When it comes to soul music, few voices hit as hard and electrify as deeply as Wilson Pickett. A true powerhouse of the 1960s and early ’70s, Pickett didn’t just sing songs—he set them on fire. From gospel roots to gritty R&B grooves, his music defined an era and inspired generations of artists across genres. Whether he was screaming through a horn-driven dance anthem or pouring his heart into a slow-burning ballad, Pickett delivered every note with unmatched passion and intensity. With a nickname like “The Wicked Pickett,” you knew you were in for something wild—and he never disappointed.
In this list, we’re counting down the Top 10 Most Popular Wilson Pickett Songs of All Time, highlighting the tracks that made him a legend. These are the songs that filled dance floors, ruled the R&B charts, and still echo through jukeboxes, movie soundtracks, and cover bands today. Each track represents a key moment in his explosive career, capturing the raw energy, soul grit, and undeniable charisma that made Pickett one of the most unforgettable voices in American music history. Buckle up and get ready to revisit the grooves, the screams, and the soul of a true icon. Let the countdown begin!
1. “In the Midnight Hour” (1965)
When Wilson Pickett released “In the Midnight Hour” in 1965, he didn’t just deliver a hit—he redefined the sound of soul music. Co-written with the legendary Steve Cropper of Booker T. & the M.G.’s and recorded at the iconic Stax Studios in Memphis, the song pulses with raw emotion and innovation. The magic lies in its subtle groove: a new, syncopated beat that slowed the rhythm just enough to make it feel laid-back while packing an emotional punch. Pickett’s gritty, impassioned vocals channel desperation, desire, and loneliness in every phrase, especially when he belts out that signature chorus. The horn section crackles with urgency, and the rhythm section holds it all together with Southern soul precision. The song quickly shot to #1 on the R&B chart and cracked the Top 25 on the Billboard Hot 100. But more than chart numbers, it became an enduring cultural touchstone. Its iconic sound has been sampled, covered, and celebrated for generations. “In the Midnight Hour” isn’t just a soul classic—it’s a definitive moment in American music history that solidified Pickett’s place as one of soul’s most commanding voices.
2. “Mustang Sally” (1966)
While “Mustang Sally” was originally written and recorded by Mack Rice in 1965, it was Wilson Pickett’s explosive 1966 version that transformed the track into a soul anthem. Backed by the impeccable Muscle Shoals rhythm section, Pickett infused the song with a mix of swagger, charm, and unfiltered vocal power that only he could deliver. The song tells the story of a woman more interested in joyriding in her Mustang than settling down, and Pickett’s sly delivery adds a layer of humor and edge that makes the track irresistible. With every shouted “Ride, Sally, ride!” he brings the story to life, creating a call-and-response feel that hooks listeners from the jump. Though it peaked at #23 on the Billboard Hot 100, its influence has been far greater, becoming a mainstay of parties, weddings, and soul compilations ever since. It’s a song that feels timeless, filled with groove and attitude, and it shows Pickett at his most charismatic. “Mustang Sally” isn’t just a song—it’s an experience, driven by rhythm, fueled by fun, and delivered with the kind of energy that still gets people on their feet decades later.
3. “Land of 1000 Dances” (1966)
If there’s one Wilson Pickett track that captures the chaotic joy of a dance party in full swing, it’s “Land of 1000 Dances.” Released in 1966, Pickett’s fiery take on Chris Kenner’s original song bursts through the speakers with energy that’s impossible to ignore. Recorded at FAME Studios in Muscle Shoals, Alabama, this version amps up the tempo and cranks the soul to eleven. Pickett kicks off with that unforgettable “na na na na na” chant—his own improvised twist—and from there, it’s an unstoppable, breathless ride through a catalog of dance moves. Horns blare, the rhythm section pounds, and Pickett’s powerhouse vocals barrel forward like a locomotive. The song reached #6 on the Billboard Hot 100 and became one of his most recognizable hits. It’s not just a tribute to dancing—it is dancing, distilled into two minutes of unfiltered musical adrenaline. More than a radio favorite, “Land of 1000 Dances” became a soundtrack to the ’60s soul era, a regular feature in films, commercials, and countless cover versions. With this track, Wilson Pickett didn’t just invite you to dance—he commanded it.
4. “Funky Broadway” (1967)
When Wilson Pickett dropped “Funky Broadway” in 1967, he didn’t just release another hit—he made music history. Originally written and recorded by Dyke & the Blazers, the song took on new life in Pickett’s hands, becoming the first chart-topping R&B single to feature the word “funky” in its title. With a gritty, streetwise swagger and a pulsing groove, “Funky Broadway” is a celebration of urban culture, nightlife, and unfiltered soul. The Muscle Shoals musicians lay down a tight, infectious rhythm, while Pickett’s growling vocals inject every lyric with energy and attitude. His delivery is electrifying, turning a simple story about a happening street into a full-blown soul parade. The song topped the R&B charts and climbed to #8 on the Billboard Hot 100, breaking barriers and setting the stage for funk’s explosion in the years to come. It wasn’t just a hit—it was a cultural shift. Pickett brought the raw essence of the streets into the studio, bridging soul and the burgeoning funk scene. “Funky Broadway” remains a milestone that helped usher in a funkier, grittier direction for American music—and proved once again that Pickett was always ahead of the curve.
5. “Don’t Let the Green Grass Fool You” (1971)
By the time Wilson Pickett released “Don’t Let the Green Grass Fool You” in 1971, he had matured into an artist capable of balancing fiery soul with subtle storytelling. This track marks a shift from the raw energy of his earlier hits to a smoother, more refined sound without losing any emotional intensity. Recorded at Sigma Sound Studios in Philadelphia and produced by the rising Philly soul team of Gamble and Huff, the song blends rich string arrangements with a silky rhythm section, offering a taste of the new direction soul music was heading. Pickett’s vocal performance is passionate and seasoned, delivering the song’s central warning with conviction: don’t be misled by appearances, because the “green grass” isn’t always better. It’s a metaphor that hits home, wrapped in lush production and catchy hooks. The song peaked at #2 on the R&B chart and made a solid showing on the Hot 100 as well, proving Pickett’s staying power well into the new decade. “Don’t Let the Green Grass Fool You” showcases his versatility—not just as a soul shouter, but as a deeply expressive artist who could evolve with the times while staying true to his roots.
6. “634-5789 (Soulsville, U.S.A.)” (1966)
Few songs make a phone number feel like a lifeline the way Wilson Pickett’s “634-5789” does. Released in 1966 and written by soul craftsmen Eddie Floyd and Steve Cropper, the song is a masterclass in smooth persuasion. Right from the first guitar lick, it lays down an irresistible groove, punctuated by bright, punchy horns and a rhythm section that swings with swagger. But it’s Pickett’s voice—urgent, seductive, and full of promise—that elevates the track to something unforgettable. He’s not just handing out digits; he’s offering rescue, romance, and reassurance. “If you need a little lovin’, call on me,” he sings, turning a simple lyric into an emotional guarantee. The song shot to #1 on the R&B chart and reached #13 on the Billboard Hot 100, becoming a crossover smash and one of Pickett’s most enduring hits. Its simplicity is part of its brilliance—it’s direct, soulful, and catchy as hell. Decades later, “634-5789” still stands as one of soul music’s great hooks. You may forget a lot of things, but once you hear this song, you’ll never forget that number—or the feeling that someone like Pickett is always just a call away.
7. “Hey Jude” (1969)
When Wilson Pickett tackled “Hey Jude” in 1969, he didn’t just cover a Beatles classic—he reinvented it through the lens of Southern soul. Recorded at FAME Studios in Muscle Shoals, Pickett’s version is a fiery reinterpretation that replaces the original’s quiet optimism with unrelenting emotional power. From the opening verse, his voice aches with urgency, turning Paul McCartney’s gentle encouragement into a gospel-tinged call to rise above pain and heartbreak. Then comes the spark: a young Duane Allman delivers one of the most searing guitar solos of his career, adding a raw blues-rock edge that pushes the track into electrifying territory. The song builds and builds until it feels like it’s ready to explode—Pickett doesn’t just sing; he testifies. Though it didn’t crack the Top 40, this version has become legendary among soul and rock aficionados for its intensity and sheer vocal force. It showed the world that Pickett could take a pop standard and burn it down to its emotional core. His “Hey Jude” is less a cover and more a transformation—an explosive moment where soul, rock, and gospel collide in glorious, unrestrained harmony.
8. “I’m in Love” (1968)
Released in 1968, “I’m in Love” reveals a more tender, introspective side of Wilson Pickett—proof that even a soul firebrand can wear his heart on his sleeve. Written by Bobby Womack, the song is built on a delicate arrangement that allows Pickett’s voice to shine with vulnerability and warmth. Where so many of his hits are about passion, power, and urgency, this one leans into quiet devotion. With gentle guitar licks, subtle percussion, and lush background vocals, the track floats rather than drives—yet it’s no less impactful. Pickett delivers every line with sincerity, capturing the joy, fear, and awe that come with falling deeply in love. The song climbed to #4 on the R&B charts and landed solidly on the pop charts as well, proving that Pickett didn’t need to shout to be heard. “I’m in Love” isn’t flashy, but it resonates deeply—because it’s honest, soulful, and real. It stands as a testament to Pickett’s versatility as a vocalist and his willingness to explore the full emotional spectrum of love. For all his fire, this is the moment where he lets the flame flicker into something softer—and maybe even more powerful.
9. “Engine Number 9” (1970)
“Engine Number 9” hits like a locomotive on a mission, combining soul, funk, and rock into a driving anthem of heartbreak and hope. Released in 1970, the track opens with a propulsive rhythm that mimics the chug of a train, instantly setting the tone for a high-energy journey. Wilson Pickett comes in hot, pleading for his lost love to return on “engine number nine,” and from there, the momentum never lets up. Backed by the dynamic musicianship of the Muscle Shoals rhythm section, the horns blaze, the bass thunders, and the guitars slice through the groove with precision. Pickett’s vocal is a force of nature—pleading, urgent, and filled with longing. It’s not just a breakup song; it’s a sonic chase scene, packed with emotional grit. The track climbed to #3 on the R&B chart and became a fan favorite for its sheer intensity and cinematic energy. With “Engine Number 9,” Pickett proves he’s not only a soul singer—he’s a storyteller, painting vivid scenes with every note. This isn’t just a ride on a train—it’s a ride through the heart of a man who refuses to give up on love.
10. “Ninety-Nine and a Half (Won’t Do)” (1966)
In “Ninety-Nine and a Half (Won’t Do),” released in 1966, Wilson Pickett lays down a soul ultimatum with fire and conviction. Co-written with Steve Cropper and Eddie Floyd, the song is a searing declaration of romantic standards—if love isn’t whole and complete, he doesn’t want it at all. Backed by the razor-sharp Stax house band, the groove is tight and infectious, with gospel-infused horns and a rhythm that swings hard. Pickett’s vocal is pure dynamite: he roars, pleads, and demands with the fervor of a preacher at a revival. The song’s call-and-response sections amplify the energy, turning it into a full-blown soul sermon. While it may not have reached the top of the charts, it became a staple of Pickett’s live performances and a fan favorite for its powerful message and irresistible groove. “Ninety-Nine and a Half” is more than just a song—it’s a manifesto for love without compromise. In a world of half-measures, Pickett insists on all or nothing. And with a voice like his leading the charge, you believe him.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
