Buffalo Springfield was a folk rock band formed in Los Angeles, California, in 1966. The band was known for its politically charged lyrics, intricate harmonies, and blend of folk, rock, and country influences.
The original members of Buffalo Springfield included Stephen Stills (vocals, guitar, keyboards), Neil Young (vocals, guitar), Richie Furay (vocals, guitar), Bruce Palmer (bass), and Dewey Martin (drums). They released their self-titled debut album in 1966, which included the iconic protest song “For What It’s Worth.” The song became a hit and remains one of their most recognizable tracks.
Buffalo Springfield’s music often explored themes of social unrest, counterculture, and personal introspection, reflecting the tumultuous political climate of the 1960s. Despite internal tensions and lineup changes, the band released influential albums such as “Buffalo Springfield Again” (1967) and “Last Time Around” (1968), before disbanding in 1968.
Individually, members of Buffalo Springfield went on to successful careers in music. Neil Young, in particular, became a prolific solo artist and continues to be a prominent figure in rock music. Buffalo Springfield’s brief but impactful tenure left a lasting legacy on the folk rock and rock genres, influencing subsequent generations of musicians with their innovative sound and socially conscious lyrics.
1. For What It’s Worth
“For What It’s Worth” is a classic rock song by Buffalo Springfield, released in 1966. It was written by band member Stephen Stills and became one of the band’s most famous and enduring songs.
The song is known for its distinctive guitar riff, catchy melody, and socially conscious lyrics that capture the spirit of the 1960s counterculture movement. “For What It’s Worth” is often associated with the protests and unrest of the era, particularly the Sunset Strip curfew riots in Los Angeles in 1966, although Stills originally wrote it in response to a different situation.
The lyrics of “For What It’s Worth” convey a sense of uncertainty and tension, with Stills’ vocals reflecting a call for reflection and understanding amidst social upheaval. The song’s powerful message and timeless appeal have solidified its status as a classic anthem of protest and social change, resonating with audiences for decades beyond its original release.
2. Mr. Soul
“Mr. Soul” is a song by Buffalo Springfield, released in 1967 on their album “Buffalo Springfield Again.” The song was written by Neil Young, who also provided the lead vocals. It is characterized by its introspective lyrics and rock instrumentation typical of the folk rock and psychedelic rock genres of the 1960s.
Lyrically, “Mr. Soul” reflects Neil Young’s feelings about fame, identity, and artistic integrity. The lyrics express a sense of disillusionment with the music industry and societal expectations, with Young asserting his desire to remain true to himself and his artistry. The chorus, “Oh, hello, Mr. Soul, I dropped by to pick up a reason,” suggests a search for purpose and meaning amidst the pressures of fame and public scrutiny.
Musically, “Mr. Soul” features a driving rhythm and prominent guitar work, characteristic of Buffalo Springfield’s sound. Neil Young’s distinct vocals and the band’s energetic performance contribute to the song’s intensity and impact. The song’s arrangement includes dynamic shifts and instrumental breaks that showcase the band’s musical prowess and creativity.
“Mr. Soul” became one of Buffalo Springfield’s signature songs and a staple in their live performances. It has been praised for its introspective lyrics, powerful instrumentation, and Neil Young’s impassioned vocal delivery. The song’s themes of authenticity and artistic expression continue to resonate with listeners, making it a timeless classic in the rock music canon.
3. Bluebird
“Bluebird” is a song by Buffalo Springfield, released in 1967 on their album “Buffalo Springfield Again.” The song was written by Stephen Stills, who also sings lead vocals on the track. It is known for its folk rock sound and intricate guitar work.
Lyrically, “Bluebird” is a poetic and introspective song that reflects on themes of freedom, longing, and personal growth. The lyrics describe a journey of self-discovery and the search for meaning and happiness. The chorus, “Listen to my bluebird laugh, she can’t tell you why,” evokes a sense of mystery and the beauty of nature, while also hinting at the complexities of human emotion.
Musically, “Bluebird” features a melodic and intricate guitar arrangement, with Stephen Stills showcasing his skills as both a guitarist and vocalist. The song’s structure includes instrumental breaks and dynamic shifts that highlight the band’s musical versatility and creativity. The interplay between acoustic and electric guitars creates a rich and layered sound that enhances the song’s contemplative mood.
“Bluebird” became one of Buffalo Springfield’s most acclaimed songs, appreciated for its thoughtful lyrics and musical craftsmanship. It has been praised for its evocative imagery and Stills’ soulful vocal performance. The song remains a classic example of 1960s folk rock and continues to resonate with audiences for its timeless themes and artistic depth.
4. Rock & Roll Woman
“Rock & Roll Woman” is a song by Buffalo Springfield, released in 1967 on their second album “Buffalo Springfield Again.” The song was written by Stephen Stills and reflects the band’s exploration of rock music and its evolving sound during the 1960s.
“Rock & Roll Woman” features Stills’ distinctive guitar work and vocals, along with harmonies from fellow band members Neil Young and Richie Furay. The song’s lyrics convey a sense of admiration and fascination with a free-spirited, independent woman who embodies the spirit of rock and roll.
Musically, “Rock & Roll Woman” blends folk rock elements with a harder edge, showcasing Buffalo Springfield’s ability to fuse different musical styles and influences. The song’s upbeat tempo, catchy melodies, and Stills’ impassioned delivery contributed to its popularity among fans of the band and the broader rock music scene of the time.
“Rock & Roll Woman” remains a beloved track in Buffalo Springfield’s catalog, reflecting their role in shaping the folk rock and rock genres during the 1960s and influencing subsequent generations of musicians.
5. Nowadays Clancy Can’t Even Sing
“Nowadays Clancy Can’t Even Sing” is a song by Buffalo Springfield, written by Neil Young and released in 1966 on their debut self-titled album, “Buffalo Springfield.” The song features Neil Young on lead vocals and is characterized by its folk rock style and introspective lyrics.
Lyrically, “Nowadays Clancy Can’t Even Sing” reflects on themes of disillusionment, loss of innocence, and the passage of time. The lyrics describe a nostalgic longing for a simpler past, where things were clearer and more meaningful. The chorus, “Nowadays Clancy can’t even sing, he’s restless, he’s tired,” suggests a sense of melancholy and resignation, highlighting the challenges and uncertainties of modern life.
Musically, the song features a gentle acoustic guitar arrangement and harmonies that complement Neil Young’s plaintive vocals. The instrumentation creates a subdued and reflective atmosphere, emphasizing the introspective nature of the lyrics. Neil Young’s vocal delivery and the band’s tight musical interplay contribute to the song’s emotional depth and impact.
“Nowadays Clancy Can’t Even Sing” was well-received by critics and fans alike, showcasing Buffalo Springfield’s ability to blend folk, rock, and introspective lyrics into a cohesive musical statement. The song remains a poignant reflection on the complexities of life and has cemented its place as a classic in the folk rock genre of the 1960s.
6. Sit Down, I Think I Love You
“Sit Down, I Think I Love You” is a song by Buffalo Springfield, released in 1966 on their debut self-titled album, “Buffalo Springfield.” The song was written by Stephen Stills and features his lead vocals.
Lyrically, “Sit Down, I Think I Love You” expresses the uncertainty and excitement of falling in love. The lyrics convey a sense of hesitation and anticipation as the narrator contemplates their feelings for someone special. The title and chorus, “Sit down, I think I love you anyway,” capture the playful and earnest tone of the song, where love is approached with both caution and openness.
Musically, the song features a folk rock arrangement with acoustic guitar strumming and melodic hooks. Stephen Stills’ vocals are complemented by harmonies and a rhythmic groove that gives the song a lively and upbeat feel. The instrumentation highlights Buffalo Springfield’s signature sound, blending folk influences with rock elements.
“Sit Down, I Think I Love You” showcases Buffalo Springfield’s ability to craft catchy melodies and relatable lyrics that resonate with listeners. The song’s blend of folk rock instrumentation and heartfelt lyrics contributed to its popularity during the 1960s and remains a favorite among fans of the band and the era’s music.
7. Broken Arrow
“Broken Arrow” is a song by Buffalo Springfield, released in 1967 on their album “Buffalo Springfield Again.” It was written by Neil Young, who was a key member of the band known for his introspective songwriting and distinctive guitar style.
“Broken Arrow” is notable for its complex and poetic lyrics, which explore themes of disillusionment, introspection, and the search for meaning. The song features lush harmonies and intricate musical arrangements, showcasing Buffalo Springfield’s ability to blend folk rock with experimental elements.
Neil Young’s evocative vocals and the song’s atmospheric production contribute to its haunting and introspective mood. “Broken Arrow” is considered one of the standout tracks on “Buffalo Springfield Again,” reflecting the band’s musical growth and Young’s emerging role as a songwriter with a unique voice.
Over the years, “Broken Arrow” has been recognized as a classic in the folk rock genre, praised for its lyrical depth and musical innovation. It remains a testament to Buffalo Springfield’s influence on the 1960s rock music scene and Neil Young’s enduring impact as a songwriter and musician.
8. Expecting to Fly
“Expecting to Fly” is a song by Buffalo Springfield, written by Neil Young and released in 1967 as a single. It was later included on the band’s second album, “Buffalo Springfield Again.”
Lyrically, “Expecting to Fly” is a dreamy and introspective song that explores themes of longing, melancholy, and the passage of time. The lyrics evoke a sense of introspection and emotional turmoil, with imagery that suggests a journey of self-discovery and introspection. The chorus, “There you stood on the edge of your feather, expecting to fly,” reflects the desire for freedom and transcendence, amidst the uncertainties and challenges of life.
Musically, “Expecting to Fly” features lush orchestration and a haunting melody that sets it apart from Buffalo Springfield’s more typical folk rock sound. The song incorporates strings, subtle percussion, and ethereal vocal harmonies, creating a rich and atmospheric arrangement. Neil Young’s plaintive vocals add to the song’s emotional depth, conveying a sense of vulnerability and yearning.
“Expecting to Fly” received critical acclaim for its innovative production and evocative lyrics. It showcases Neil Young’s versatility as a songwriter and musician, demonstrating his ability to experiment with different musical styles and arrangements. The song remains a standout in Buffalo Springfield’s discography and a classic example of 1960s psychedelic folk rock.
9. Kind Woman
“Kind Woman” is a song by Buffalo Springfield, originally released in 1968 on their final album “Last Time Around.” It was written by Richie Furay, who also provided lead vocals for the track.
“Kind Woman” is known for its gentle and melodic sound, characterized by acoustic guitar arrangements and harmonious vocals. The song’s lyrics convey a sense of gratitude and appreciation for a compassionate and caring woman who brings comfort and solace.
Richie Furay’s heartfelt delivery and the song’s reflective tone make “Kind Woman” a standout ballad on “Last Time Around.” It showcases Buffalo Springfield’s ability to blend folk rock with country influences, creating a serene and introspective atmosphere.
“Kind Woman” has been praised for its sincerity and emotional depth, becoming a favorite among fans of Buffalo Springfield and folk rock music. It remains a poignant example of Richie Furay’s songwriting prowess and the band’s contribution to the 1960s rock music landscape.
10. On the Way Home
“On the Way Home” is a song by Buffalo Springfield, written by Neil Young. It was first released on their album “Last Time Around” in 1968. The song features Neil Young on lead vocals and reflects his introspective and poetic style of songwriting.
“On the Way Home” is characterized by its gentle acoustic guitar melodies and harmonious vocals, blending folk and rock elements typical of Buffalo Springfield’s sound. The lyrics evoke a sense of nostalgia and reflection, describing a journey or return home with a contemplative mood.
The song’s introspective lyrics and melodic arrangement have made it a favorite among fans of Buffalo Springfield and Neil Young’s solo work. “On the Way Home” showcases the band’s ability to create evocative and heartfelt music, capturing the spirit of the 1960s folk rock era with its timeless appeal.