Few bands in rock history have managed to capture the raw energy, charm, and swagger of The Faces. Emerging from the ashes of the Small Faces in the late 1960s, this iconic British rock group, featuring legendary members like Rod Stewart, Ronnie Wood, and Ian McLagan, built a legacy that continues to inspire musicians and fans alike. Known for their bluesy riffs, soulful vocals, and raucous live performances, The Faces epitomized the spirit of rock ‘n’ roll rebellion at its finest.
Over their short but impactful career, The Faces crafted a treasure trove of unforgettable songs that have stood the test of time. From heartfelt ballads to electrifying anthems, their music seamlessly blended rock, blues, and soul, creating a sound that was as timeless as it was infectious. But which songs truly defined their legacy?
In this article, we’ll dive into the top 10 most popular songs by The Faces—tracks that not only dominated the charts but also left an indelible mark on rock history. Whether you’re a lifelong fan or a curious newcomer, get ready to rediscover the magic of one of rock’s greatest bands. Let’s turn up the volume and celebrate the music that made The Faces legends!
1. Stay With Me (1971)
“Stay With Me” is the undeniable high point in The Faces’ catalog and a defining anthem of early ’70s rock. Featured on their 1971 album A Nod Is As Good As a Wink… To a Blind Horse, the track bursts with raw, swaggering energy and an unfiltered sense of fun. From the opening guitar lick, Ron Wood sets a gritty, irresistible tone that pairs perfectly with Rod Stewart’s raspy, charismatic vocals. The song tells the cheeky tale of a one-night stand, delivered with a wink and a smirk rather than any trace of sentimentality. It’s a celebration of rock-and-roll recklessness—boozy, brash, and completely unapologetic. The rhythm section keeps things punchy and urgent, propelling the track forward with a rollicking groove that makes it impossible to sit still. The Faces weren’t about polish or perfection—they thrived on spontaneity and feel, and “Stay With Me” captures that spirit perfectly. Over time, it’s become the band’s signature tune, still lighting up classic rock playlists and concert stages decades later. Whether you’re discovering it for the first time or reliving the golden era of British rock, “Stay With Me” is the sound of a band at its peak, having a real good time.
2. Ooh La La (1973)
“Ooh La La” is one of those rare songs that only seems to grow more meaningful with age. Released in 1973 as the title track of Ooh La La, it’s a bittersweet acoustic gem sung by bassist Ronnie Lane instead of Rod Stewart. The song’s gentle strumming and whimsical melody contrast beautifully with its introspective message about life, regret, and the lessons we often learn too late. “I wish that I knew what I know now, when I was younger” has become one of rock’s most quoted lines—universal in its truth, timeless in its simplicity. Lane’s weathered, earnest voice adds a unique warmth and vulnerability, making the song feel more like a conversation with an old friend than a traditional rock track. It’s reflective without being preachy, nostalgic without being sappy. Over the years, “Ooh La La” has become a closing-time anthem, the kind of song people belt out with arms around shoulders and hearts full of memory. Though it wasn’t a huge hit at the time of release, it has since become one of The Faces’ most enduring and beloved songs, proof that sometimes the quietest moments leave the loudest echoes.
3. Cindy Incidentally (1973)
“Cindy Incidentally,” from the Ooh La La album released in 1973, is a masterclass in laid-back storytelling fused with rock-and-roll flair. The song opens with a bright piano line that instantly sets a breezy, free-spirited tone. What follows is a slice-of-life tale, as Rod Stewart sings about a woman named Cindy who seems to be making her escape from the familiar into the unknown. His delivery is both soulful and sly, full of charm and just a hint of mischief. The band supports him with a light, swinging groove that’s both catchy and deceptively complex. Ronnie Lane’s basslines glide effortlessly underneath Ian McLagan’s piano flourishes, while Ron Wood’s guitar work adds a touch of bluesy sparkle. It’s a song about change, uncertainty, and the kind of spontaneous decisions that make life interesting. Though “Cindy Incidentally” might not have the big hit status of some of the band’s other tracks, it remains a fan favorite for its warm, melodic feel and clever lyrics. It’s a great example of The Faces at their most relaxed and confident, a track that feels lived-in and real—like a conversation overheard in a favorite neighborhood pub.
4. Flying (1970)
“Flying” is one of the earliest examples of The Faces’ ability to blend heartfelt emotion with rock muscle. Featured on their debut album First Step in 1970, the song is an atmospheric and soulful ballad that builds from a gentle acoustic introduction into a soaring, gospel-tinged anthem. Rod Stewart and Ronnie Lane share vocal duties, creating a rich, layered harmony that gives the song its emotional core. Lyrically, “Flying” captures a longing for escape and personal freedom, with imagery that evokes wide-open skies and the urge to rise above life’s troubles. The arrangement is patient and graceful, allowing the track to unfold slowly and deliberately. Kenney Jones’ drumming is subtle yet steady, and the interplay between acoustic strumming and electric guitar lines gives the track a depth that rewards repeat listens. Unlike the band’s more boisterous numbers, “Flying” showcases their softer side—proof that they weren’t just about parties and punchlines. It’s a moving, introspective song that feels both expansive and intimate. “Flying” might not have been a radio staple, but it remains one of the most beautiful and underrated songs in The Faces’ catalog, and a powerful early statement of what they were capable of.
5. Pool Hall Richard (1973)
“Pool Hall Richard” is a foot-stomping, no-holds-barred rocker that captures The Faces in all their ragged glory. Released as a standalone single in 1973, the song feels like a spontaneous jam session that just happened to be caught on tape—brash, bluesy, and bursting with attitude. The lyrics paint a vivid picture of a swaggering pool shark, a streetwise character with charm and bravado to spare. Rod Stewart delivers the lines with playful grit, injecting just the right amount of sneer into every phrase. Ron Wood’s guitar riffs are raw and razor-sharp, while the rhythm section pounds out a driving beat that practically demands you move. Ian McLagan’s rollicking piano adds an extra layer of mischief, making it feel like the soundtrack to a wild night out. It’s the kind of track that perfectly represents The Faces’ appeal: messy, magnetic, and full of life. Though “Pool Hall Richard” didn’t appear on any studio album, it’s long been a fan favorite and a staple of their compilations. It’s not just a song—it’s a slice of rock-and-roll life, full of grit, groove, and grins. Play it loud, and you’ll see exactly why The Faces were so beloved.
6. Had Me a Real Good Time (1971)
“Had Me a Real Good Time” is a joyful explosion of rock-and-roll chaos, and one of the most spirited tracks The Faces ever recorded. Released on their 1971 album Long Player, the song kicks off with a slow, bluesy intro before erupting into a riotous celebration of living in the moment. It captures that feeling of showing up to a party without an invite—and somehow becoming the life of it. Rod Stewart belts out the lyrics with his trademark rasp, relishing every line as if he’s recounting a wild weekend adventure to his best mates. The band behind him plays like a gang of joyful troublemakers—Ronnie Lane’s bass bouncing along with carefree energy, Kenney Jones thumping the drums like it’s his last night on Earth, and Ron Wood ripping through loose, fiery guitar lines. It’s messy, it’s loud, and it’s completely irresistible. The Faces never pretended to be polished, and this song embraces that beautifully. “Had Me a Real Good Time” isn’t just about partying—it’s about the sheer joy of letting go, laughing with friends, and forgetting your worries for a while. It’s rock and roll at its most human—and most fun.
7. Three Button Hand Me Down (1970)
“Three Button Hand Me Down” closes out The Faces’ debut album First Step with swagger, groove, and a healthy dose of defiance. It’s a statement song—an anthem for anyone who’s ever been judged by their clothes, their status, or their style. Rod Stewart delivers the lyrics with a playful snarl, brushing off a critic who questions his fashion choices and confidence. Backed by a funky bassline and punchy horns, the song struts along with undeniable attitude, proving that The Faces didn’t need flash to shine. Ronnie Lane’s bass work is especially notable here, giving the track a rhythmic bounce that feels more like early soul and R&B than straight-up rock. Add in McLagan’s spirited keyboard work and Kenney Jones’ tight drumming, and you’ve got a track that grooves as hard as it rocks. “Three Button Hand Me Down” isn’t just about clothes—it’s about owning who you are and refusing to apologize for it. It’s a perfect closing track, leaving listeners with the sound of a band that knows exactly what it’s about. Cool, confident, and delightfully unbothered, this song captures The Faces’ essence in under five minutes.
8. Too Bad (1971)
“Too Bad,” from the 1971 album A Nod Is As Good As a Wink… To a Blind Horse, is The Faces at their raw, rebellious best. With a chugging guitar riff, pounding rhythm, and lyrics dripping with cheek, it’s a rock-and-roll joyride that barrels forward without hesitation. The song feels like a punchy retort to anyone trying to rein in the band’s wild spirit. Rod Stewart’s voice crackles with energy and sarcasm, telling a tale of youthful defiance and the consequences that inevitably follow. It’s a narrative many fans can relate to—getting into trouble, brushing it off, and doing it all over again. Ron Wood’s guitar playing is gritty and urgent, while the rhythm section—Kenney Jones on drums and Ronnie Lane on bass—lays down a solid foundation that never loses its drive. There’s something distinctly British about the humor in the lyrics, and it’s delivered with a knowing wink. “Too Bad” may not have topped the charts, but it captures the mischievous, rough-around-the-edges charm that made The Faces stand out. It’s short, sharp, and immensely satisfying—like a good laugh after a bit of mischief.
9. Debris (1971)
“Debris” is one of the most tender and emotionally resonant songs in The Faces’ entire catalog. Written and sung by Ronnie Lane, it appears on A Nod Is As Good As a Wink… To a Blind Horse (1971), and serves as a poignant counterpoint to the band’s typically boisterous style. Lane’s voice, soft and sincere, delivers a deeply personal reflection on family, memories, and the passage of time. The lyrics are quietly poetic, painting vivid images of working-class life and childhood routines. Musically, the song is stripped-down and delicate, built around a gentle acoustic guitar and sparse instrumentation that allow the words to shine. It’s this simplicity that gives “Debris” its strength—it feels honest and unfiltered, like a heartfelt letter set to music. While Rod Stewart usually took the vocal spotlight, Lane’s performance here reminds listeners of the band’s depth and range. Over time, “Debris” has gained a devoted following for its emotional honesty and subtle beauty. It’s not just a standout in The Faces’ discography—it’s one of those songs that stays with you long after it ends, quietly whispering truths about love, loss, and the moments that shape us.
10. Miss Judy’s Farm (1971)
“Miss Judy’s Farm” opens A Nod Is As Good As a Wink… To a Blind Horse with a bang, delivering a bluesy punch that sets the tone for everything that follows. It’s a gritty, stomping track with a rebellious streak, combining rock and roll swagger with lyrics full of sly innuendo and backwoods mischief. Rod Stewart brings his A-game to the vocals, sounding like he’s narrating a back-alley tale with a cigarette in one hand and a smirk on his face. Ron Wood’s guitar riffs are raw and raunchy, while the rhythm section lays down a groove that feels like it came straight from a Southern roadhouse. There’s a raucous energy to the whole performance—loose but focused, chaotic yet compelling. “Miss Judy’s Farm” isn’t about precision; it’s about attitude and feeling, and the band delivers both in spades. It’s one of those songs that immediately lets you know what kind of ride you’re in for when listening to the album. Whether you’re drawn in by the gritty storytelling or the dirty guitar licks, this track is a perfect example of what made The Faces such a thrilling and unpredictable band.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
