New Soil
“New Soil” is a 1959 album by alto saxophonist Jackie McLean, featuring a young Freddie Hubbard on trumpet. The album is widely considered a masterpiece of hard bop jazz and features McLean’s unique and soulful style, with catchy melodies and complex harmonies. The title track is a standout piece with its driving rhythm and energetic solos, while the ballad “Minor Apprehension” showcases McLean’s ability to create a poignant mood with his playing. The album’s compositions are mostly by McLean himself, and the musicianship of the ensemble is top-notch. “New Soil” remains a timeless classic of the hard bop genre.
44. Shirley Bassey – The Fabulous Shirley Bassey
“The Fabulous Shirley Bassey” is the second studio album of the Welsh singer, Shirley Bassey, released in 1959. The album showcases Bassey’s powerful and dynamic vocal range in songs that range from pop to jazz standards. The album includes well-known songs such as “As Long as He Needs Me,” “The Banana Boat Song,” and “You’ll Never Know,” all delivered with Bassey’s signature dramatic flair. The album’s bold and brassy sound, along with Bassey’s commanding presence, established her as a force to be reckoned with in the world of music, and a legend in the making.
45. Bobby Darin – That’s All
Bobby Darin’s 1959 album “That’s All” features his smooth and distinctive voice on a collection of jazz standards, pop ballads, and bluesy numbers. Darin’s charismatic performances are accompanied by lush orchestrations, with standout tracks including the jazzy “Mack the Knife,” the romantic “Beyond the Sea,” and the bluesy “Clementine.” The album showcases Darin’s versatility as a performer and his ability to make any genre his own. “That’s All” was a commercial success and helped establish Darin as one of the leading vocalists of his time, earning him critical acclaim and a devoted fanbase.
46. Frank Sinatra – No One Cares
“No One Cares” is a 1959 album by Frank Sinatra that includes a set of emotional ballads that deal with loneliness and heartbreak. The album showcases Sinatra’s ability to bring out the sadness and desperation of a song with his voice, making it one of his most powerful performances. Sinatra’s voice is accompanied by string arrangements by Gordon Jenkins, creating a rich and evocative atmosphere. Some highlights of the album include the poignant “Empty Tables” and the melancholic “I’ll Never Smile Again.” “No One Cares” is considered one of Sinatra’s best albums, showcasing his ability to convey deep emotions through his voice.
47. George Russell – New York, N.Y.
“New York, N.Y.” is a groundbreaking album by composer and arranger George Russell, released in 1959. The album’s concept revolves around Russell’s belief in a “vertical” form of music, where harmony, melody, and rhythm work together to create a musical expression of human emotion. The album features a stellar cast of musicians, including Bill Evans, John Coltrane, Max Roach, and Art Farmer, and was one of the first jazz albums to feature avant-garde techniques such as free jazz and modal improvisation. “New York, N.Y.” is considered a seminal work of jazz composition and arrangement, and a must-listen for any serious jazz fan.
48. The Horace Silver Quintet – Blowin’ the Blues Away
The Horace Silver Quintet’s 1959 album “Blowin’ the Blues Away” is a timeless jazz masterpiece. The album features Silver on piano, Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Louis Hayes on drums. With its memorable melodies, driving rhythms, and soulful solos, the album has been praised for its accessibility and hard bop style. From the title track to the memorable “Strollin'” and the hard-charging “Sister Sadie,” “Blowin’ the Blues Away” is a must-listen for fans of jazz and showcases the talents of some of the genre’s greatest musicians.
49. Cecil Taylor – Love for Sale
Cecil Taylor’s “Love for Sale” is a bold and adventurous piano solo album that features unique and unconventional takes on jazz standards such as “Willow Weep for Me” and “You’d Be So Nice to Come Home To.” The album showcases Taylor’s virtuosic playing style and avant-garde approach to jazz music, which incorporates elements of free jazz, modern classical music, and improvisation. The songs on the album are given new life through Taylor’s intricate and complex arrangements, which make use of dissonant harmonies, irregular rhythms, and unexpected melodic turns. Overall, “Love for Sale” is a groundbreaking and influential work in the history of jazz music.
50. Cecil Taylor Quartet – Looking Ahead
“Looking Ahead” is a groundbreaking avant-garde jazz album by pianist Cecil Taylor and his quartet, featuring alto saxophonist Jimmy Lyons, bassist Buell Neidlinger, and drummer Archie Shepp. The album is a showcase of Taylor’s unconventional approach to composition and improvisation, characterized by complex polyrhythms, dissonant harmonies, and extended techniques on the piano. The quartet’s dynamic interplay and innovative sound would pave the way for the free jazz movement of the 1960s. Tracks like “Excursion on a Wobbly Rail” and “Luyah! The Glorious Step” are energetic and intense, while “Charge ‘Em Blues” shows a more subdued side of the quartet.
51. Hank Mobley & Lee Morgan – Peckin’ Time
“Peckin’ Time” is an iconic jazz album by tenor saxophonist Hank Mobley and trumpeter Lee Morgan. It was recorded in 1958 and released on the Blue Note label. The album features six original compositions by Mobley and is considered one of his finest works. The interplay between the two horn players is particularly noteworthy, and the rhythm section of pianist Wynton Kelly, bassist Paul Chambers, and drummer Charlie Persip provides a solid foundation for the improvisations. This album captures the hard bop style at its best, with its driving rhythms, bluesy melodies, and virtuosic solos. It remains a classic of the genre to this day.
52. Martin Denny – Quiet Village
https://www.youtube.com/@stkmce
“Quiet Village” is the 1959 exotica album by pianist and composer Martin Denny, whose music blends elements of Polynesian, Latin American, and jazz music to create a unique, tropical atmosphere. The album’s titular track became a hit single and is known for its distinctive bird calls and percussion. The album’s other tracks, including “Jungle Flower” and “Coronation,” showcase Denny’s skills in arranging and layering different instruments and rhythms to create a lush soundscape. “Quiet Village” remains one of the most iconic exotica albums of all time, capturing the exotic and escapist spirit of mid-century America.
53. Martin Denny – Afro-Desia
“Afro-Desia” is an exotic and lively album by American pianist and composer Martin Denny, released in 1959. It features Denny’s signature combination of jazz, exotica, and world music, with the addition of African rhythms and instruments such as the balafon, shekere, and talking drum. The album is a vibrant mix of original compositions and covers of African folk songs, all showcasing Denny’s expert arrangement and production skills. Standout tracks include the high-energy “Jungle Madness” and the hauntingly beautiful “Sly Eyes”. “Afro-Desia” is a must-listen for fans of exotica and world music, and a great introduction to Denny’s unique sound.
54. Esquivel – Exploring New Sounds in Hi-Fi
Esquivel’s “Exploring New Sounds in Hi-Fi” is a seminal album in the history of exotica and lounge music. Released in 1959, it features bold arrangements and orchestrations that employ a wide range of instruments and sound effects. The album’s innovative use of stereo sound and audio trickery, such as phasing and echo, adds to the otherworldly atmosphere. The tracks mix Latin rhythms with lounge jazz and incorporate themes from different cultures, including Japanese and Middle Eastern. With its lush and cinematic sound, “Exploring New Sounds in Hi-Fi” is a perfect example of the exotic, escapist aesthetic that defined lounge music in the 1950s and 1960s.
55. Wes Montgomery – Far Wes
Released in 1958, “Far Wes” is one of the earliest albums by legendary jazz guitarist Wes Montgomery. This album features a quartet format, with Montgomery’s guitar, Melvin Rhyne’s organ, Paul Parker’s bass, and Tony Crombie’s drums. The tracks are a mix of originals and standards, including the classic “All the Things You Are.” The album showcases Montgomery’s virtuosic guitar playing and innovative use of octaves, which would become a hallmark of his style. “Far Wes” is a must-listen for any fan of jazz guitar and a great introduction to the early career of Wes Montgomery.
56. Jọo Gilberto РChega De Saudade
João Gilberto’s “Chega de Saudade” is a classic bossa nova album that is considered one of the genre’s most important works. The album features Gilberto’s delicate and understated vocals accompanied by his innovative acoustic guitar playing, which incorporates jazz harmonies and complex rhythms. The album includes iconic songs such as “Chega de Saudade” and “Desafinado,” which helped to popularize bossa nova in Brazil and around the world. The album’s sophisticated arrangements and intimate performances create a relaxed and seductive atmosphere that captures the essence of bossa nova and has inspired countless musicians in the decades since its release in 1959.
57. Marty Robbins – Gunfighter Ballads And Trail Songs
Released in 1959, Gunfighter Ballads and Trail Songs is a highly influential album that showcases the storytelling and vocal prowess of country musician Marty Robbins. The album features classic tracks like “Big Iron” and “El Paso,” which has since become one of Robbins’ most iconic songs. The album blends traditional Western ballads with country and folk music, capturing the essence of the American frontier. Robbins’ evocative voice and vivid storytelling bring the album’s characters to life, making it a timeless classic that still resonates with listeners today. Gunfighter Ballads and Trail Songs is a must-have for any country music fan and a landmark album in the genre’s history.
58. Ella Fitzgerald – Ella Fitzgerald Sings the George and Ira Bo
“Ella Fitzgerald Sings the George and Ira Gershwin Songbook” is a two-disc album featuring the legendary jazz singer’s interpretations of the classic songs of George and Ira Gershwin. The album is a standout among Fitzgerald’s vast discography, featuring her clear and beautiful voice delivering memorable renditions of standards such as “They Can’t Take That Away From Me” and “But Not For Me.” Fitzgerald’s phrasing and emotional depth bring new life to these beloved songs, backed by lush arrangements and a stellar group of musicians. This album is a must-listen for any jazz or vocal music enthusiast, showcasing one of the greatest voices of the 20th century.
59. Nina Simone – The Amazing Nina Simone
“The Amazing Nina Simone” is the second studio album by American singer and pianist Nina Simone, released in 1959. It features a mix of jazz, blues, and folk songs, showcasing Simone’s unique and powerful vocals, as well as her impressive piano skills. The album includes well-known tracks like “I Loves You, Porgy” and “My Baby Just Cares for Me,” which became a hit in the 1980s after it was used in a perfume commercial. Simone’s passionate and soulful performances make this album a classic and a must-listen for fans of jazz and blues.
60. Ray Charles – The Genius of Ray Charles
“The Genius of Ray Charles” is a seminal album that solidified Ray Charles as one of the most influential musicians of the 20th century. Released in 1959, the album features Charles’ distinctive blend of rhythm and blues, jazz, and gospel music, showcasing his incomparable voice and piano skills. The album includes classics such as “Let the Good Times Roll,” “Georgia on My Mind,” and “Hallelujah I Love Her So,” and features arrangements by Quincy Jones. “The Genius of Ray Charles” was a critical and commercial success, earning Charles two Grammy awards and cementing his legacy as a music icon.
61. The Kingston Trio – Here We Go Again
“The Kingston Trio: Here We Go Again” is the third album of the American folk and pop group The Kingston Trio, released in 1959. The album features popular tracks like “Greenback Dollar,” “Sloop John B,” and “M.T.A.,” which helped establish the group’s signature sound. The harmonies and musicianship displayed on the album helped popularize the folk revival movement of the late 1950s and early 1960s. The album showcases the group’s ability to combine traditional folk songs with contemporary pop arrangements, as well as their knack for storytelling. “Here We Go Again” remains a classic of the folk music genre and a testament to The Kingston Trio’s lasting influence.
62. George Shearing & Peggy Lee – Beauty and the Beat!
“Beauty and the Beat!” is a remarkable collaborative album by British jazz pianist George Shearing and American jazz singer Peggy Lee. Released in 1959, the album combines Lee’s sultry and sophisticated vocal stylings with Shearing’s signature piano sound, resulting in a perfect blend of swing, cool jazz, and Latin rhythms. The album features songs like “Do I Love You”, “I Lost My Sugar in Salt Lake City”, and “You Came a Long Way from St. Louis”. The innovative use of Latin percussion and Shearing’s piano improvisations made “Beauty and the Beat!” a groundbreaking album in the jazz world, which remains a classic to this day.
63. Cannonball Adderley – Cannonball’s Sharpshooters
Released in 1958, “Cannonball’s Sharpshooters” is a jazz album led by saxophonist Cannonball Adderley, featuring a quintet including Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. This album showcases Cannonball’s incredible skill on the alto saxophone, as well as his ability to lead a tight and cohesive band. The album includes both original compositions and standards, with highlights including the swinging “Spectacular,” the laid-back “Miss Jackie’s Delight,” and the bluesy “Lillie.” Overall, “Cannonball’s Sharpshooters” is a must-listen for fans of hard bop and showcases Adderley’s unique sound and style.
64. Al Hirt – Swingin’ Dixie! At Dan’s Pier 600 in New Orleans, Vol.
“Swingin’ Dixie!” is a lively and upbeat album by trumpeter Al Hirt, recorded live at Dan’s Pier 600 in New Orleans. Hirt’s energetic playing style and the enthusiastic audience create a festive and joyful atmosphere throughout the album. The tracks feature a mix of Dixieland standards and Hirt’s own compositions, all played with Hirt’s signature swing and virtuosity. The album’s energy and excitement make it a perfect representation of New Orleans jazz and a must-listen for fans of traditional jazz or Dixieland. Overall, “Swingin’ Dixie!” is a delightful and entertaining album that captures the essence of jazz in the heart of New Orleans.
65. Ruth Brown – Late Date with Ruth Brown
Ruth Brown’s “Late Date with Ruth Brown” is a classic R&B album that showcases the singer’s powerful voice and emotive style. Released in 1959, the album features Brown’s soulful interpretations of popular standards like “Teardrops from My Eyes” and “I’ll Wait for You,” as well as some original compositions. The backing band provides a solid foundation for Brown’s vocals, with lively horns and swinging rhythms that keep the music upbeat and danceable. Overall, “Late Date with Ruth Brown” is a must-have for fans of classic R&B and a testament to Brown’s enduring talent and influence.
66. Jerome Richardson – Roamin’ with Richardson
“Roamin’ with Richardson” is a 1963 jazz album by American saxophonist and flutist Jerome Richardson. This album features an all-star lineup of musicians, including pianist Hank Jones, bassist George Duvivier, drummer Charlie Persip, and guitarist Kenny Burrell, among others. Richardson’s virtuosic saxophone and flute playing are showcased throughout the album, which includes a mix of standards and original compositions. The arrangements are lively and upbeat, with a strong emphasis on swing and bebop styles. Overall, “Roamin’ with Richardson” is an excellent example of 1960s jazz, with its vibrant energy and top-notch musicianship.
67. Michel Legrand – The New I Love Paris
Michel Legrand’s 1964 album “The New I Love Paris” showcases the composer’s lush, jazz-infused arrangements of classic French tunes. Legrand’s signature sound is on full display with a large orchestra and a cast of talented musicians, including saxophonist Phil Woods and bassist Ron Carter. The album features iconic songs such as “I Love Paris,” “La Vie En Rose,” and “C’est Magnifique,” but Legrand adds his own twists and flourishes to these familiar tunes. The result is a romantic and elegant album that captures the spirit of Paris and showcases Legrand’s exceptional skills as a composer and arranger.
68. Jimmy Smith – House Party
Jimmy Smith’s “House Party” album, released in 1958, is a quintessential representation of the Hammond B-3 organ jazz sound. With an upbeat, soulful vibe, this album is perfect for getting people up and dancing. The opening track, “The Sermon,” is a standout piece that showcases Smith’s virtuosic skills on the organ, with each of the following tracks building on the energy and intensity of the previous one. The album features a talented group of musicians, including Lee Morgan on trumpet and Curtis Fuller on trombone. “House Party” remains a classic jazz album, with its infectious grooves and memorable melodies.
69. Alvin and the Chipmunks – Let’s All Sing with The Chipmunks
“Let’s All Sing with The Chipmunks” is the debut album by Alvin and the Chipmunks, released in 1959. The album features the high-pitched vocals of Alvin, Simon, and Theodore, backed by simple yet catchy arrangements. The album includes classic children’s songs such as “Mary Had a Little Lamb” and “Row, Row, Row Your Boat,” as well as original tunes like “The Chipmunk Song (Christmas Don’t Be Late),” which would become the group’s signature song. The album’s popularity helped launch Alvin and the Chipmunks into mainstream culture, and it remains a beloved classic among children and nostalgic adults alike.
70. Ella Fitzgerald – Sings the George and Ira Gershwin Song Book
Ella Fitzgerald’s Sings the George and Ira Gershwin Song Book is a two-disc album released in 1959, featuring her renditions of classic Gershwin compositions. The album showcases Ella’s impeccable vocal range and phrasing, bringing new life to timeless tunes such as “I Got Rhythm,” “Someone to Watch Over Me,” and “Embraceable You.” Ella’s unique ability to capture the essence of the Gershwins’ melodies and lyrics is on full display, as she effortlessly glides through each track with grace and charm. The album is a true masterpiece of jazz and vocal performance, and a must-have for any lover of classic American music.
71. Pepper Adams & Jimmy Knepper – The Pepper-Knepper
The Pepper-Knepper is a 1978 jazz album featuring the collaborative efforts of baritone saxophonist Pepper Adams and trombonist Jimmy Knepper. The album presents a beautiful blend of the two brass instruments, with the musicians playing off each other’s strengths in a variety of swing, bop, and ballad tunes. Adams’ deep, resonant tones and Knepper’s fluid, mellifluous lines complement each other perfectly, creating a rich and dynamic sound. The album also features pianist Roland Hanna, bassist George Mraz, and drummer Mel Lewis, adding an extra layer of depth to the already impressive ensemble. The Pepper-Knepper is a must-listen for jazz aficionados and anyone who appreciates expert musicianship.
72. Sonny Rollins, Sonny Stitt & Dizzy Gillespie – Sonny Side Up
Sonny Side Up is a classic jazz album released in 1957 featuring three of the most influential musicians of the era: Sonny Rollins, Sonny Stitt, and Dizzy Gillespie. The album showcases the trio’s remarkable virtuosity and improvisational skills, as they navigate a series of bebop and swing tunes with effortless grace and energy. The interplay between Rollins’ tenor saxophone, Stitt’s alto saxophone, and Gillespie’s trumpet is nothing short of breathtaking, creating a dynamic and thrilling sound that never fails to impress. The album is a true gem of jazz history, a testament to the unparalleled talent and creativity of these three legends of the genre.
73. Sonny Rollins – Newk’s Time
Newk’s Time is a 1958 jazz album by tenor saxophonist Sonny Rollins, featuring a mix of classic standards and original compositions. The album showcases Rollins’ incredible technical ability and improvisational skills, as well as his unique tone and sense of phrasing. The title track, “Newk’s Time,” is a standout, featuring Rollins’ tenor saxophone backed by a dynamic rhythm section that includes pianist Wynton Kelly, bassist Doug Watkins, and drummer Philly Joe Jones. Overall, Newk’s Time is a must-have for fans of Rollins and anyone who appreciates expertly crafted jazz.
74. Bill Evans – Everybody Digs Bill Evans
Everybody Digs Bill Evans is a 1958 jazz album by pianist Bill Evans, featuring a mix of original compositions and classic standards. The album is considered a classic of the genre, showcasing Evans’ unique and highly influential approach to jazz piano. Evans’ introspective and introspective style, characterized by his use of impressionistic harmony and delicate touch, is on full display throughout the album. Standout tracks include Evans’ original composition “Peace Piece” and his interpretation of the classic standard “Lucky to Be Me.” Overall, Everybody Digs Bill Evans is a must-listen for fans of jazz piano and anyone interested in the history of the genre.
75. Gene Krupa – Plays Gerry Mulligan Arrangements
Gene Krupa Plays Gerry Mulligan Arrangements is a 1958 jazz album featuring the legendary drummer’s interpretations of compositions arranged by saxophonist Gerry Mulligan. The album is a showcase of the dynamic interplay between Krupa’s driving rhythms and Mulligan’s intricate arrangements, featuring an all-star ensemble that includes trumpeter Don Fagerquist, saxophonist Bob Cooper, and pianist Claude Williamson. The album includes classic tunes such as “Lullaby of Birdland,” “Misty,” and “Stompin’ at the Savoy,” all of which receive fresh and exciting interpretations under Krupa’s guidance. Overall, Gene Krupa Plays Gerry Mulligan Arrangements is a must-listen for fans of classic jazz and big band music.
76. Jack Sheldon – Jack Sheldon and His All Star Band
Jack Sheldon and His All Star Band is a 1985 jazz album featuring the incomparable trumpeter Jack Sheldon and his ensemble of top-tier musicians. The album features a mix of original compositions and classic standards, all performed with the infectious energy and style that Sheldon was known for. The ensemble includes saxophonist Bill Perkins, pianist Frank Strazzeri, and drummer Nick Ceroli, among others, all of whom contribute to the album’s dynamic and highly enjoyable sound. Highlights include Sheldon’s original tune “Blues for a Four String Guitar” and the classic standard “Love for Sale.” Overall, Jack Sheldon and His All Star Band is a must-listen for fans of jazz and anyone looking for a fun and energetic listening experience.
77. Cannonball Adderley & Milt Jackson – Things are Getting
Things are Getting Better is a 1959 album by jazz saxophonist Cannonball Adderley and vibraphonist Milt Jackson, with a mix of original compositions and covers of jazz standards. The album is a showcase of the virtuosity of both musicians and the tight interplay between them. The rhythm section, consisting of pianist Wynton Kelly, bassist Percy Heath, and drummer Art Blakey, provides a dynamic foundation for the album’s sound. The standout track is the bluesy and soulful “Serves Me Right,” featuring Adderley’s saxophone and Jackson’s vibes trading solos. Overall, Things are Getting Better is a must-listen for fans of classic jazz and bebop.
78. Wes Montgomery Trio – Wes Montgomery Trio
Wes Montgomery Trio is a 1959 jazz album featuring guitarist Wes Montgomery and his trio, consisting of organist Melvin Rhyne and drummer Paul Parker. The album showcases Montgomery’s unparalleled technical skill and innovative approach to jazz guitar, with standout tracks including the bluesy “Round Midnight” and the up-tempo “Whisper Not.” Rhyne and Parker provide a solid and dynamic rhythmic foundation throughout, allowing Montgomery to soar with his virtuosic solos. The album is a must-listen for fans of jazz guitar and anyone looking for a masterclass in improvisation and musical creativity.
79. Beverly Kenney – Born to Be Blue
Born to Be Blue is a 1956 album by jazz singer Beverly Kenney, featuring a mix of jazz standards and lesser-known tunes. Kenney’s smooth and emotive vocals are backed by a stellar band, including pianist Jimmy Jones, bassist Joe Benjamin, and drummer Roy Haynes, who provide a dynamic and swinging rhythm section. The album’s standout tracks include the title track, a melancholic ballad that showcases Kenney’s sensitive and nuanced interpretation, and the up-tempo “Trav’lin’ Light,” featuring a playful and dynamic vocal performance. Overall, Born to Be Blue is a must-listen for fans of classic jazz vocals and anyone looking for a timeless and emotional musical experience.
80. Ricky Nelson – Songs by Ricky
Songs by Ricky is a 1959 album by American singer-songwriter Ricky Nelson, featuring a mix of rock and roll and ballads. The album includes Nelson’s hit single “Lonesome Town” and other fan favorites such as “I Got a Feeling” and “I’ll Walk Alone.” Nelson’s smooth and melodic voice is backed by a band that includes guitar virtuosos James Burton and Joe Maphis, who provide a lively and upbeat sound throughout the album. With its catchy tunes and infectious energy, Songs by Ricky is a great example of the early rock and roll sound that made Nelson a beloved figure in American music.
81. Yusef Lateef – Other Sounds
Other Sounds is a 1959 album by American jazz multi-instrumentalist Yusef Lateef, featuring a mix of jazz and world music influences. The album includes both original compositions and covers of traditional tunes, such as “Bamboo Flute Blues” and “The Dreamer.” Lateef’s playing is characterized by his use of a wide range of instruments, including saxophone, flute, oboe, and various Middle Eastern and African instruments, which he weaves together into a rich and textured sound. With its innovative and forward-thinking approach to jazz, Other Sounds is a must-listen for fans of world music and anyone interested in the evolution of jazz in the late 1950s.
82. Ornette Coleman – Tomorrow Is the Question!
Ornette Coleman’s “Tomorrow Is the Question!” is his second album, originally released in 1959. The album features ten original compositions, showcasing Coleman’s innovative style of free jazz. The album includes Coleman on alto saxophone, Don Cherry on trumpet, Percy Heath on bass, and Shelly Manne on drums. This album marked a departure from the traditional jazz sound, and helped to establish Coleman as one of the most significant and innovative jazz musicians of the era.
83. Clark Terry Quintet – Top And Bottom Brass
“Top and Bottom Brass” is a 1966 album by Clark Terry Quintet, featuring Terry on trumpet and flugelhorn, Bob Brookmeyer on valve trombone, and a rhythm section of bassist Bill Crow, drummer Dave Bailey, and pianist Roger Kellaway. The album is noted for the interplay between the two brass players, with Brookmeyer providing a rich and melodic counterpoint to Terry’s virtuosic playing. The album includes standards such as “Stardust” and “Misty,” as well as several original compositions, showcasing the quintet’s versatility and musicianship. The album is a must-have for fans of classic jazz.
84. Nat Adderley Sextet – Much Brass
Nat Adderley Sextet – Much Brass: This album features Nat Adderley, the younger brother of jazz trumpet legend Cannonball Adderley, leading his sextet through a set of brass-heavy tunes. The album features a blend of hard bop and soulful jazz, with arrangements that highlight the strengths of each member of the group. Nat Adderley’s trumpet playing is a standout feature, but the contributions of the other musicians are equally impressive. The album has a lively, energetic feel that is sure to appeal to fans of classic jazz.
85. Chet Baker – Chet
Chet Baker – Chet: Recorded in 1959, this album is considered a classic of the cool jazz genre. It features Chet Baker’s smooth trumpet playing and haunting vocals, backed by a talented group of musicians. The album is known for its introspective, melancholy tone, with many of the songs focusing on lost love and heartbreak. However, the music is also marked by a sense of cool detachment, which is a hallmark of the genre. The album’s standout tracks include “Alone Together” and “I Fall in Love Too Easily,” both of which showcase Baker’s emotive vocal style.
86. Rex Stewart – Rendezvous with Rex
Rex Stewart – Rendezvous with Rex: Released in 1958, Rendezvous with Rex is a stellar album by jazz cornetist Rex Stewart. The album features Stewart’s captivating solos and arrangements that are both traditional and innovative. Backed by a solid rhythm section, Stewart effortlessly combines bluesy phrasing with fast runs and smooth melodies. Highlights of the album include “Undecided,” “Stompin’ at the Savoy,” and “The Very Thought of You,” among others. Stewart’s virtuosity is on full display throughout the album, making it a must-listen for fans of traditional jazz.
87. Jeri Southern – Jeri Southern Sings Cole Porter
Jeri Southern – Jeri Southern Sings Cole Porter: Released in 1956, Jeri Southern Sings Cole Porter is a fantastic showcase of singer Jeri Southern’s vocal talents. The album features a collection of songs by Cole Porter, arranged and accompanied by the legendary Billy May. Southern’s voice is sultry and emotive, and she brings new life to classics such as “It’s De-Lovely,” “Love for Sale,” and “I Get a Kick Out of You.” The arrangements are lush and sophisticated, with May’s orchestrations perfectly complementing Southern’s vocals. Overall, the album is a classic example of mid-century pop-jazz and an essential listen for fans of the genre.
88. Art Farmer – Brass Shout
Art Farmer’s “Brass Shout” features an unusual brass ensemble of six horns including French horn, tuba, and euphonium, in addition to the usual trumpet, trombone, and saxophone. The arrangements are by pianist Bill Evans and trombonist Willie Dennis, with a bluesy and swinging sound that showcases the unique textures of the brass. Farmer’s lyrical trumpet playing is highlighted on tracks such as “Nica’s Dream” and “Downwind,” while the ensemble brings a distinctive sound to tunes like “Darn That Dream” and “Fair Weather.”
89. Ernest Tubb – The Importance of Being Ernest
Ernest Tubb’s “The Importance of Being Ernest” is a classic album from one of country music’s most beloved figures. Released in 1968, the album features a mix of new material and covers of classic country songs, all delivered with Tubb’s signature twang and heartfelt emotion. Standout tracks include the title track, a rollicking ode to the joys of being oneself, and “One More Memory,” a poignant ballad that showcases Tubb’s ability to convey deep emotion through his voice. With its mix of honky-tonk and heartache, “The Importance of Being Ernest” is a must-listen for any fan of classic country music.
90. Melba Liston – Melba Liston and Her ‘Bones
Melba Liston – Melba Liston and Her ‘Bones is an outstanding album featuring the talents of trombonist Melba Liston and her band. The album was originally released in 1958 and includes Liston’s expert trombone playing and arrangements. The album features a mix of jazz standards and original compositions, all of which showcase Liston’s skills as a bandleader and musician. Liston’s arrangements are complex and intricate, with a deep understanding of the trombone’s capabilities. The album is a must-have for fans of classic jazz and trombone playing.
91. Andr̩ Previn РWest Side Story
André Previn’s West Side Story is a 1959 jazz interpretation of the popular Broadway musical West Side Story. Previn was a talented pianist and conductor who had a long career as a jazz musician, and this album showcases his skills as a bandleader and arranger. The album features a mix of jazz standards and original compositions, all of which are infused with the spirit of the original Broadway show. Previn’s arrangements are sophisticated and nuanced, with a deep understanding of the rhythms and melodies of the original music. The album is a classic of jazz interpretation and a must-have for fans of West Side Story and jazz music.
92. Jimmy Cleveland – A Map of Jimmy Cleveland
Jimmy Cleveland – A Map of Jimmy Cleveland: Jimmy Cleveland was a prominent trombonist in the jazz scene of the 1950s and 60s. “A Map of Jimmy Cleveland” is a compilation album featuring Cleveland’s work as a sideman on various jazz recordings. The album includes tracks with Quincy Jones, Benny Carter, Gil Evans, and many others. Cleveland’s smooth and fluid playing style is evident throughout the album, which showcases his talents as both a soloist and an accompanist. This album is a great representation of Cleveland’s contributions to jazz and is a must-listen for fans of the trombone.
93. Paul Chambers – Go
Paul Chambers – Go: “Go” is the debut album of bassist Paul Chambers, released in 1959. Chambers was a prominent bassist in the jazz scene of the 1950s and 60s and played on many classic recordings with artists such as Miles Davis and John Coltrane. “Go” features a stellar lineup of musicians, including trumpeter Donald Byrd, saxophonist Hank Mobley, pianist Wynton Kelly, and drummer Philly Joe Jones. The album is a great showcase of Chambers’ talents as a bassist and includes some classic jazz tunes such as “Whims of Chambers” and “Chamber Mates”. “Go” is a must-listen for fans of classic jazz.
94. Arthur Lyman – Hawaiian Sunset: The Sounds of Arthur Lyman
Arthur Lyman’s album, “Hawaiian Sunset: The Sounds of Arthur Lyman,” is a beautiful tribute to Hawaiian music. The album’s tracks, which feature traditional Hawaiian songs, are interpreted through Lyman’s unique style of exotic percussion and jazz. The album is also known for its use of Lyman’s trademark instrument, the vibraphone. Overall, the album is a wonderful blend of Hawaiian music and jazz, showcasing Lyman’s exceptional talent and creativity.
95. Yusef Lateef Quintet – The Fabric of Jazz
“The Fabric of Jazz” by Yusef Lateef Quintet is a beautiful jazz album that highlights Lateef’s innovative approach to music. The album’s tracks feature a wide range of styles, including traditional jazz, blues, and world music. Lateef’s unique use of Eastern instruments, such as the oboe and bamboo flute, adds a rich texture to the album’s sound. The album is also notable for its skilled musicianship and improvisation, which are a hallmark of Lateef’s work. Overall, “The Fabric of Jazz” is a timeless jazz album that showcases Lateef’s exceptional talent and creativity.
96. Yusef Lateef Quintet – The Dreamer
Yusef Lateef’s “The Dreamer” is a masterful blend of jazz and world music, featuring the talents of the Yusef Lateef Quintet. Released in 1959, the album showcases Lateef’s virtuosity on a range of instruments, including tenor saxophone, flute, and oboe. The music draws from a variety of influences, including Middle Eastern and African rhythms, and incorporates unusual instruments such as the Chinese lute and the Indian tambura. The result is a captivating and innovative sound that showcases Lateef’s creative genius. Highlights include the hauntingly beautiful “Blues for the Orient” and the lively, danceable “Love Theme from Spartacus.”
97. Dean Martin – Sleep Warm
Dean Martin’s 1959 album “Sleep Warm” was produced by Capitol Records and arranged by Frank Sinatra’s longtime collaborator, Nelson Riddle. The album features songs about the night, including “Sleep Warm,” “Hit the Road to Dreamland,” and “Goodnight Sweetheart.” Martin’s signature smooth vocals, combined with Riddle’s lush orchestral arrangements, create a romantic and soothing atmosphere perfect for winding down after a long day. The album remains a beloved classic in Martin’s discography, and a testament to his enduring appeal as a crooner.
98. John Lee Hooker – House of the Blues
“House of the Blues” is a 1959 album by blues legend John Lee Hooker, released on Chess Records. Featuring Hooker’s distinctive vocals and raw guitar playing, the album is a classic example of his Delta blues style, with songs like “Walkin’ the Boogie,” “House Rent Boogie,” and “Sugar Mama” showcasing his ability to create powerful grooves with just his voice and guitar. With its raw energy and driving rhythms, “House of the Blues” is a must-listen for any fan of the blues and a testament to Hooker’s immense talent as a musician and performer.
99. Sun Ra – Sound Sun Pleasure
https://www.youtube.com/@peterbouscheljong6733
Sun Ra – Sound Sun Pleasure: Sound Sun Pleasure is a rare album that features the Sun Ra Arkestra in a more traditional big band setting, as opposed to their usual avant-garde jazz style. The album showcases a wide variety of jazz styles, including swing, bop, and even some Latin and African rhythms. It also features some fantastic solos from Sun Ra himself, as well as his talented band members. This album is a must-have for fans of both big band and Sun Ra’s music.
100. Chet Baker – In New York
Chet Baker – In New York: Recorded in 1958, In New York is a quintessential Chet Baker album that captures the trumpeter’s signature cool jazz style. The album features a mix of standards and original compositions, including the popular tune “Autumn in New York”. Baker’s smooth and lyrical trumpet playing is complemented by the excellent musicianship of the rest of the band, which includes saxophonist Johnny Griffin and pianist Al Haig. In New York is a classic jazz album that highlights the talent of one of the genre’s greatest performers.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
