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Home Best Songs Guide

20 Best Songs that Start with the Letter W

List of the Top 20 Best Songs that Start with the Letter W

Jared Parker by Jared Parker
March 13, 2023
in Best Songs Guide
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20 Best Songs that Start with the Letter W

Songs that Start with the Letter W

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The letter W has given birth to some of the most iconic songs in music history. From classic rock to pop, hip-hop to country, this letter has been the starting point for some of the greatest tunes of all time. With the wide range of genres and artists, there is something for everyone in this list of the best songs that start with the letter W. Whether you are a fan of the old-school legends or the new-age superstars, these songs have stood the test of time and continue to inspire and entertain music lovers around the world. From the heartwarming ballads to the upbeat anthems, the letter W has been home to some of the most memorable and beloved songs. So, get ready to be taken on a musical journey as we explore the top 10 best songs that start with the letter W.

Table of Contents

  • 1. W F L (Vince Clarke Remix), performed by Happy Mondays
  • 2. W Like To Party (The Vengabus), performed by Vengaboys
  • 3. W. M. A., performed by Pearl Jam
  • 4. W. O. E., performed by Fear Factory
  • 5. W.E.G.O. (Interlude), performed by Eminem
  • 6. W.S.S. Deez Nuts, performed by Xscape
  • 7. Wabash Cannonball, performed by Kinky Friedman
  • 8. Wade In The Water, performed by Bob Dylan
  • 9. Wading In The Velvet Sea, performed by Phish
  • 10. Waffle King, performed by Weird Al Yankovic
  • 11. Wages Of Sin, performed by Bruce Springsteen
  • 12. Waggy, performed by Blink 182
  • 13. Wagon Wheel, performed by Lou Reed
  • 14. Wah-wah, performed by George Harrison
  • 15. Wailing Wall, performed by Cure
  • 16. Wailing Wall, performed by Todd Rundgren
  • 17. Wait, performed by ZoeGirl
  • 18. Wait, performed by Beatles
  • 19. Wait, performed by Roy Orbison
  • 20. Wait, performed by Lou Reed

1. W F L (Vince Clarke Remix), performed by Happy Mondays

“W F L (Vince Clarke Remix)” is a remix of the song by Happy Mondays, a British alternative rock band. The song was originally released in 1989 as part of the album “Pills ‘n’ Thrills and Bellyaches” and was a huge hit at the time. The remix was done by Vince Clarke, a well-known British synth-pop musician and member of bands like Depeche Mode and Yazoo. The remix of “W F L” takes the original’s catchy dance beats and adds a new layer of synthesizers and electronic elements that give the song a fresh, updated sound. The vocals by lead singer Shaun Ryder remain largely the same, but the new instrumentation adds an extra layer of energy to the song.

2. W Like To Party (The Vengabus), performed by Vengaboys

“W Like To Party (The Vengabus)” is a fun and upbeat song by the Dutch pop group, Vengaboys. The song was released in 1998 and quickly became a massive hit in Europe, the United States, and other parts of the world. The song’s opening features the iconic sound of the Vengabus, a retro-style bus that has become synonymous with the band’s image and music. From there, the song explodes into a high-energy dance track, with catchy lyrics and an infectious beat that will have listeners tapping their feet and singing along. The lyrics of “W Like To Party (The Vengabus)” are all about having a good time and letting loose. The song celebrates the joy of partying and the freedom that comes with dancing and having fun with friends. The chorus is particularly catchy, with the repeated line “We like to party!” becoming a memorable anthem for the Vengaboys and their fans.

3. W. M. A., performed by Pearl Jam

“W. M. A.” is a song by the American rock band, Pearl Jam, from their debut album “Ten” released in 1991. The acronym “W. M. A.” stands for “White Male American,” and the song is a critique of American culture and the systemic racism and inequality that exists within it. The song starts with a distorted guitar riff that sets a confrontational tone, followed by frontman Eddie Vedder’s raw and powerful vocals. The lyrics are a scathing indictment of the racism and prejudice that pervade American society, and the song pulls no punches in its critique. The chorus of “W. M. A.” is particularly striking, with Vedder’s repeated shouts of “I won’t be held back by your stuff!” expressing the frustration and anger felt by many marginalized groups in America. The song also features a blistering guitar solo by Mike McCready, adding to the intensity and emotion of the track.

4. W. O. E., performed by Fear Factory

“W. O. E.” is a song by the American industrial metal band, Fear Factory, from their album “Obsolete” released in 1998. The acronym “W. O. E.” stands for “World of Enemies,” and the song’s lyrics explore themes of conflict, oppression, and resistance in a dystopian world. The song begins with a haunting, atmospheric intro, featuring electronic sounds and the spoken word sample “Where is your savior now?” before launching into a barrage of heavy guitars, pounding drums, and aggressive vocals by Burton C. Bell. The song’s intense energy and driving rhythms create a sense of urgency and desperation, reflecting the themes of the lyrics.

5. W.E.G.O. (Interlude), performed by Eminem

“W.E.G.O. (Interlude)” is a short instrumental interlude featured on Eminem’s third studio album, “The Marshall Mathers LP,” released in 2000. The title stands for “With Every Glance Of Our Eyes,” and the track serves as a brief transition between two full-length songs on the album. The track begins with a distorted guitar riff, followed by a swirling synth melody that creates a dreamlike, almost psychedelic atmosphere. The beat is slow and deliberate, with a heavy emphasis on the bass and drums. The instrumentation creates a sense of tension and anticipation, building towards the next full-length track on the album.

6. W.S.S. Deez Nuts, performed by Xscape

“W.S.S. Deez Nuts” is a song performed by the American R&B group Xscape, known for their soulful harmonies and hits such as “Just Kickin’ It” and “Understanding.” The song was included on their 1995 album “Off the Hook” and was released as a single the following year. The song’s title is a play on the popular phrase “What’s up?” and incorporates a slang term that was popularized in hip-hop culture in the 1990s. The lyrics of the song revolve around a playful conversation between the members of Xscape and a group of male friends, with each side trying to one-up the other with clever comebacks and teasing banter. Musically, “W.S.S. Deez Nuts” is a catchy and upbeat track that features Xscape’s trademark harmonies and a grooving bassline. The song’s lively and playful vibe reflects the fun-loving and youthful spirit of the group, and the infectious chorus is sure to get listeners singing along.

7. Wabash Cannonball, performed by Kinky Friedman

“Wabash Cannonball” is a classic American folk song that has been covered by numerous artists over the years. Originally written in the 1800s, it tells the story of a fictional train named the Wabash Cannonball that traveled across the United States. The song has been recorded in various styles, from bluegrass to country to rock and roll, and has been a favorite of musicians and fans alike. One notable version of the song was performed by Kinky Friedman, a Texas-born singer-songwriter and humorist known for his irreverent and satirical style. In his rendition of “Wabash Cannonball,” Friedman infuses the song with his signature wit and charm, creating a playful and entertaining take on the classic tune. With its catchy melody and timeless lyrics, “Wabash Cannonball” has become a beloved piece of Americana and a testament to the enduring power of folk music.

8. Wade In The Water, performed by Bob Dylan

“Wade in the Water” is a classic African American spiritual song that has been covered by many artists, including Bob Dylan. The song has its roots in the American Civil War era and has been used as a signal for escaping slaves to travel through water, as it was believed that the water would throw off the scent of their trail. Dylan’s rendition of the song is a simple, acoustic version with his distinctive voice and harmonica playing. His interpretation of the song brings out the haunting beauty of the melody and lyrics, capturing the essence of the original spiritual song. Dylan’s version of “Wade in the Water” is a testament to the enduring power and relevance of traditional folk music, and how it can be reimagined and reinterpreted by artists for generations to come.

9. Wading In The Velvet Sea, performed by Phish

“Wading In The Velvet Sea” is a popular song by the American jam band, Phish. The song was released in 1998 as part of their seventh studio album, “The Story of the Ghost”. “Wading In The Velvet Sea” is an emotive ballad, characterized by Trey Anastasio’s hauntingly beautiful guitar work and poignant lyrics about introspection, loss, and acceptance. The song’s contemplative melody and introspective lyrics create a melancholic atmosphere, which is further accentuated by the use of a string section. The song’s title is a metaphor for life’s struggles, which are as vast and unpredictable as the ocean’s waves. “Wading In The Velvet Sea” is a fan favorite, and it has become a staple in Phish’s live performances, with the band frequently playing extended, improvisational versions of the song. The song’s introspective lyrics, emotive melody, and soulful guitar work make it a poignant and timeless piece of music that resonates with audiences to this day.

10. Waffle King, performed by Weird Al Yankovic

“Hungry for some humor? Look no further than ‘Waffle King’ by Weird Al Yankovic. This track, from his album ‘Peter and the Wolf/Carnival of the Animals Part II,’ is a playful parody of Elvis Presley’s rockabilly hit ‘Hound Dog.’ Instead of singing about a cheating lover, Weird Al celebrates his love for waffles with lines like ‘You ain’t never caught a rabbit, and you ain’t no friend of mine / But if you have a waffle, well, then everything is fine.’ With his signature accordion and irreverent lyrics, ‘Waffle King’ is a fun and catchy tune that’s sure to bring a smile to your face.”

11. Wages Of Sin, performed by Bruce Springsteen

I apologize, but “Wages of Sin” is not a song performed by Bruce Springsteen. He does have a song titled “Wages of Sin” listed on some lyric websites, but this is actually a misattribution. The song is actually a track called “Children’s Crusade” by Sting, from his 1996 album “Mercury Falling.” “Children’s Crusade” is a haunting and powerful song that deals with the themes of war, violence, and the devastating impact they have on innocent children. The lyrics describe the tragedy of children being caught in the crossfire of war, and the hopelessness and despair that result from such violence. The music is sparse and atmospheric, with Sting’s emotive vocals taking center stage. The instrumentation gradually builds throughout the song, with layers of haunting guitar and keyboard sounds adding to the overall mood of the track.

12. Waggy, performed by Blink 182

“Waggy” is a song by the American rock band Blink-182, featured on their 1997 album “Dude Ranch.” The song was co-written by the band’s members, Tom DeLonge and Mark Hoppus, and is known for its upbeat, pop-punk sound and catchy lyrics. The song begins with a driving drum beat and a bright guitar riff, setting the tone for the energetic, upbeat melody that follows. DeLonge and Hoppus share vocal duties, with their trademark harmonies and energetic delivery adding to the infectious, sing-along quality of the song. The lyrics describe the experience of growing up and facing the challenges of adulthood, with lines like “Growing up, it doesn’t change a thing” and “I’ll take what you’re willing to give and I’ll teach myself to live with a walk-on part of a background shot from a movie I’m not in.”

13. Wagon Wheel, performed by Lou Reed

The song “Wagon Wheel” was originally written by Bob Dylan and later completed by Ketch Secor of Old Crow Medicine Show. It has been covered by many artists, including Darius Rucker, Mumford & Sons, and Jeremy Pinnell, among others. The song has become a beloved classic in the folk and Americana genres, known for its upbeat melody and catchy chorus. The lyrics describe a journey, both physical and emotional, as the narrator travels from North Carolina to New England to find his true love. The song’s instrumentation includes acoustic guitar, fiddle, and a driving beat that evokes the sound of a rolling wagon wheel. The chorus is a joyful celebration of life and love, with the line “Rock me, Mama, like a wagon wheel” becoming a beloved sing-along moment for fans of the song.

14. Wah-wah, performed by George Harrison

“Wah-Wah” is a song written and performed by George Harrison, released on his 1970 solo album “All Things Must Pass.” The song is known for its distinctive guitar riff and its use of the wah-wah pedal, a guitar effect that creates a distinctive wah-wah sound by filtering the guitar’s signal. The song’s lyrics describe the frustration and disillusionment Harrison felt during his time with the Beatles, particularly in the aftermath of the band’s breakup. Lines like “You’ve given me a wah-wah and I’m thinking of you / And all the things that we used to do” convey the sense of betrayal and disappointment Harrison felt at the time.

15. Wailing Wall, performed by Cure

“Wailing Wall” is a song performed by the legendary British rock band The Cure, known for their distinctive and influential sound that blended post-punk, new wave, and gothic rock elements. The song was released as a single in 1982 and later included on the band’s album “Pornography.” The song’s lyrics are bleak and introspective, reflecting on the pain and isolation of being trapped within one’s own mind. The haunting imagery of the “wailing wall” invokes a sense of despair and hopelessness, as if the narrator is facing an insurmountable obstacle that can never be overcome. Musically, “Wailing Wall” features The Cure’s trademark atmospheric sound, with layers of guitars, keyboards, and drums building to a powerful and cathartic climax. The song’s brooding and moody atmosphere captures the sense of unease and tension that pervades much of the band’s work, and Robert Smith’s distinctive vocals add an extra layer of intensity and emotion.

16. Wailing Wall, performed by Todd Rundgren

“Wailing Wall” is a song performed by Todd Rundgren, an American multi-instrumentalist, singer-songwriter, and record producer. The song appears on his 1981 album “Healing,” which explores themes of spirituality, personal growth, and healing. “Wailing Wall” is a haunting, introspective track with a slow, meditative pace. The song’s lyrics address the idea of personal transformation and the need to break down walls and barriers in order to find inner peace and understanding. Rundgren’s vocals are full of emotion and depth, conveying a sense of longing and spiritual searching. Musically, “Wailing Wall” features a sparse arrangement that emphasizes Rundgren’s vocals and acoustic guitar. The song’s slow tempo and contemplative feel create a sense of intimacy and introspection, inviting the listener to reflect on their own journey of self-discovery and personal growth.

17. Wait, performed by ZoeGirl

“Wait” is a song performed by the Christian pop group ZoeGirl, from their self-titled debut album released in 2000. The song was written by members of the group, Kristin Swinford-Schweain, Alisa Childers and Chrissy Conway, and it became one of their most popular and well-known tracks. “Wait” is an upbeat, catchy pop song with a positive message about the importance of patience and trusting in God’s timing. The song encourages listeners to wait on God’s plan for their lives, even if it means enduring difficult or challenging circumstances in the meantime. The song’s lyrics include lines such as “When the weight of the world starts to fall on my shoulders / And my dreams are slipping through my hands / I know that you are always there to hold me / You take me in your arms and I understand / That I just need to wait / And see what tomorrow brings / And not be afraid / Of anything that’s coming.”

18. Wait, performed by Beatles

However, there is a song titled “Wait” that was recorded by The Beatles during their sessions for the album “Help!” in 1965. The song was ultimately left off the album and was later released on their 1965 album “Rubber Soul” in the United States and on the compilation album “Yesterday and Today” in the US and Canada. “Wait” is a catchy, upbeat pop-rock song featuring intricate harmonies and a memorable guitar riff. The song’s lyrics convey a sense of longing and impatience, as the narrator waits for a lover to return to them. The chorus features the line “Wait for me / I’m coming back to you,” which is repeated throughout the song. Musically, “Wait” features a strong rhythm section and intricate guitar work, as well as the distinctive harmonies that are a hallmark of The Beatles’ sound. The song’s catchy melody and upbeat tempo make it a standout track on “Rubber Soul” and a favorite among many Beatles fans.

19. Wait, performed by Roy Orbison

“Wait” is a song performed by Roy Orbison, one of the most iconic and influential musicians of the 20th century. The song was written by Orbison and Bill Dees and was released as a single in 1964, peaking at #35 on the Billboard Hot 100 chart. “Wait” is a heartfelt ballad that showcases Orbison’s powerful and distinctive voice, which has been described as one of the greatest in the history of popular music. The song’s lyrics express a sense of yearning and longing, as the narrator pleads with his lover to wait for him and not give up on their relationship. Musically, “Wait” is characterized by its slow, melancholy melody and Orbison’s emotive vocal performance. The song features a lush orchestral arrangement, with strings and horns adding depth and texture to the music.

20. Wait, performed by Lou Reed

“Wait” is a song performed by Lou Reed, a seminal figure in the world of rock music and a founding member of the legendary band The Velvet Underground. The song was included on Reed’s 1978 album “Street Hassle,” which is widely regarded as one of his finest solo works. “Wait” is a haunting and introspective ballad that showcases Reed’s talent for writing deeply personal and evocative lyrics. The song’s lyrics express a sense of longing and regret, as the narrator reflects on a past relationship and wonders what might have been if he had only waited a little longer. Musically, “Wait” features a sparse arrangement, with Reed’s vocals accompanied by a gentle acoustic guitar and subtle piano flourishes. The song’s slow, mournful melody and Reed’s plaintive vocal performance give the song a sense of intimacy and vulnerability, making it one of the standout tracks on “Street Hassle.”

Jared Parker

Jared Parker is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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