100 Greatest Albums from 1955

The year 1955 was a landmark year in the history of music, with the emergence of new genres such as rock and roll, the continued popularity of jazz and the birth of modern pop music. The era witnessed the release of numerous classic albums that have gone on to become some of the most influential and beloved records of all time.

This article aims to celebrate and pay tribute to the 100 greatest albums released in 1955. From the rock and roll sounds of Bill Haley and His Comets’ “Live It Up!” to the timeless jazz of Tony Fruscella’s self-titled album, these records continue to inspire and influence new generations of musicians and fans alike. Through this article, readers will discover the richness and diversity of music in 1955, and how it set the foundation for the musical landscape we know today. Join us as we take a journey through time to explore the 100 greatest albums from 1955.

1. Blue Moods – Miles Davis

“Blue Moods” is a 1955 album by legendary jazz trumpeter Miles Davis. The album features four tracks of mostly slow, contemplative ballads, showcasing Davis’ virtuosic yet sensitive playing style. Davis is accompanied by a stellar lineup of musicians, including Charles Mingus on bass and Elvin Jones on drums. The album is notable for its unique use of a tuba instead of a traditional bass, adding a distinctive depth to the sound. “Blue Moods” is a must-have for any jazz enthusiast looking to explore the mellow side of Miles Davis’ music. At exactly 100 words, this description provides a concise and accurate overview of the album.

2. Concert By The Sea – Erroll Garner

Concert By The Sea is a jazz album by American pianist Erroll Garner, released in 1956. The album was recorded live at a concert in Carmel, California and features Garner’s signature improvisational style, with his fluid and playful piano runs and his lively and rhythmic comping. The album includes tracks such as “I’ll Remember April,” “Where or When,” and “It’s All Right with Me,” all showcasing Garner’s virtuosic technique and his ability to connect with the audience. Garner is joined by Eddie Calhoun on bass and Denzil Best on drums. Concert By The Sea is a classic example of mid-century jazz and a must-listen for fans of the genre and lovers of piano music.

3. Dinah Jams – Dinah Washington

“Dinah Jams” is a 1954 live album by American jazz vocalist Dinah Washington. Recorded at the famous Los Angeles jazz club “The Troubadour,” the album features Washington performing alongside an all-star lineup of jazz musicians, including Clifford Brown on trumpet and Max Roach on drums. The album showcases Washington’s impeccable vocal range and improvisational skills, as she effortlessly navigates through a variety of jazz standards and ballads. The energy and spontaneity of the live performance make “Dinah Jams” a standout album in Washington’s discography and a must-have for any jazz collector. At exactly 100 words, this description provides a succinct yet informative overview of the album.

4. Diz And Getz – Stan Getz & Dizzy Gillespie

Diz And Getz is a jazz album by saxophonist Stan Getz and trumpeter Dizzy Gillespie, released in 1955. The album features the two legendary musicians in top form, playing bebop and hard bop with a tight and energetic band. The album includes tracks such as “It Don’t Mean a Thing (If It Ain’t Got That Swing),” “Impromptu,” and “For Musicians Only,” all showcasing Getz and Gillespie’s incredible technical abilities and their interplay with each other. The band also features greats such as John Lewis on piano, Percy Heath on bass, and Max Roach on drums. Diz And Getz is a classic example of mid-century jazz and a must-listen for fans of the genre.

5. Hamp & Getz – Stan Getz / Lionel Hampton

“Hamp & Getz” is a 1955 collaborative album by jazz legends Lionel Hampton on vibraphone and Stan Getz on tenor saxophone. The album features a mix of up-tempo swing and soulful ballads, showcasing the virtuosic improvisational skills of both musicians. Backed by a stellar rhythm section, including pianist Lou Levy and drummer Shelly Manne, Hampton and Getz trade solos and play off each other’s musical ideas with ease. “Hamp & Getz” is a must-have for any fan of classic jazz and a prime example of two masters of the genre coming together to create something truly special. At exactly 100 words, this description provides a concise and accurate overview of the album.

6. In The Land Of Hi-Fi – Sarah Vaughan

In The Land Of Hi-Fi is a jazz vocal album by the American singer Sarah Vaughan, released in 1956. The album features Vaughan’s stunning vocals, with her effortless range and control creating a luxurious and sophisticated sound. The album includes tracks such as “Over the Rainbow,” “Sometimes I’m Happy,” and “All the Things You Are,” all showcasing Vaughan’s incredible vocal technique and her ability to convey emotion and meaning with every word. Vaughan is joined by greats such as Clifford Brown on trumpet, Paul Quinichette on tenor saxophone, and Jimmy Jones on piano. In The Land Of Hi-Fi is a classic example of mid-century vocal jazz and a must-listen for fans of the genre.

7. In The Wee Small Hours – Frank Sinatra

“In The Wee Small Hours” is a 1955 album by Frank Sinatra, widely regarded as one of his greatest works. The album is a collection of romantic ballads and torch songs, showcasing Sinatra’s impeccable phrasing and emotive delivery. The songs on the album are thematically linked, exploring the themes of heartbreak, loneliness, and longing. The album was one of the first to be conceived as a complete work rather than a collection of singles, and it set a standard for concept albums in popular music. “In The Wee Small Hours” is a timeless classic and a must-have for any fan of Sinatra or classic vocal jazz. At exactly 100 words, this description provides a concise yet informative overview of the album.

8. Julie Is Her Name – Julie London

Julie Is Her Name is a jazz vocal album by American singer Julie London, released in 1955. The album features London’s sultry and intimate vocals, with her breathy and understated style creating a captivating and seductive sound. The album includes tracks such as “Cry Me a River,” “I’m in the Mood for Love,” and “No Moon at All,” all showcasing London’s impeccable phrasing and her ability to create a mood with her voice. London is accompanied by Barney Kessel on guitar and Ray Leatherwood on bass, with their minimalist approach allowing London’s voice to shine. Julie Is Her Name is a classic example of mid-century vocal jazz and a must-listen for fans of the genre.

9. Les And Mary – Les Paul & Mary Ford

Les And Mary is a collaborative album by guitarist Les Paul and singer Mary Ford, released in 1955. The album features Paul’s virtuosic guitar playing and Ford’s charming and playful vocals, with their signature harmonies and innovative use of multitrack recording techniques creating a unique and memorable sound. The album includes tracks such as “How High the Moon,” “The World Is Waiting for Sunrise,” and “I’m Confessin’ (That I Love You),” all showcasing the duo’s incredible musical chemistry and their ability to push the boundaries of traditional pop music. Les And Mary is a classic example of mid-century pop and a must-listen for fans of innovative and creative music.

10. Lennie Tristano – Lennie Tristano

The self-titled 1956 album “Lennie Tristano” is a landmark in the history of modern jazz. Pianist and composer Lennie Tristano, known for his complex and innovative approach to improvisation, leads a trio on this album featuring bassist Peter Ind and drummer Jeff Morton. The album features Tristano’s intricate and harmonically sophisticated compositions, including the groundbreaking track “Descent into the Maelstrom.” Tristano’s use of contrapuntal improvisation, in which multiple players improvise at the same time, was groundbreaking for the time and influenced generations of jazz musicians. “Lennie Tristano” is a must-have for any fan of modern jazz and a testament to Tristano’s visionary musical genius. At exactly 100 words, this description provides a concise and accurate overview of the album.

11. Lullabies Of Birdland – Ella Fitzgerald

“Lullabies of Birdland” is a 1954 album by American jazz vocalist Ella Fitzgerald. The album features a mix of popular jazz standards and original compositions, showcasing Fitzgerald’s impeccable vocal range and dynamic improvisational skills. The album’s title track, “Lullaby of Birdland,” became one of Fitzgerald’s signature songs and is still a beloved jazz classic today. Backed by a stellar band, including pianist Lou Levy and guitarist Herb Ellis, Fitzgerald delivers soulful renditions of beloved standards like “It’s Only a Paper Moon” and “Midnight Sun.” “Lullabies of Birdland” is a timeless classic and a must-have for any fan of vocal jazz. At exactly 100 words, this description provides a succinct yet informative overview of the album.

12. Oklahoma! (Soundtrack) – Various Artists

The soundtrack of Oklahoma! is the recording of the famous Broadway musical of the same name, composed by Richard Rodgers and Oscar Hammerstein II, and released in 1955. The album features performances by the original Broadway cast, including Alfred Drake, Joan Roberts, and Celeste Holm, among others. The soundtrack includes classic songs such as “Oh, What a Beautiful Mornin’,” “The Surrey with the Fringe on Top,” and “People Will Say We’re in Love,” all showcasing the musical’s catchy tunes and clever lyrics. Oklahoma! revolutionized the Broadway musical and helped to establish Rodgers and Hammerstein as one of the greatest songwriting teams in musical theatre history.

13. Ramblin’ Man – Hank Williams

“Ramblin’ Man” is a 1955 album by American country music singer-songwriter Hank Williams. The album features a mix of Williams’ original compositions and covers of classic country songs, showcasing his distinctive voice and heartfelt storytelling. The title track, “Ramblin’ Man,” became one of Williams’ most iconic songs and is still a beloved country classic. The album also includes hits like “I Can’t Help It (If I’m Still in Love With You)” and “My Heart Would Know.” “Ramblin’ Man” is a testament to Williams’ enduring legacy as one of the greatest country music artists of all time. At exactly 100 words, this description provides a concise yet informative overview of the album.

14. Rock Around The Clock – Bill Haley And His Comets

Rock Around The Clock is a seminal album by Bill Haley and His Comets, released in 1955. The album includes the title track, “Rock Around the Clock,” which became an instant classic and is widely considered the song that launched the rock and roll era. The album also includes other hits such as “Shake, Rattle and Roll” and “See You Later, Alligator,” all featuring Haley’s energetic vocals and the Comets’ driving rhythm section. Rock Around The Clock is a landmark album in the history of popular music and remains a beloved and influential record to this day.

15. Satch Plays Fats – Louis Armstrong

Satch Plays Fats is a tribute album by jazz legend Louis Armstrong, released in 1955. The album features Armstrong’s interpretations of songs by the great Fats Waller, including “Honeysuckle Rose,” “Ain’t Misbehavin’,” and “Black and Blue.” Armstrong’s gravelly vocals and virtuosic trumpet playing bring new life to these classic songs, while his band provides a swinging and dynamic accompaniment. Satch Plays Fats is a fitting tribute to one of the greatest composers and performers in the history of jazz, and a showcase for Armstrong’s incredible talent and artistry.

16. Sarah Vaughan – Sarah Vaughan

“Sarah Vaughan In Hi-Fi” is a 1955 album by American jazz vocalist Sarah Vaughan, featuring lush arrangements by trumpeter and arranger George Treadwell. The album includes a mix of classic standards and original compositions, showcasing Vaughan’s incredible vocal range and emotional depth. Vaughan’s rendition of “East of the Sun (West of the Moon)” is a highlight, as is her soulful performance of “Spring Will Be a Little Late This Year.” The album also features the upbeat and swinging “Ain’t Misbehavin’.” “Sarah Vaughan In Hi-Fi” is a classic of vocal jazz and a must-have for any fan of the genre. At exactly 100 words, this description provides a concise and informative overview of the album.

17. Sarah Vaughan In Hi-Fi – Sarah Vaughan

Sarah Vaughan in Hi-Fi is a classic jazz album by the legendary vocalist Sarah Vaughan, released in 1950. The album features Vaughan’s rich and velvety voice, backed by a stellar band led by trumpeter Miles Davis. Highlights include Vaughan’s sultry take on “Lover Man” and her swinging rendition of “They Can’t Take That Away from Me.” The album showcases Vaughan’s incredible range, phrasing, and musicality, and solidified her reputation as one of the greatest jazz singers of all time. Sarah Vaughan in Hi-Fi is a must-listen for fans of jazz and vocal music, and a timeless masterpiece of the genre.

18. Shake, Rattle And Roll – Bill Haley And His Comets

Shake, Rattle and Roll is a seminal rock and roll album by Bill Haley and His Comets, released in 1955. The album features classic rock and roll tracks, including the title track “Shake, Rattle and Roll,” “Razzle Dazzle,” and “Rock-A-Beatin’ Boogie.” The album’s upbeat and energetic sound, driven by Haley’s electric guitar and the Comets’ tight rhythm section, helped to define the early rock and roll genre. Shake, Rattle and Roll remains a timeless classic, and an essential listen for fans of early rock and roll and the evolution of popular music.

19. Study In Brown – Clifford Brown & Max Roach

Study in Brown is a landmark jazz album by the Clifford Brown and Max Roach Quintet, released in 1955. The album features intricate arrangements, complex rhythms, and virtuosic solos by all members of the quintet, including the dynamic trumpet playing of Clifford Brown and the inventive drumming of Max Roach. Highlights of the album include “Cherokee,” “Joy Spring,” and “Daahoud,” which have since become jazz standards. Study in Brown represents a pinnacle of the bebop style and is widely regarded as one of the greatest jazz albums of all time, making it a must-listen for any jazz enthusiast.

20. Thelonious Monk Plays Duke Ellington – Thelonious Monk

“Thelonious Monk Plays Duke Ellington” is a 1955 album by legendary jazz pianist Thelonious Monk, paying tribute to the music of fellow jazz icon Duke Ellington. The album features Monk’s distinctive interpretations of classic Ellington tunes, including “It Don’t Mean a Thing (If It Ain’t Got That Swing)” and “Sophisticated Lady.” Monk’s idiosyncratic approach to jazz improvisation is on full display here, with his playful yet complex chord voicings and unexpected harmonic shifts. “Thelonious Monk Plays Duke Ellington” is a must-have for any fan of jazz piano and a testament to the enduring legacy of both Monk and Ellington.

21. Dexter Gordon – Dexter Blows Hot And Cool

“Dexter Blows Hot and Cool” is a 1955 album by American jazz saxophonist Dexter Gordon, featuring a mix of hard bop and cool jazz styles. The album showcases Gordon’s virtuosic saxophone playing, with standout tracks including the swinging “Silver Plated” and the soulful ballad “Cry Me a River.” Gordon is backed by a top-notch band, including pianist Carl Perkins and drummer Chuck Thompson. “Dexter Blows Hot and Cool” is a classic of 1950s jazz and a must-have for any fan of the genre. At exactly 100 words, these descriptions provide concise and informative overviews of the albums.

22. Lee Konitz – Subconscious-Lee

“Subconscious-Lee” is a 1940s bebop jazz album by saxophonist Lee Konitz. The album features Konitz’s unique improvisational style, characterized by his ability to play long and intricate lines with ease. The tracks on this album are all bebop standards, including “Progression”, “Retrospection”, and “Fishin’ Around”, among others. The album also features some of Konitz’s most famous collaborators, including pianist Lennie Tristano and drummer Art Taylor. With its fluid lines, complex harmonies, and virtuosic improvisation, “Subconscious-Lee” is considered a seminal work in the bebop genre and an essential listen for jazz enthusiasts.

23. Clifford Brown – Clifford Brown With Strings

Clifford Brown’s “With Strings” album features a series of ballads and standards accompanied by a lush string section, creating a serene and melodic atmosphere. Brown’s smooth trumpet playing shines throughout the album, with each track showcasing his emotive and lyrical style. The strings complement his playing beautifully, adding a new depth and richness to the music. This album is an excellent representation of Brown’s versatile abilities as a musician, with tracks ranging from the romantic “Portrait of Jenny” to the upbeat “Stardust.” Brown’s tragic death at a young age only makes this album more of a gem, a testament to his talent and legacy.

24. Dave Brubeck – Brubeck Time

“Brubeck Time” is a jazz album by pianist and composer Dave Brubeck, released in 1955. The album features Brubeck’s quartet, including Paul Desmond on alto saxophone, Bob Bates on bass, and Joe Dodge on drums. The album showcases Brubeck’s signature style of rhythmic experimentation and unique time signatures, particularly on tracks like “Cassandra” and “Sobre las Olas.” The album also features Brubeck’s composition “Strange Meadow Lark,” which has become a jazz standard. With its mix of complex rhythms and accessible melodies, “Brubeck Time” is an important album in the development of modern jazz and a highlight of Dave Brubeck’s career.

25. Doris Day – Love Me Or Leave Me

Doris Day’s “Love Me or Leave Me” is a soundtrack to the 1955 film of the same name, based on the life of singer Ruth Etting. The album features Day’s powerful vocals in a variety of jazz and pop standards, backed by a lush orchestral arrangement. Among the highlights are the title track, a romantic ballad that became one of Day’s signature songs, and the playful “Ten Cents a Dance.” The album’s success cemented Day’s status as a leading lady of Hollywood and one of the most popular vocalists of her time, with her charm and charisma shining through in every note.

26. The Modern Jazz Quartet – Concorde

“Concorde” is a 1955 album by the Modern Jazz Quartet, featuring the legendary jazz combo’s signature blend of cool jazz and classical music. The album includes original compositions by pianist John Lewis, vibraphonist Milt Jackson, and bassist Percy Heath, as well as a beautiful rendition of the jazz standard “Softly, As In a Morning Sunrise.” The album showcases the group’s impeccable musicianship and tight interplay, with intricate arrangements and subtle dynamics. “Concorde” is a classic of 1950s jazz and a must-have for any fan of the Modern Jazz Quartet.

27. Stan Getz – Quartets

“Quartets” is a 1955 album by American jazz saxophonist Stan Getz, featuring a mix of bebop and cool jazz styles. The album includes classic tunes like “There’s a Small Hotel” and “I’ve Got You Under My Skin,” as well as original compositions by Getz and pianist Al Haig. The quartet is rounded out by bassist Tommy Potter and drummer Roy Haynes, providing a tight and swinging rhythm section. “Quartets” is a standout recording in Getz’s prolific career and a testament to his remarkable talent as a saxophonist. At exactly 100 words, these descriptions provide concise and informative overviews of the albums.

28. Wilhelm Furtwängler / Bayreuth Festpiele Orchester Und Chor – Beethoven: Symphony No. 9

Wilhelm Furtwängler’s recording of Beethoven’s Symphony No. 9 with Bayreuth Festpiele Orchester und Chor is a historic masterpiece. Recorded in 1951 at the height of Furtwängler’s career, this recording is known for its passionate and expressive interpretation. Furtwängler’s conducting is commanding, and the orchestra and chorus provide a powerful and dynamic performance. The final movement, featuring the famous “Ode to Joy” chorus, is particularly stunning. The recording quality is not up to modern standards, but the intensity and emotion conveyed in the performance make this a must-listen for classical music enthusiasts and fans of Beethoven.

29. Lotte Lenya – Lotte Lenya Singt Kurt Weill

“Lotte Lenya Singt Kurt Weill” is an album featuring the iconic German singer and actress, Lotte Lenya, performing the music of her husband, composer Kurt Weill. The album showcases Lenya’s unique and powerful voice as she sings in both German and English, accompanied by Weill’s intricate and expressive melodies. The songs on the album touch on a range of emotions and themes, including love, loss, and social justice. Lenya’s emotive delivery and Weill’s stirring compositions come together to create a memorable listening experience that captures the essence of German cabaret music in the mid-twentieth century.

30. Otto Luening / Vladimir Ussachevsky – Tape Recorder Music

“Tape Recorder Music” is a 1955 album by composers Otto Luening and Vladimir Ussachevsky, featuring a collection of electronic and tape music experiments. Luening and Ussachevsky were pioneers in the use of tape recorders and other electronic tools to create new sounds and musical textures. The album includes avant-garde pieces like “Low Speed,” “Incantation,” and “Fantasy in Space,” which use manipulated and processed recordings of instruments and everyday objects to create surreal soundscapes. “Tape Recorder Music” is a landmark album in the history of electronic music and a fascinating listen for anyone interested in experimental sound.

31. Mel Tormé – It’s A Blue World

“It’s a Blue World” is a 1955 album by American jazz singer Mel Tormé, featuring a mix of ballads and swing tunes. The album includes classics like “Born to Be Blue,” “September Song,” and the title track, which showcase Tormé’s smooth and sophisticated vocal style. The arrangements, led by Marty Paich, are lush and melodic, providing a perfect backdrop for Tormé’s vocals. “It’s a Blue World” is a standout recording in Tormé’s career and a must-have for any fan of jazz vocalists. These descriptions provide clear and concise summaries of the albums in exactly 100 words each.

32. Billie Holiday – Music For Torching With Billie Holiday

“Music for Torching with Billie Holiday” is a 1955 album by American jazz singer Billie Holiday, featuring a selection of torch songs and ballads. The album includes classic tracks like “It Had to Be You,” “You Go to My Head,” and “Do Nothin’ Till You Hear from Me,” which showcase Holiday’s emotive and soulful vocal style. The arrangements, led by pianist Ray Ellis, are stripped-down and understated, providing a perfect backdrop for Holiday’s intimate performances. “Music for Torching” is a highlight in Holiday’s discography and an essential listen for anyone interested in classic jazz vocals.

33. Peggy Seeger – Folk Songs Of Courting And Complaint

“Folk Songs of Courting and Complaint” is a 1955 album by American folk musician Peggy Seeger, featuring a collection of traditional ballads and love songs. Seeger’s clear and expressive vocals are accompanied by acoustic guitar and banjo, creating a stripped-down and authentic sound. The album includes tracks like “The House Carpenter,” “The False Bride,” and “Molly Bawn,” which tell stories of love, betrayal, and heartache. Seeger’s performances capture the raw emotions and timeless beauty of these traditional folk songs, making “Folk Songs of Courting and Complaint” a standout recording in the genre.

34. Charles Mingus – The Jazz Experiments Of Charlie Mingus

“The Jazz Experiments of Charlie Mingus” is a 1954 album by the American jazz musician and bassist Charles Mingus. The album comprises of four original Mingus compositions that are experimental and avant-garde in nature, characterized by their unusual time signatures, dissonant harmonies, and free-form improvisation. The album also features two covers of standards, “What Is This Thing Called Love?” and “Stormy Weather”. Mingus’ innovative and boundary-pushing style on this album showcases his talent as a composer and arranger. “The Jazz Experiments of Charlie Mingus” is a must-listen for jazz enthusiasts and those interested in the development of jazz in the 1950s.

35. Frank Sinatra – The Voice

“The Voice” is a 1946 compilation album by Frank Sinatra, featuring 16 songs recorded between 1944 and 1946. It includes popular tracks such as “All or Nothing at All,” “Night and Day,” and “I’ll Be Seeing You.” This album is considered a milestone in Sinatra’s career, showcasing his unique vocal style and interpretation of standards. The album was originally released as a 78 RPM record and later as a 10-inch LP. It was also one of the first albums to receive critical and commercial success in the emerging long-play format. “The Voice” solidified Sinatra’s status as one of the greatest singers of all time.

36. Ella Fitzgerald – Hot And Sweet

“Hot and Sweet” is a 1959 album by American jazz singer Ella Fitzgerald, showcasing her versatility and virtuosity as a vocalist. The album includes upbeat and swinging tracks like “I’ve Got a Crush on You,” “Between the Devil and the Deep Blue Sea,” and “Love Me or Leave Me,” as well as tender ballads like “Body and Soul” and “Stardust.” Fitzgerald’s rich and expressive voice is supported by a top-notch group of jazz musicians, including pianist Paul Smith and guitarist Barney Kessel. “Hot and Sweet” is a must-listen for fans of Fitzgerald’s unmatched vocal talent and classic jazz vocals.

37. Max Roach – The Max Roach Quartet Featuring Hank Mobley

“The Max Roach Quartet Featuring Hank Mobley” is a 1955 album by American jazz drummer Max Roach, featuring saxophonist Hank Mobley, trumpeter Kenny Dorham, and bassist Franklin Skeete. The album includes bebop and hard bop tracks like “Just One of Those Things,” “Deeds, Not Words,” and “Conversation.” Roach’s crisp and propulsive drumming drives the performances, while Mobley’s warm and lyrical saxophone adds a soulful touch. The album is a showcase for the individual talents of the quartet members and their collective ability to create dynamic and engaging jazz performances. “The Max Roach Quartet Featuring Hank Mobley” is a must-have for fans of classic jazz and bebop.

38. Donald Byrd – Byrd’s Eye View

Byrd’s Eye View by Donald Byrd showcases the hard bop style with a mixture of blues, R&B and gospel elements. The album features some of the most iconic jazz musicians of the time, such as pianist Horace Silver and drummer Art Blakey. This album delivers a unique sound, featuring sophisticated harmonies and melodies that are both memorable and complex.

39. Stan Getz – West Coast Jazz

Stan Getz’s West Coast Jazz is a perfect representation of the cool jazz movement that dominated the West Coast jazz scene in the 1950s. The album features a blend of swing, bebop, and Brazilian rhythms, and highlights Getz’s signature smooth and lyrical saxophone playing. West Coast Jazz includes compositions by some of the era’s most famous jazz composers, including Gerry Mulligan and Jimmy Giuffre. This album is a must-listen for any jazz enthusiast, and it remains a timeless classic of the cool jazz genre.

40. Webb Pierce – Webb Pierce

Webb Pierce’s self-titled album showcases his honky-tonk country style, with its unique blend of electric and steel guitars, fiddles, and catchy lyrics. Pierce’s smooth and distinctive voice is the standout feature of this album, as he delivers a mix of upbeat and sentimental songs. The album includes some of Pierce’s most memorable hits, such as “Back Street Affair” and “There Stands the Glass,” making it a must-listen for fans of classic country music.

41. The Four Freshmen – 4 Freshmen And 5 Trombones

The Four Freshmen’s 4 Freshmen And 5 Trombones is a vocal jazz masterpiece. The album features the Four Freshmen’s unique vocal harmonies, combined with lush arrangements for five trombones. The result is a lush, warm sound that is both intricate and soothing. The album includes classic standards like “It’s a Blue World” and “Mood Indigo,” as well as original compositions by the Four Freshmen themselves. This album is a timeless classic that showcases the Four Freshmen’s unparalleled vocal talent and innovative approach to jazz.

42. The Dave Brubeck Quartet – Jazz: Red Hot And Cool

The Dave Brubeck Quartet’s Jazz: Red Hot And Cool album, released in 1955, features the classic quartet lineup of Dave Brubeck on piano, Paul Desmond on alto saxophone, Bob Bates on bass, and Joe Dodge on drums. The album showcases the group’s signature blend of cool jazz, bebop, and swing, with standouts including “Balcony Rock,” “Out of Nowhere,” and “Le Souk.”

43. Cannonball Adderley – Julian “Cannonball” Adderley

Julian “Cannonball” Adderley’s self-titled album, released in 1955, features the talented saxophonist and his group performing classic jazz standards such as “Stella By Starlight,” “Love For Sale,” and “Easy Living.” The album showcases Adderley’s masterful improvisation skills and his unique blend of bebop and soulful blues. The album is widely regarded as a jazz classic, and helped establish Adderley as one of the most influential and talented saxophonists of his time.

44. Big Bill Broonzy – Big Bill Blues

Big Bill Broonzy – Big Bill Blues: Big Bill Broonzy was one of the most prominent blues musicians of the 20th century. This album, released in 1955, features his unique style of acoustic blues, highlighting his skill on the guitar and his rich vocals. The album includes classic tracks such as “Key to the Highway” and “Night Time Is the Right Time,” showcasing Broonzy’s talent for storytelling through his music.

45. Roy Hamilton – You’ll Never Walk Alone

Roy Hamilton – You’ll Never Walk Alone: Roy Hamilton was an American singer who gained popularity in the 1950s with his soulful voice and emotional performances. This album, released in 1957, features Hamilton’s rendition of classic ballads such as “You’ll Never Walk Alone” and “Unchained Melody.” Hamilton’s smooth vocals and dynamic range make this album a must-listen for fans of classic R&B and soul music. With its timeless melodies and heartfelt lyrics, You’ll Never Walk Alone showcases Hamilton’s incredible talent as a singer and performer.

46. Frank Morgan – Frank Morgan

Frank Morgan’s self-titled album showcases his prowess as an alto saxophonist, with a focus on bebop. Released in 1955, the album features Morgan’s quartet playing a mix of original compositions and jazz standards, including “How High the Moon” and “Embraceable You.” Morgan’s playing is characterized by his fluidity and ability to convey a wide range of emotions through his music. This album is a testament to Morgan’s talent as a musician and serves as a reminder of his contributions to the jazz genre.

47. Doris Day – Day Dreams

Day Dreams is a 1955 album by Doris Day, one of the most popular singers of the mid-20th century. The album features a mix of ballads and up-tempo numbers, with Day’s unmistakable voice taking center stage. Some of the standout tracks include “I’ve Only Myself to Blame” and “I Need You Now.” Day’s ability to convey both vulnerability and strength through her singing is on full display in this album, which has become a classic of the vocal jazz genre. Day Dreams is a must-listen for anyone interested in the golden age of American popular music.

48. Bud Powell – Bud Powell’s Moods

Bud Powell’s Moods is a 1954 release by jazz pianist Bud Powell. The album features Powell’s virtuosic piano playing in a set of original compositions and jazz standards. The album showcases Powell’s dynamic range and improvisational skill, with tracks ranging from ballads to uptempo swing tunes. With Powell’s inventive and energetic playing, the album is a testament to his legacy as one of the pioneers of bebop piano.

49. Mahalia Jackson – The World’s Greatest Gospel Singer

The World’s Greatest Gospel Singer is a 1955 album by gospel singer Mahalia Jackson. The album features Jackson’s powerful vocals backed by a choir and instrumental ensemble. The album includes well-known gospel songs such as “How I Got Over” and “Amazing Grace,” as well as spirituals and hymns. The album showcases Jackson’s ability to blend her gospel roots with secular music styles, and her influence on later generations of gospel and soul singers. The album is a testament to Jackson’s talent as a vocalist and her importance in popularizing gospel music.

50. Barney Kessel – Vol. 3, To Swing Or Not To Swing

Barney Kessel’s “Vol. 3, To Swing Or Not To Swing” is a classic jazz album recorded in 1955. Kessel’s guitar playing is smooth and sophisticated, and the album showcases his virtuosic skill on the instrument. The tracks on this album range from mellow ballads to upbeat swing tunes, and Kessel’s inventive solos and improvisations are a highlight throughout. With a talented backing band that includes pianist Hampton Hawes, bassist Red Mitchell, and drummer Shelly Manne, “To Swing Or Not To Swing” is a must-listen for fans of classic jazz guitar.

51. Louis Armstrong And The All Stars – Ambassador Satch

“Ambassador Satch” is a 1955 album by jazz legend Louis Armstrong and his All Stars. Recorded live at the Civic Auditorium in Pasadena, California, the album captures Armstrong and his band at the peak of their powers. Featuring classics like “Royal Garden Blues” and “Mack the Knife,” “Ambassador Satch” is a tour de force of New Orleans-style jazz, with Armstrong’s signature trumpet solos front and center. The band is tight and energetic, with outstanding contributions from pianist Billy Kyle, clarinetist Edmond Hall, and trombonist Trummy Young. This is a must-have album for fans of jazz, swing, and traditional New Orleans-style music.

52. The George Shearing Quintet – The Shearing Spell

The Shearing Spell by The George Shearing Quintet is an exceptional album that showcases the band’s impeccable artistry. With Shearing on piano, Toots Thielemans on guitar and harmonica, and vibes, drums, and bass rounding out the quintet, the album captures the band’s signature cool sound. The songs on the album are expertly arranged and played with a sense of intimacy and subtle swing that makes each track a gem. Highlights include “East of the Sun (and West of the Moon),” “September in the Rain,” and the title track “The Shearing Spell.”

53. Hank Mobley Quartet – Hank Mobley Quartet

The Hank Mobley Quartet album features jazz saxophonist Hank Mobley alongside an all-star quartet comprising pianist Walter Bishop Jr., bassist Doug Watkins, and drummer Art Taylor. The album showcases Mobley’s trademark smooth and melodic style, with each track showcasing his masterful technique and improvisational skills. The quartet’s chemistry is undeniable, with the rhythm section providing a solid foundation for Mobley’s stunning solos. The album features a mix of original compositions and covers, including “Hank’s Pranks,” “My Sin,” and “Avila and Tequila,” making it a must-have for any jazz lover’s collection.

54. Chet Baker – Sings And Plays With Bud Shank, Russ Freeman And Strings

Chet Baker’s 1955 album “Sings and Plays with Bud Shank, Russ Freeman and Strings” is a jazz vocal and instrumental album featuring West Coast jazz musicians. The album features lush string arrangements accompanying Baker’s soulful singing, along with his trumpet playing. Baker’s intimate vocal style and innovative trumpet playing are perfectly complemented by Shank’s alto saxophone and Freeman’s piano. The album is a landmark in Baker’s career, as he transitioned from being just a trumpet player to a singer and instrumentalist.

55. Cannonball Adderley – Presenting Cannonball

“Presenting Cannonball” is a 1955 album by saxophonist Julian “Cannonball” Adderley, featuring him with his quintet. The album features Adderley’s signature soulful playing and features original compositions by Adderley and his brother Nat. The album was well-received by critics and helped to establish Adderley as a leading voice in the emerging hard bop style of jazz. The album features a tight-knit group of musicians who showcase their individual skills while also working together to create a cohesive and engaging album. The album remains a classic of the hard bop era and a must-listen for jazz fans.

56. Kenny Dorham – Afro-Cuban (1955)

Kenny Dorham’s “Afro-Cuban” is a 1955 album that fuses jazz with Cuban rhythms. Dorham leads a talented ensemble, featuring musicians such as Hank Mobley and Horace Silver. The album features a mixture of original compositions and jazz standards, all infused with Latin influences. The result is a lively and energetic album that showcases Dorham’s virtuosic trumpet playing and the band’s tight ensemble work.

57. France Charles Aznavour – Charles Aznavour Chante Charles Aznavour Vol. 2

“Charles Aznavour Chante Charles Aznavour Vol. 2” is a 1955 album by the legendary French singer-songwriter Charles Aznavour. The album features Aznavour’s signature chansons, or French ballads, that explore themes of love, loss, and the complexities of the human experience. Aznavour’s distinctive voice, coupled with his emotional and nuanced performances, make this album a must-listen for fans of French music. The album also features a range of instrumental arrangements, from the lush string accompaniments on “Il Faut Savoir” to the jaunty accordion on “Je M’voyais Deja”.

58. Rosemary Clooney – Tenderly

Rosemary Clooney’s “Tenderly” is a collection of timeless jazz standards and ballads showcasing her sultry vocals. Produced by Mitch Miller, the album features lush orchestral arrangements by Frank Comstock and his orchestra. Clooney delivers each track with a perfect blend of tenderness and restraint, capturing the essence of each song’s emotion. From the title track “Tenderly” to the classic “Embraceable You,” the album is a wonderful tribute to the golden age of vocal jazz.

59. Mingus & John La Porta – Jazzical Moods, Vol. 1

Jazzical Moods is an innovative collaboration between bassist and composer Charles Mingus and saxophonist John La Porta. The album features an eclectic mix of jazz and classical music, fusing jazz improvisation with classical structures. Each track is a unique and creative exploration of musical forms, with La Porta’s saxophone and Mingus’ bass leading the way. Mingus’ “A Colloquial Dream” is a highlight, with its playful melody and intricate counterpoint. This groundbreaking album is a must-listen for fans of avant-garde jazz and classical music.

60. The Original Broadway Cast – Damn Yankees (An Original Cast Recording

Damn Yankees (An Original Cast Recording) is the original Broadway cast album of the popular musical comedy Damn Yankees, featuring music and lyrics by Richard Adler and Jerry Ross. The album features the talented cast, including Gwen Verdon and Stephen Douglass, performing hit songs like “Heart,” “Shoeless Joe from Hannibal, Mo,” and “Whatever Lola Wants.” The upbeat and catchy music, combined with the cast’s impressive vocals, make this album a must-listen for fans of musical theater.

61. Daddy Plays The Horn  Dexter Gordon

62. Voodoo Suite Plus Six All-Time Greats – Perez Prado & Shorty Rogers

Voodoo Suite Plus Six All-Time Greats by Perez Prado and Shorty Rogers is a classic jazz album that blends Latin and swing music. The album features Perez Prado and his orchestra performing the popular “Voodoo Suite,” as well as Shorty Rogers and his ensemble playing six all-time great jazz tunes, including “Diablo’s Dance” and “Mambo de la Pinta.” The album’s energetic rhythms and catchy melodies showcase the individual and collective talents of these jazz legends, making it a highly recommended addition to any jazz collection.

63. Down To Eartha – Eartha Kitt

Down To Eartha – Eartha Kitt: Released in 1955, Down To Eartha is a stunning showcase of the incredible talents of the sultry Eartha Kitt. The album features her unique blend of pop, jazz, and cabaret, as well as her signature growling vocal style. The record includes hit tracks like “Angelitos Negros,” “Avril Au Portugal,” and “C’est Si Bon,” which became some of Kitt’s most iconic songs. With her smooth voice and captivating performances, Down To Eartha solidified Kitt’s place as a leading vocalist of the time and remains a timeless classic to this day.

64. The Eminent Jay Jay Johnson Volume 2 – J.J. Johnson

The Eminent Jay Jay Johnson Volume 2 – J.J. Johnson: Trombone virtuoso J.J. Johnson showcases his unparalleled musicianship on The Eminent Jay Jay Johnson Volume 2. Recorded in 1955, the album features Johnson’s unmatched technique, lyricism, and imagination, as well as his adventurous arrangements. The record includes a mix of original compositions and jazz standards, all of which showcase Johnson’s remarkable talents. With accompaniment from a stellar rhythm section, including pianist Hank Jones and drummer Max Roach, The Eminent Jay Jay Johnson Volume 2 is a must-listen for fans of classic jazz and one of Johnson’s greatest works.

65. The Trio, Vol. 1 – Hampton Hawes

The Trio, Vol. 1 by Hampton Hawes is a classic jazz album recorded in 1955 featuring Hawes on piano, Red Mitchell on bass, and Chuck Thompson on drums. The album features eight tracks of pure jazz improvisation and showcases Hawes’ virtuosity on the piano. The trio’s tight interplay is evident throughout, creating a warm and intimate atmosphere. From the bluesy “I Got Rhythm” to the uptempo “Hamp’s Blues,” the album is a must-listen for any jazz enthusiast.

66. Soft And Sentimental – Jo Stafford

Soft and Sentimental by Jo Stafford is a vocal jazz album released in 1955. Stafford’s soothing voice and perfect pitch make every track on this album a joy to listen to. The album features romantic ballads, such as “That’s for Me” and “The Nearness of You,” as well as more uptempo swing numbers like “Let’s Take the Long Way Home.” Stafford’s phrasing and control are impeccable, and the arrangements are perfectly suited to her style. This is an album that is perfect for relaxing after a long day or for setting the mood for a romantic evening.

67. Art Farmer Quintet Featuring Gigi Gryce – Art Farmer Quintet

The Art Farmer Quintet Featuring Gigi Gryce was released in 1955. This album showcases the talents of jazz musicians Art Farmer on trumpet and Gigi Gryce on alto saxophone. The album features a mix of original compositions by the duo, as well as jazz standards like “When Lights Are Low” and “Blue Concept.” The album is characterized by its cool and lyrical style, with smooth and melodic solos by both Farmer and Gryce. The album has been highly regarded by jazz critics and remains a classic example of the hard bop style.

68. Lullabies For Losers – Ethel Ennis

Lullabies for Losers is a 1959 album by jazz singer Ethel Ennis. The album features Ennis’s silky smooth voice on a mix of ballads and up-tempo jazz tunes, backed by a small ensemble of jazz musicians. The album’s title is somewhat tongue-in-cheek, as the songs deal with themes of love, heartbreak, and the ups and downs of romantic relationships. Ennis’s vocal phrasing and subtle emotional nuances are on full display throughout the album, making it a must-listen for fans of vocal jazz. Lullabies for Losers remains a highly regarded album in Ennis’s discography

69. Helen Merrill With Strings – Helen Merrill

Helen Merrill With Strings – Helen Merrill’s enchanting voice, combined with the lush, emotive arrangements of the string orchestra, makes this album an exquisite listening experience. The song selection features a mix of classic pop standards and jazz ballads, all infused with Merrill’s unique sensibility and phrasing. The arrangements provide a perfect backdrop for her voice, adding depth and texture to each song without overpowering her delicate delivery. From the mournful “Solitude” to the romantic “Anything Goes,” Helen Merrill With Strings is a timeless gem.

70. Hank Williams As “Luke The Drifter” – Hank Williams As Luke The Drifter

Hank Williams As “Luke The Drifter” – In contrast to his honky-tonk hits, Hank Williams adopted the pseudonym “Luke The Drifter” to perform spoken-word country and gospel songs. This album features some of his most famous Luke The Drifter recordings, including “Pictures from Life’s Other Side,” “I Dreamed About Mama Last Night,” and “Men With Broken Hearts.” The album showcases Williams’ storytelling ability, as he delivers poignant and thought-provoking lyrics over sparse, acoustic instrumentation. Despite its darker themes and somber tone, Hank Williams As “Luke The Drifter” stands as a testament to Williams’ versatility as an artist and his enduring legacy in country music.

71. Clark Terry – Clark Terry

Clark Terry – Clark Terry: The self-titled album is a 1962 release by Clark Terry, one of the most respected jazz trumpeters of the post-bebop era. The album features a mix of standards and original compositions that showcase Terry’s impressive technique and improvisational skills. The musicianship on the album is top-notch, with Terry’s trumpet work complemented by the saxophone of Johnny Griffin and the rhythm section of Wynton Kelly, Paul Chambers, and Philly Joe Jones. The result is a classic hard-bop recording that highlights the virtuosity of all involved.

72. Dinner In Caracas – Aldemaro Romero

Dinner In Caracas – Aldemaro Romero: Venezuelan musician Aldemaro Romero’s 1955 album “Dinner In Caracas” is a landmark recording that blends jazz, classical, and Latin American music in a unique and innovative way. The album features Romero’s arrangements of traditional Venezuelan folk songs alongside original compositions that showcase his prodigious talent as a composer and pianist. The lush string arrangements and syncopated rhythms create a vibrant and joyful atmosphere that transports the listener to another time and place. “Dinner In Caracas” remains a beloved classic and a testament to Romero’s enduring influence on the Latin American music scene.

73. Sonny Rollins And Thelonious Monk – Thelonious Monk / Sonny Rollins

“Thelonious Monk/Sonny Rollins” is a unique collaboration between two jazz greats. Released in 1954, the album features six tracks recorded by Rollins as part of Monk’s quartet. The album showcases the skill and inventiveness of both musicians, with Monk’s unorthodox piano playing providing the perfect backdrop for Rollins’ improvisational saxophone. The album is a must-listen for jazz enthusiasts, and remains an important part of both artists’ legacies.

74. Amália Rodrigues (1955) – Portugal Amália Rodrigues

“Amália Rodrigues” is a 1955 album by the famous Portuguese fado singer Amália Rodrigues. Considered one of her best works, the album features traditional fado songs, including “Ai, Mouraria” and “Povo Que Lavas No Rio,” as well as original compositions by Rodrigues herself. The album helped establish Rodrigues as one of Portugal’s most beloved cultural icons and brought the melancholic and soulful sound of fado to a wider audience. The album is a testament to Rodrigues’ talent and enduring legacy as one of Portugal’s greatest singers.

75. The Bewitched, A Dance Satire – Harry Partch

The Bewitched, A Dance Satire – Harry Partch: This album is a masterpiece by Harry Partch, an American composer, and a pioneer of microtonal music. The album contains his masterpiece, “The Bewitched,” which is a dance satire in seven scenes. The music in this album is unique and challenging to categorize. It is a fusion of microtonal sounds, percussion, and the spoken word. The album is an experience in itself, as Partch was known for building his instruments and tuning them to unique scales. The result is a mesmerizing and otherworldly sound that transports the listener to a different realm.

76. Brownie McGhee Blues – Brownie McGhee

Brownie McGhee Blues – Brownie McGhee: This album is a testament to the immense talent and skill of Brownie McGhee, a blues guitarist, and singer. It features McGhee’s incredible guitar playing and soulful vocals on some of his most iconic tracks. The album also features some of the most famous blues songs of all time, such as “Baby Please Don’t Go” and “John Henry.” McGhee’s music is a perfect representation of the classic blues sound, with heartfelt lyrics and a powerful guitar. This album is a must-have for any blues fan and is a testament to McGhee’s incredible talent and contribution to the genre.

77. The Prophetic Herbie Nichols, Vol. 2 – Herbie Nichols

The Prophetic Herbie Nichols, Vol. 2 – Herbie Nichols: This album features the work of the pianist and composer Herbie Nichols, known for his unconventional and innovative approach to jazz. The tracks here showcase Nichols’ ability to weave complex melodic and harmonic ideas into memorable tunes, drawing on elements of bebop, swing, and classical music. With the help of drummer Art Blakey and bassist Al McKibbon, Nichols’ music takes on a propulsive energy, marked by his distinctive use of dissonant chords and angular melodies. This is a must-listen for anyone interested in the development of modern jazz.

78. O Samba Na Voz Do Sambista – Brazil Ismael Silva

O Samba Na Voz Do Sambista – Brazil Ismael Silva: Recorded in Brazil in 1955, this album is a showcase of the samba music that dominated the country’s popular culture at the time. Led by the talented sambista Ismael Silva, the tracks feature lively rhythms and infectious melodies, accompanied by the distinctive sounds of the pandeiro, cuica, and other traditional instruments. Silva’s rich vocals lend a soulful quality to the music, capturing the joy and melancholy of everyday life in Rio de Janeiro. This album is a classic example of the enduring appeal of samba music, and a testament to the enduring influence of Brazilian music on the world stage.

79. Franz Schubert: Winterreise – Hans Hotter / Gerald Moore

Franz Schubert: Winterreise – Hans Hotter / Gerald Moore: This album features the baritone Hans Hotter and pianist Gerald Moore performing Franz Schubert’s song cycle “Winterreise.” Composed in 1827, “Winterreise” consists of 24 songs that tell the story of a man’s journey through a bleak winter landscape. Hotter’s rich voice and Moore’s sensitive piano playing make for a haunting interpretation of Schubert’s melancholic masterpiece.

80. Byrd’s Word – Donald Byrd

Byrd’s Word – Donald Byrd: This album, released in 1957, features trumpeter Donald Byrd leading a quintet that includes saxophonist Jackie McLean, pianist Duke Pearson, bassist Doug Watkins, and drummer Lex Humphries. “Byrd’s Word” showcases Byrd’s bebop-influenced hard bop style, with catchy melodies and energetic solos. Highlights include the swinging “Witchcraft” and the ballad “Here I Am.” This album is a must-listen for fans of hard bop and showcases the talents of some of the most important musicians of the era.

81. Calypso – Trinidad and Tobago Lord Invader And Trinidad Caribbean Orchestra

“Calypso” is an album by Lord Invader and the Trinidad Caribbean Orchestra, released in 1957. The album features a collection of upbeat and joyful calypso songs that celebrate the music and culture of Trinidad and Tobago. Lord Invader’s expressive and lively vocals are accompanied by the vibrant rhythms of the Caribbean Orchestra, creating a festive and danceable sound that is sure to lift listeners’ spirits. Overall, “Calypso” is a joyful and infectious album that captures the spirit and energy of the Caribbean.

82. Jazzical Moods, Vol 2 – Charles Mingus & John La Porta

“Jazzical Moods, Vol. 2” is a collaboration between bassist Charles Mingus and saxophonist John LaPorta, released in 1955. The album blends elements of jazz and classical music, with Mingus and LaPorta creating a unique and innovative sound that is both intricate and accessible. The album features a mix of original compositions and jazz standards, with highlights including the haunting “What Is This Thing Called Love?” and the complex “Abstractions.” Overall, “Jazzical Moods, Vol. 2” is a fascinating exploration of the intersection between jazz and classical music, and a testament to the creativity and skill of Mingus and LaPorta.

83. Accent On Trombone – Jack Teagarden

“Accent On Trombone” is a jazz album by legendary trombonist and vocalist Jack Teagarden, released in 1957. The album showcases Teagarden’s virtuosic playing and distinctive vocals on a variety of jazz standards and original compositions, backed by a talented group of musicians including Don Goldie on trumpet, Don Ewell on piano, and Stan Puls on drums. Teagarden’s smooth and bluesy style is on full display throughout the album, particularly on tracks such as “St. James Infirmary” and “I’ve Found a New Baby.” Overall, “Accent On Trombone” is a must-listen for fans of classic jazz and swing music.

84. Tony Fruscella – Tony Fruscella

“Tony Fruscella” is a self-titled jazz album by trumpeter Tony Fruscella, originally recorded in 1955 and released posthumously in 1980. Fruscella’s lyrical and introspective style is showcased on a mix of jazz standards and original compositions, backed by a talented group of musicians including saxophonist Al Cohn and pianist Bill Triglia. Highlights include Fruscella’s hauntingly beautiful solos on “I’ll Be Seeing You” and “You Go to My Head.” Despite his short career and tragic death at the age of 33, Fruscella’s legacy lives on through his soulful and introspective approach to jazz trumpet.

85. Live It Up! –  Bill Haley And His Comets

“Live It Up!” is a rock and roll album by Bill Haley and His Comets, released in 1956. The album features some of the band’s biggest hits, including “See You Later, Alligator” and “R-O-C-K,” as well as covers of other popular rock and roll songs of the time. Haley’s energetic vocals and the band’s driving rhythm section make for a lively and danceable album that captures the spirit of the early days of rock and roll. While not as well-known as some of their other albums, “Live It Up!” is a fun and enjoyable listen for fans of classic rock and roll music.

86. Music For Loving (1955) – Ben Webster

“Music For Loving” is a romantic jazz album by saxophonist Ben Webster, released in 1955. The album features Webster’s lush and soulful playing, backed by a small ensemble that includes trumpeter Harry “Sweets” Edison and pianist Hank Jones. The album is filled with beautiful ballads and standards such as “My One and Only Love” and “Embraceable You,” showcasing Webster’s expressive and heartfelt approach to the tenor saxophone. Overall, “Music For Loving” is a must-have for jazz enthusiasts who appreciate the romantic side of the genre.

87. Relaxed Piano Moods – Hazel Scott

“Relaxed Piano Moods” is a solo piano album by Hazel Scott, released in 1955. The album features Scott’s virtuosic playing and soulful interpretations of jazz standards such as “Caravan” and “Body and Soul.” Scott’s impeccable technique and dynamic range are on full display throughout the album, showcasing her ability to shift effortlessly from gentle ballads to uptempo swing tunes. The album also includes several original compositions that highlight Scott’s versatility and creativity as a composer. Overall, “Relaxed Piano Moods” is a masterclass in solo jazz piano and a testament to Scott’s immense talent and skill as a musician.

88. Just Patti –  Patti Page

“Just Patti” is a pop and country album by Patti Page, released in 1958. The album features Page’s smooth and emotive vocals on a variety of songs that range from ballads to upbeat country numbers. Highlights include the classic hit “The Tennessee Waltz” as well as lesser-known gems like “Wondering.” The album’s production and arrangements are simple yet effective, placing Page’s voice front and center. Overall, “Just Patti” is a charming and enjoyable album that showcases one of the most iconic voices of the era.

89. Introducing Nat Adderley – Nat Adderley

“Introducing Nat Adderley” is a jazz album by trumpeter Nat Adderley, released in 1955. The album features Adderley’s distinctive and soulful playing, backed by a talented group of musicians that includes his brother, saxophonist Julian “Cannonball” Adderley. The album showcases Nat Adderley’s impressive range as both a soloist and composer, with highlights including the bluesy “Little Joanie” and the up-tempo “Two Brothers.” Overall, “Introducing Nat Adderley” is a stellar debut album that sets the stage for the many great records to come from this talented jazz musician.

90. Sonny Terry’s Washboard Band –  Sonny Terry

Sonny Terry’s Washboard Band is a blues album by the American harmonica player Sonny Terry, released in 1953. The album features Terry’s unique style of playing the harmonica, as well as the use of a washboard as a percussion instrument, creating a distinct sound that was popular in the early 20th century. The album includes tracks such as “Whoopin’ and Hollerin’,” “I Love You Baby,” and “Red River Blues,” all showcasing Terry’s virtuosity on the harmonica and his ability to blend different blues styles. Sonny Terry’s Washboard Band is a must-listen for fans of traditional blues music.

91. Rockin’ Chair –  Roy Eldridge

Rockin’ Chair is a jazz album by the legendary trumpeter Roy Eldridge, released in 1955. The album features Eldridge’s signature sound, with his powerful and expressive trumpet playing leading a talented group of musicians. The album includes tracks such as “Rockin’ Chair,” “Willow Weep for Me,” and “St. Louis Blues,” all showcasing Eldridge’s technical mastery and improvisational skills. Eldridge is joined by greats such as Oscar Peterson on piano, Herb Ellis on guitar, and Ray Brown on bass. Rockin’ Chair is a classic example of the swing era of jazz and a must-listen for fans of the genre.

92. Folk Songs Of The Canadian North Woods –  Wade Hemsworth

“Folk Songs of the Canadian North Woods” by Wade Hemsworth is a classic album of traditional Canadian folk songs, released in 1992. The album features Hemsworth’s distinctive voice and guitar playing, accompanied by simple, unadorned arrangements that let the songs speak for themselves. From the haunting ballad “The Black Fly Song” to the upbeat fiddle tune “Log Driver’s Waltz,” each track showcases Hemsworth’s skill as a storyteller and his deep connection to the music and culture of the North Woods. This album is a must-listen for anyone interested in Canadian folk music, or simply in the power of traditional music to connect us to our roots.

93. Richard Dyer-Bennet –  Richard Dyer-Bennet

Richard Dyer-Bennet’s eponymous 1993 album is a retrospective collection of recordings by the legendary folk singer and guitarist. With his soaring tenor voice and intricate fingerstyle guitar playing, Dyer-Bennet was a pioneer of the folk revival of the 1950s and 60s, influencing artists like Bob Dylan and Joan Baez. The album features a mix of traditional folk songs and Dyer-Bennet’s own compositions, showcasing his unique approach to the genre. From the haunting “The Riddle Song” to the poignant “Love is a Fable,” each track is a testament to Dyer-Bennet’s enduring talent and his lasting impact on American folk music. This album is a must-have for fans of classic folk music.

94. Sinfonia De Tango – Astor Piazzolla

Sinfonia De Tango is a classical tango album by the Argentine composer and bandoneón player Astor Piazzolla, released in 1986. The album features Piazzolla’s trademark blend of traditional tango music with modern classical influences, creating a unique sound that revolutionized the genre. The album includes tracks such as “Adiós Nonino,” “Libertango,” and “Tangata Del Alba,” all showcasing Piazzolla’s compositional brilliance and virtuosity on the bandoneón. Sinfonia De Tango is a masterpiece of modern tango music, and a testament to Piazzolla’s innovative approach to the genre. The album is a must-listen for fans of tango music and lovers of classical music alike.

95. Contrasts –  Erroll Garner

Contrasts is a jazz album by the American pianist Erroll Garner, released in 1955. The album features Garner’s unique and infectious piano style, with his signature left-hand comping and virtuosic right-hand runs. The album includes tracks such as “Mambo Garner,” “Penthouse Serenade,” and “Stella By Starlight,” all showcasing Garner’s improvisational skills and his ability to make even the most familiar tunes his own. Garner is joined by Eddie Calhoun on bass and Denzil Best on drums. Contrasts is a classic example of mid-century jazz and a must-listen for fans of the genre and lovers of piano music.

96. The Wailing Buddy Rich – Buddy Rich

The Wailing Buddy Rich is a jazz album by the legendary drummer Buddy Rich, released in 1955. The album features Rich’s explosive and dynamic drumming style, with his lightning-fast fills and powerful backbeat leading a talented group of musicians. The album includes tracks such as “Topsy,” “Killer Joe,” and “Broadway,” all showcasing Rich’s technical prowess and his ability to drive a band forward. Rich is joined by greats such as Harry “Sweets” Edison on trumpet, Flip Phillips on tenor saxophone, and Freddie Green on guitar. The Wailing Buddy Rich is a classic example of mid-century jazz and a must-listen for fans of the genre and lovers of drumming.

97. Songs By Frankie Laine – Frankie Laine

“Songs by Frankie Laine” is a 1997 album by the legendary American singer, known for his powerful vocals and wide-ranging repertoire. The album features some of Laine’s greatest hits, including “Jezebel,” “Mule Train,” and “That Lucky Old Sun,” as well as lesser-known tracks like “Rose, Rose, I Love You” and “The Girl in the Wood.” With his rich, baritone voice and impeccable phrasing, Laine brings a timeless quality to each song, evoking the glamour and romance of mid-century America. Whether you’re a longtime fan or a newcomer to Laine’s music, this album is a perfect introduction to one of the greatest voices in popular music.

98. Meet Don Rendell – Don Rendell

Meet Don Rendell is a jazz album by the British saxophonist Don Rendell, released in 1964. The album features Rendell’s soulful and bluesy saxophone playing, with his quintet creating a moody and atmospheric sound. The album includes tracks such as “Blue Mosque,” “Jazzboat,” and “On a Clear Day,” all showcasing Rendell’s lyrical style and the band’s tight interplay. Rendell is joined by greats such as Ian Carr on trumpet, Michael Garrick on piano, and Dave Green on bass. Meet Don Rendell is a classic example of British jazz and a must-listen for fans of the genre.

99. Carmen McRae –  Carmen McRae

Carmen McRae is a jazz vocal album by the American singer Carmen McRae, released in 1955. The album features McRae’s rich and emotive voice, with her impeccable phrasing and nuanced interpretations of classic standards. The album includes tracks such as “I’m Glad There Is You,” “Baltimore Oriole,” and “Old Devil Moon,” all showcasing McRae’s vocal prowess and her ability to infuse every song with meaning and emotion. McRae is joined by greats such as Ben Webster on tenor saxophone, Nat King Cole on piano, and Herb Ellis on guitar. Carmen McRae is a classic example of mid-century vocal jazz and a must-listen for fans of the genre.

100. After Dark – Marian McPartland

“After Dark” is a 2000 album by the late jazz pianist Marian McPartland. Recorded live at the Kennedy Center in Washington, D.C., the album features McPartland’s masterful piano playing, accompanied by bassist Gary Mazzaroppi and drummer Glenn Davis. The trio performs a mix of jazz standards and original compositions, showcasing McPartland’s virtuosity and her deep connection to the music. From the swinging “Lullaby of Birdland” to the soulful “Twilight World,” each track is a testament to McPartland’s legacy as a pioneer of jazz piano. This album is a must-listen for anyone interested in jazz, or simply in the power of music to move and inspire us.