Few bands have captured the raw essence of punk rock and new wave quite like The Only Ones. Emerging from the late 1970s punk explosion in London, this legendary band fused sharp-edged energy with poetic lyricism and an unmistakable sense of romanticism. Led by the enigmatic Peter Perrett, their music transcended the boundaries of genres, delivering a sound that was equal parts gritty rebellion and haunting beauty.
From their electrifying debut single to their cult-classic anthems, The Only Ones left an indelible mark on music history—despite their relatively short time in the spotlight. With soaring guitar solos, heartfelt lyrics, and melodies that stick in your soul, their songs continue to resonate with fans old and new, standing the test of time as masterpieces of raw emotion and musical genius.
In this article, we dive into the definitive top 10 The Only Ones songs of all time. From the unforgettable hooks of their biggest hits to hidden gems beloved by die-hard fans, this list celebrates the band’s enduring impact and their ability to create music that lives on in the hearts of listeners. Get ready to rediscover the magic of The Only Ones.
1. Another Girl, Another Planet (1978)
Widely regarded as The Only Ones’ defining masterpiece, Another Girl, Another Planet is a shimmering explosion of punk-infused power pop that has remained a cult classic since its release in 1978. As the standout track from their self-titled debut album, it seamlessly blends raw punk energy with melodic sophistication, setting it apart from many of its contemporaries.
At its core, the song is driven by Peter Perrett’s distinctive, wistful vocals, which balance an air of yearning with an almost detached coolness. The lyrics, while seemingly about an all-consuming romance, have been speculated to carry deeper themes of escapism, possibly alluding to Perrett’s well-documented struggles with addiction. Regardless of interpretation, the song’s emotional depth resonates universally, making it endlessly relatable to anyone who’s ever felt consumed by passion or lost in their own world.
John Perry’s electrifying guitar work is one of the track’s defining features, with a soaring solo that elevates the song from great to legendary. His playing is fluid and urgent, injecting the track with an exhilarating momentum that makes it feel both timeless and ahead of its era. The relentless rhythm section, courtesy of Alan Mair’s driving bassline and Mike Kellie’s precise drumming, adds an undeniable energy that propels the song forward.
Despite never reaching mainstream commercial success, Another Girl, Another Planet has grown in stature over the decades, frequently appearing on “Greatest Songs of All Time” lists and earning the admiration of fellow musicians. It has been covered by numerous artists, proving its lasting influence on rock and punk alike. With its intoxicating blend of romanticism and rebellion, it remains an essential anthem of the post-punk era, capturing the restless spirit of youth like few other songs can.
2. The Beast (1979)
The Beast is one of The Only Ones’ most haunting and atmospheric tracks, showcasing a darker, more introspective side of the band. Released in 1979 as part of their sophomore album, Even Serpents Shine, the song departs from the more melodic and romantic tones of their earlier work, delving into themes of self-destruction, temptation, and inner demons.
Peter Perrett’s voice drips with a sense of weary resignation, delivering lines that seem to wrestle with both personal struggles and the consequences of reckless abandon. Whether interpreted as a metaphor for addiction, toxic relationships, or existential despair, the lyrics evoke a creeping sense of doom. There’s an almost hypnotic quality to the way Perrett sings, his delivery slow and deliberate, as if trapped in a trance-like state.
Musically, The Beast is built on a brooding, relentless bassline that sets a foreboding tone from the outset. The guitar work, courtesy of John Perry, is measured and restrained, yet it crackles with tension, occasionally bursting into wailing solos that heighten the track’s emotional weight. Mike Kellie’s drumming provides a steady, ominous pulse, further reinforcing the sense of something ominous lurking just beneath the surface.
Unlike some of the band’s more immediate and radio-friendly songs, The Beast is a slow-burner, drawing the listener into its shadowy world rather than grabbing them outright. The song’s gradual build-up and eerie atmosphere make it a standout moment on Even Serpents Shine, proving that The Only Ones were capable of more than just catchy punk-infused anthems.
Though not as widely recognized as Another Girl, Another Planet, The Beast has a devoted following among fans who appreciate its moody intensity. It’s a testament to the band’s versatility and their ability to craft songs that are both unsettling and breathtakingly beautiful.
3. Lovers of Today (1977)
The song that started it all for The Only Ones, Lovers of Today was the band’s debut single, released in 1977. At a time when punk rock was defined by its raw aggression and defiant attitude, this track stood out for its melancholic beauty and emotional depth. While it retains some of the punk spirit of the era, Lovers of Today leans more into a romantic, almost despairing tone, setting the band apart from their contemporaries.
Peter Perrett’s vocal delivery is dripping with heartbreak and longing, his voice fragile yet commanding. The lyrics reflect a deep disillusionment with love and relationships, painting a picture of someone who has been hurt too many times to believe in romantic ideals anymore. There’s a cynicism in the way he sings, “I ain’t gonna be your fool no more”, but underneath it, there’s also a quiet desperation—a longing to be proven wrong.
Musically, the song builds slowly, beginning with a delicate, restrained arrangement before swelling into something much bigger. The guitars shimmer and weep, complementing Perrett’s world-weary delivery. John Perry’s lead guitar work is subtle yet deeply expressive, adding to the song’s haunting atmosphere. Mike Kellie’s drumming remains understated, giving the track a sense of intimacy that makes it feel almost confessional.
When it was released, Lovers of Today didn’t make a huge commercial impact, but it quickly became a cult favorite. The song’s emotional weight and mature songwriting hinted at the direction The Only Ones would take, blending punk energy with poetic, introspective lyrics.
Decades later, Lovers of Today remains one of the band’s most affecting songs—a poignant reminder of love’s fragility and the scars it leaves behind. It’s the perfect introduction to the unique world of The Only Ones.
4. Miles from Nowhere (1979)
Miles from Nowhere is one of The Only Ones’ most evocative tracks, blending their signature mix of punk, new wave, and classic rock influences. Released in 1979 on their second album, Even Serpents Shine, this song is a journey through loneliness, self-exploration, and longing, themes that Peter Perrett so effortlessly weaves into his songwriting.
The track opens with a steady rhythm section that immediately sets a sense of motion, as if the listener is being pulled into a long, aimless drive toward an uncertain destination. John Perry’s guitar work is intricate yet never overwhelming, accentuating the song’s wistful tone with perfectly placed licks and flourishes. Perrett’s distinct, almost slurred vocal delivery adds to the feeling of exhaustion and detachment, making the song’s message even more poignant.
Lyrically, Miles from Nowhere speaks to isolation and disconnection. Perrett paints a picture of someone drifting through life, searching for something—perhaps love, purpose, or simply an escape from reality. The line “I’m so far away, it doesn’t seem to matter now” conveys a sense of resignation, as though the narrator has already accepted that he is lost in more ways than one.
Despite its melancholic themes, the song is undeniably catchy. The chorus, with its soaring melody, gives the track an anthemic quality, making it a standout in The Only Ones’ catalog. It perfectly captures that bittersweet feeling of being untethered, a state of mind that so many listeners can relate to.
Miles from Nowhere is a hidden gem that exemplifies why The Only Ones were more than just another punk band. Their ability to inject emotional complexity into their music made them truly special, and this song is a prime example of that brilliance.
5. Why Don’t You Kill Yourself? (1978)
Provocative and unapologetically cynical, Why Don’t You Kill Yourself? is one of the most darkly humorous tracks in The Only Ones’ catalog. Released in 1978 on their self-titled debut album, this song takes aim at toxic relationships and the self-destructive tendencies that can come with them. Despite its morbid title, the track is less about glorifying despair and more about sarcastically commenting on emotional manipulation and melodrama.
The song kicks off with an upbeat, almost playful guitar riff that immediately contrasts with the heavy subject matter. This juxtaposition is key to the track’s charm—Perrett delivers scathing lyrics with a casual, almost indifferent tone, making the song feel more like a wry observation than a desperate cry. The line “You’ve been in the suicide club, just trying to make your name” is particularly biting, calling out those who use emotional distress as a means of control.
Musically, Why Don’t You Kill Yourself? is tight and well-crafted, with a punchy rhythm section that drives the track forward. John Perry’s guitar playing is as sharp as ever, adding an urgency to the song’s underlying frustration. Mike Kellie’s drumming remains steady, keeping everything grounded while allowing the lyrics to take center stage.
While the song’s title may have been controversial, its execution makes it clear that this isn’t a celebration of despair but rather an ironic critique of self-inflicted drama. The Only Ones had a unique ability to tackle dark themes with intelligence and wit, and this track exemplifies that.
Even decades after its release, Why Don’t You Kill Yourself? remains a bold statement—a song that refuses to sugarcoat its message while still managing to be incredibly catchy and engaging.
6. Out There in the Night (1979)
With its driving beat and infectious energy, Out There in the Night is a song that captures the restless excitement of a city after dark. Featured on Even Serpents Shine (1979), this track blends punk urgency with a melodic charm that makes it an undeniable standout in The Only Ones’ discography.
The song’s opening riff immediately pulls the listener in, creating a sense of movement, as if you’re walking down neon-lit streets, unsure of what the night has in store. Perrett’s lyrics are vivid and almost cinematic, painting a picture of adventure and anticipation. There’s a sense of danger lurking beneath the surface, but there’s also an undeniable thrill—this is a song about chasing something, even if you don’t know what it is yet.
Vocally, Perrett sounds both detached and fascinated, perfectly capturing the push and pull of urban life. His delivery, filled with cool indifference yet brimming with hidden emotion, adds depth to the song’s atmosphere. The chorus is instantly memorable, making it one of those tracks that stays with you long after you’ve heard it.
Musically, the band is in top form. John Perry’s guitar work is fluid and expressive, while Mike Kellie’s drumming adds a steady pulse that mimics the heartbeat of the city itself. Alan Mair’s bassline provides the perfect foundation, allowing the song to maintain its driving momentum.
Out There in the Night is one of those songs that feels alive—it pulses with energy, mystery, and possibility. Whether you’re listening on a late-night drive or walking through city streets, it’s a track that perfectly encapsulates the magic of the unknown.
7. From Here to Eternity (1979)
From Here to Eternity is one of The Only Ones’ most romantic and dreamlike tracks, showcasing a softer, more poetic side of the band. Released in 1979 on Even Serpents Shine, this song is a testament to Perrett’s ability to write about love in a way that feels both deeply personal and universally relatable.
The song’s melody is lush and hypnotic, with shimmering guitars and a smooth, almost hypnotic rhythm that draws listeners in. There’s a sense of longing in Perrett’s voice, a yearning for something permanent in a world that constantly changes. The lyrics speak of devotion and the passage of time, capturing the idea of love as something eternal yet fleeting.
John Perry’s guitar playing is especially beautiful here, weaving delicate lines that enhance the song’s emotional depth. The band plays with restraint, allowing the melody and lyrics to take center stage. This gives the song a dreamlike quality, making it one of the band’s most enchanting compositions.
From Here to Eternity is proof that The Only Ones weren’t just a punk band—they were capable of crafting songs that were poetic, intricate, and emotionally resonant.
8. You’ve Got to Pay (1978)
“You’ve Got to Pay” is a fiery, rebellious track that perfectly encapsulates The Only Ones’ ability to blend punk energy with sharp social commentary. Released in 1978 as part of their self-titled debut album, the song is a scathing indictment of hypocrisy, greed, and the cost of living in a world where nothing comes without a price.
From the moment the track begins, there’s an urgency in the music that demands attention. The gritty guitar work from John Perry, combined with a driving bassline and steady, propulsive drumming, creates an atmosphere of controlled chaos. Peter Perrett’s vocals, always dripping with equal parts sarcasm and sincerity, deliver the lyrics with a sneering confidence that makes the song all the more powerful.
Lyrically, “You’ve Got to Pay” critiques a system that exploits people while pretending to offer them opportunity. Perrett’s words cut through the illusion, reminding listeners that everything—love, success, and even survival—comes with a cost. The line “Nothing is for nothing, you’ve got to pay” serves as the song’s mantra, repeated with an almost cynical amusement.
Despite its serious themes, the track remains infectiously catchy, with a chorus that lingers in the mind long after the song has ended. The combination of biting lyrics and an irresistible melody showcases The Only Ones’ talent for creating songs that are both thought-provoking and enjoyable.
“You’ve Got to Pay” remains one of the band’s defining statements—an anthem of frustration that resonates just as strongly today as it did in the late 1970s.
9. No Peace for the Wicked (1978)
Dark, brooding, and emotionally charged, “No Peace for the Wicked” stands as one of The Only Ones’ most haunting tracks. Released in 1978 on their debut album, the song delves into themes of guilt, inner turmoil, and the inescapability of past mistakes. It’s a deeply personal and introspective piece, showcasing Peter Perrett’s ability to turn raw emotion into poetic storytelling.
The song begins with a subdued, almost hypnotic guitar riff that immediately sets a somber tone. As the track progresses, the instrumentation builds, layering in tension and intensity. John Perry’s lead guitar work is particularly striking, weaving through the song with a ghostly elegance. Meanwhile, the rhythm section provides a steady pulse, mirroring the relentless nature of the song’s themes.
Perrett’s vocal delivery is filled with weary resignation, as though he’s carrying the weight of the world on his shoulders. His lyrics explore the idea of being haunted by one’s past, unable to find peace despite searching for it. The refrain “There’s no peace for the wicked” serves as both a confession and a curse, acknowledging that some wounds never truly heal.
What makes “No Peace for the Wicked” so compelling is its balance between vulnerability and defiance. While the lyrics suggest suffering, the music never collapses under its own weight. Instead, there’s a quiet strength in the way the band plays, creating an emotional depth that makes the song resonate deeply.
This track is a standout in The Only Ones’ catalog, proving that their music was as much about raw emotion as it was about sharp riffs and catchy melodies.
10. Someone Who Cares (1979)
Closing out this list is Someone Who Cares, a tender and introspective song from The Only Ones’ second album, Even Serpents Shine (1979). While the band was known for their mix of punk energy and poetic storytelling, this track strips things down to their emotional core, offering a vulnerable glimpse into the mind of Peter Perrett.
Unlike the band’s more rebellious anthems, Someone Who Cares is subdued and deeply reflective. The instrumentation is delicate, allowing the lyrics to take center stage. A gentle, melodic guitar line flows through the song, while the rhythm section provides just enough structure to keep the track grounded without overwhelming its fragile beauty.
Perrett’s lyrics express a longing for connection in a world that often feels indifferent. There’s a deep sadness in his voice as he sings about searching for someone who truly understands him—someone who can see past his flaws and love him despite them. The song’s title, Someone Who Cares, isn’t just a wish; it’s a desperate plea, making the track one of the most emotionally raw moments in the band’s discography.
The beauty of this song lies in its simplicity. Unlike the fast-paced, guitar-driven tracks that defined much of The Only Ones’ output, Someone Who Cares lets the listener sit with the emotion, allowing the melancholy to fully sink in. It’s a song that speaks to anyone who has ever felt lost or alone, making it one of the most deeply personal pieces in their catalog.
Though Even Serpents Shine contains some of the band’s most energetic tracks, this closing ballad reminds us that The Only Ones were capable of much more than just electrifying rock. They could also break your heart with just a few chords and a simple, heartfelt lyric.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
