Buffalo Springfield was a prominent American rock band formed in 1966 in Los Angeles, California. The group is best known for its influential sound, which combined elements of folk rock, country rock, and psychedelic rock. The band’s lineup included notable musicians such as Stephen Stills, Neil Young, Richie Furay, and Jim Messina.
Buffalo Springfield gained significant attention with their self-titled debut album in 1966, featuring the iconic track “For What It’s Worth,” a protest song reflecting the social upheaval of the 1960s. Their music is characterized by rich harmonies, intricate guitar work, and thoughtful lyrics. Despite their brief career—lasting only about two years—their work left a lasting impact on the development of rock music. The band disbanded in 1968, but their influence continued to resonate through the individual successes of its members and their contributions to the genre.
1. For What It’s Worth
“For What It’s Worth” is a classic song by Buffalo Springfield, released in 1966. Written by Stephen Stills, the song is often associated with the social and political upheavals of the 1960s, particularly the anti-war and civil rights movements. The track’s memorable riff and reflective lyrics capture the tension and unrest of the era, though it was inspired by the Sunset Strip curfew riots in Los Angeles rather than a specific event.
The song’s refrain, “There’s something happening here / What it is ain’t exactly clear,” resonates with listeners as an anthem of protest and change. Its timeless message and evocative sound have made it a staple in rock history and a powerful example of music as a reflection of social issues.
2. Mr. Soul
“Mr. Soul” is a song by Buffalo Springfield, written by Neil Young and released in 1967 on their self-titled debut album. The track features a distinctive blend of folk rock and psychedelic sounds, with Young’s introspective lyrics reflecting themes of identity, societal expectations, and the search for authenticity. The song’s driving rhythm and catchy guitar riff are complemented by its evocative and somewhat ambiguous lyrics. “Mr. Soul” is notable for its influence on the development of rock music in the late 1960s and showcases Young’s early songwriting prowess. It remains a significant piece in the Buffalo Springfield discography and a standout example of Neil Young’s impactful contributions to rock music.
3. Bluebird
“Bluebird” is a song by Buffalo Springfield, written by Stephen Stills and released in 1967 on their album *Buffalo Springfield Again*. The track is a notable example of the band’s folk rock style, characterized by its rich harmonies, melodic guitar work, and reflective lyrics. The song features a gentle, almost hypnotic rhythm and explores themes of yearning and introspection. Its blend of acoustic and electric elements highlights the band’s versatility and Stills’ skillful songwriting. “Bluebird” stands out in the Buffalo Springfield catalog for its evocative mood and the way it captures the band’s evolving sound during the late 1960s.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, written by Stephen Stills and featured on their 1968 album *Buffalo Springfield Again*. The track exemplifies the band’s folk rock sound with its energetic rhythm and Stills’ dynamic guitar work. The lyrics, characterized by their straightforward and heartfelt delivery, reflect themes of love and admiration, particularly for a woman with a strong presence and influence. “Rock & Roll Woman” showcases the band’s ability to blend rock elements with folk sensibilities, contributing to the evolving sound of the late 1960s and capturing the essence of their musical style during this period.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young and released in 1966 on their self-titled debut album. The track is notable for its introspective lyrics and melancholic tone, reflecting themes of disillusionment and the search for authenticity in a changing world. The song features a blend of folk and rock influences, with Young’s poignant vocals and a prominent, yet understated, guitar arrangement. “Nowadays Clancy Can’t Even Sing” is often praised for its lyrical depth and emotional resonance, showcasing Young’s early songwriting talent and the band’s ability to blend introspective themes with their folk rock sound.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, written by David Crosby and featured on their 1967 album *Buffalo Springfield Again*. The track has a distinctive folk rock sound with its soothing melody and harmonious vocals. The lyrics express a contemplative and gentle approach to expressing affection and exploring romantic feelings. The song highlights the band’s ability to weave intricate harmonies and emotive lyrics into their music, showcasing their growth and versatility as a group during this period. “Sit Down, I Think I Love You” is a testament to the band’s rich sound and their contributions to the folk rock genre.
7. Broken Arrow
“Broken Arrow” is a notable song by Neil Young, released in 1967 as part of Buffalo Springfield’s final studio album, *Buffalo Springfield Again*. Written by Neil Young, the track showcases his distinctive style with its experimental and eclectic approach.
“Broken Arrow” is divided into several sections, each with its own unique musical style, including folk rock, psychedelic rock, and orchestral elements. The song features a mix of intricate guitar work, innovative production techniques, and evocative lyrics, reflecting Young’s creative vision and influence on the band.
Its structure and genre-blending elements helped establish Neil Young as a pioneering force in rock music and left a lasting impact on the genre.
8. Expecting to Fly
“Expecting to Fly” is a standout track by Buffalo Springfield, featured on their 1967 album *Buffalo Springfield Again*. Written by Neil Young, the song is notable for its orchestral arrangement and melancholic, introspective lyrics.
“Expecting to Fly” combines elements of folk rock with lush string arrangements, creating a haunting and atmospheric sound. The lyrics reflect themes of yearning and disillusionment, resonating with Young’s characteristic depth and emotional resonance. The song’s innovative production and evocative melody showcase Young’s ability to blend introspective storytelling with sophisticated musical arrangements, making it one of the band’s most memorable and influential tracks.
9. Kind Woman
“Kind Woman” is a song by Richie Furay, released in 1967 as part of Buffalo Springfield’s second album, *Buffalo Springfield Again*. The track is notable for its warm, country-infused sound and heartfelt lyrics.
Written by Furay, “Kind Woman” features a blend of folk rock and country influences, showcasing the band’s versatility. The song is a tender tribute to a loved one, with lyrics expressing gratitude and affection. The gentle melody, combined with Furay’s sincere vocals and the song’s reflective tone, makes it a standout track on the album and highlights Furay’s contribution to the band’s diverse musical style.
10. On the Way Home
“On the Way Home” is a song by Buffalo Springfield, written by Neil Young and featured on their 1968 album *Buffalo Springfield Again*. The track is characterized by its reflective lyrics and gentle, folk-rock arrangement. It features Young’s distinctive vocal style and a melodic guitar line that underscores the song’s contemplative mood. The lyrics convey a sense of nostalgia and longing as they explore themes of change and personal growth. “On the Way Home” is celebrated for its introspective quality and the way it captures the band’s evolving sound and lyrical depth during a transformative period in their career.
Edward Tomlin is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
