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Home Best Songs Guide

10 Best Wilson Pickett Songs of All Time

List of the Top 10 Best Wilson Pickett Songs of All Time

Samuel Moore by Samuel Moore
September 5, 2024
in Best Songs Guide
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10 Best Wilson Pickett Songs of All Time
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When it comes to the golden age of soul music, few voices resonate as powerfully as Wilson Pickett’s. Known for his electrifying performances and gritty, passionate vocals, Pickett carved out a legacy that continues to inspire and captivate music lovers across generations. From the moment he burst onto the scene in the 1960s, Pickett became a defining force in the world of R&B, delivering hit after hit that not only dominated the charts but also became anthems of the era. His songs are more than just tracks—they’re timeless expressions of raw emotion, rhythm, and soul. In this article, we’ll take you on a journey through the top 10 most popular Wilson Pickett songs of all time. Whether you’re a long-time fan or new to his music, these tracks will remind you why Pickett remains one of the most influential and beloved figures in the history of soul. So, turn up the volume, feel the groove, and get ready to dive into the soulful world of Wilson Pickett’s greatest hits!

Table of Contents

  • 1. In the Midnight Hour (1965)
  • 2. Mustang Sally (1966)
  • 3. Land of 1000 Dances (1966)
  • 4. Funky Broadway (1967)
  • 5. 634-5789 (Soulsville, U.S.A.) (1966)
  • 6. Don’t Let the Green Grass Fool You (1970)
  • 7. Ninety-Nine and a Half (Won’t Do) (1966)
  • 8. Hey Jude (1969)
  • 9. I’m a Midnight Mover (1968)
  • 10. Everybody Needs Somebody to Love (1967)

1. In the Midnight Hour (1965)

“In the Midnight Hour” is arguably Wilson Pickett’s most iconic track, embodying the essence of 1960s soul music. Co-written by Pickett and Steve Cropper of Booker T. & the M.G.’s, the song was released in 1965 and became an instant hit, reaching No. 1 on the R&B charts. With its infectious groove and Pickett’s gritty, impassioned vocals, the track captures the raw energy of the midnight hour, a time often associated with both longing and ecstasy. The song’s signature horn riff and driving rhythm section are instantly recognizable, making it a timeless anthem that continues to influence artists across genres. “In the Midnight Hour” is more than just a song; it’s a piece of musical history.

2. Mustang Sally (1966)

“Mustang Sally” is a track that has transcended decades to become a staple in the soul music canon. Released in 1966, this song showcases Wilson Pickett’s ability to combine raw emotion with a catchy, danceable beat. The song tells the story of a woman who has just gotten a Mustang and is now more interested in speeding down the highway than staying with her man. With its call-and-response vocal style and infectious groove, “Mustang Sally” became a massive hit, reaching No. 6 on the R&B charts. The song’s blend of humor, heartache, and irresistible rhythm has made it a favorite at live performances and a frequent cover choice for musicians across genres.

3. Land of 1000 Dances (1966)

“Land of 1000 Dances” is a rollicking, high-energy track that showcases Wilson Pickett’s dynamic vocal range and infectious energy. Released in 1966, the song is famous for its “Na Na Na Na Na” chant, which quickly became a crowd-pleaser. Originally written and recorded by Chris Kenner, Pickett’s version took the song to a whole new level, making it a top 10 hit on both the R&B and pop charts. The track is a celebration of dance and movement, with Pickett urging listeners to get on the floor and show off their best moves. The pulsating rhythm, blaring horns, and Pickett’s electrifying delivery make “Land of 1000 Dances” an enduring classic that still gets people on their feet.

4. Funky Broadway (1967)

With “Funky Broadway,” Wilson Pickett delivered a gritty, groove-laden anthem that became one of his biggest hits. Released in 1967, the song was originally written and recorded by Dyke and the Blazers, but Pickett’s version took it to the top of the R&B charts. The song is a tribute to the vibrant, often rough-and-tumble nightlife of Broadway streets in cities across America, particularly in Memphis and New York. Pickett’s powerful voice, combined with the song’s funky bassline and sharp horn section, captures the essence of the urban experience. “Funky Broadway” was one of the first songs to use the word “funky” in its title, helping to popularize a term that would become synonymous with a whole genre of music.

5. 634-5789 (Soulsville, U.S.A.) (1966)

“634-5789 (Soulsville, U.S.A.)” is a quintessential Wilson Pickett track that merges the smoothness of soul with the raw energy of R&B. Released in 1966, the song was written by the legendary songwriting duo Eddie Floyd and Steve Cropper. The title refers to a phone number, and in the context of the song, it’s an invitation to call Pickett for some soulful companionship. With its catchy chorus and upbeat tempo, “634-5789” quickly climbed the charts, becoming a No. 1 hit on the R&B charts and a significant crossover success on the pop charts. The song’s infectious rhythm, combined with Pickett’s soulful delivery, makes it a standout track that captures the spirit of 1960s soul music.

6. Don’t Let the Green Grass Fool You (1970)

Released in 1970, “Don’t Let the Green Grass Fool You” is a soulful cautionary tale about the dangers of temptation and the importance of staying true to what you have. The song’s lyrics warn against being lured by the allure of something seemingly better, only to find out that it’s not as green as it appears. The track features a catchy, upbeat melody and Pickett’s powerful, emotive vocals, which convey a sense of urgency and sincerity. “Don’t Let the Green Grass Fool You” became a top 10 hit on the R&B charts and remains one of Pickett’s most beloved songs, resonating with listeners through its timeless message and irresistible groove.

7. Ninety-Nine and a Half (Won’t Do) (1966)

“Ninety-Nine and a Half (Won’t Do)” is a testament to Wilson Pickett’s ability to blend gospel influences with the grit of R&B. Released in 1966, the song is a passionate declaration that anything less than total commitment in love is simply not enough. The track features a driving beat, fiery horns, and Pickett’s soulful, urgent vocals that demand full attention. The song’s gospel roots are evident in its call-and-response structure, with Pickett’s voice soaring above the instrumentation in a way that feels both spiritual and deeply grounded in the realities of love and life. “Ninety-Nine and a Half (Won’t Do)” became a hit on the R&B charts, further cementing Pickett’s status as a soul music powerhouse.

8. Hey Jude (1969)

Wilson Pickett’s rendition of “Hey Jude” is a masterclass in how to reinterpret a song and make it your own. Released in 1969, this cover of The Beatles’ classic is infused with Pickett’s signature soulful style, transforming the song into a powerful, gospel-tinged anthem. The track features Duane Allman on guitar, whose searing solos add an extra layer of intensity to the already emotionally charged song. Pickett’s version of “Hey Jude” was a commercial success, reaching the top 20 on the R&B charts and receiving widespread acclaim for its boldness and originality. The song stands as a testament to Pickett’s ability to take a well-known hit and infuse it with a new, electrifying energy.

9. I’m a Midnight Mover (1968)

“I’m a Midnight Mover” is a track that perfectly encapsulates Wilson Pickett’s trademark blend of soul, funk, and R&B. Released in 1968, the song was co-written by Pickett and Bobby Womack, another giant of the soul genre. The track features a driving beat, infectious horn lines, and Pickett’s dynamic vocal performance, which oscillates between smooth crooning and powerful belting. The lyrics speak to the life of a man who lives for the night, reveling in the freedom and excitement that comes with it. “I’m a Midnight Mover” was a hit on the R&B charts, and its irresistible groove and memorable melody have made it a favorite among Pickett’s fans.

10. Everybody Needs Somebody to Love (1967)

“Everybody Needs Somebody to Love” is a track that exudes joy and exuberance, making it one of Wilson Pickett’s most uplifting songs. Released in 1967, the song was originally written by Solomon Burke, Jerry Wexler, and Bert Berns, but Pickett’s version brought a new level of energy and soul to the track. With its infectious rhythm, powerful horns, and Pickett’s spirited vocals, the song became a hit on the R&B charts and has since become a staple in the soul and R&B genres. The song’s message of universal love and connection resonates just as strongly today as it did when it was first released, making “Everybody Needs Somebody to Love” a timeless anthem of joy and togetherness.

Samuel Moore

Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.

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