South Dakota, known for its vast landscapes and serene beauty, has also been a breeding ground for exceptional talent in the realm of music. In this exploration of the state’s rich cultural tapestry, we delve into the Top 10 Famous Singers from South Dakota, each artist contributing their unique voice to the diverse musical heritage of the region. From the expansive prairies to the picturesque Black Hills, South Dakota has given rise to vocal virtuosos whose impact transcends the state’s borders. This article celebrates the extraordinary journeys and achievements of these singers, showcasing the vibrancy and depth of South Dakota’s musical legacy. Whether honing their craft in the small towns that dot the state or catapulting to global stardom, these artists embody the spirit of the Midwest, infusing their music with a sense of authenticity that resonates with audiences far and wide. Join us on a melodic journey through the sunflower-strewn fields and historic landmarks as we highlight the voices that have emerged from the heart of South Dakota, leaving an indelible mark on the world of music.
1. Dorothy Provine
Dorothy Provine, born on January 20, 1935, in Deadwood, South Dakota, was an American actress, singer, and dancer. Though she gained prominence in Hollywood for her acting roles, her talent extended to the realm of music as well. In the late 1950s and early 1960s, Provine showcased her vocal prowess by recording albums and performing in nightclubs. She possessed a versatile voice that allowed her to navigate various genres, including pop and jazz. Her unique combination of acting and singing skills contributed to her success in the entertainment industry.
Provine’s breakthrough came with her role in the 1959 film “The Bonnie Parker Story,” where she portrayed the infamous outlaw Bonnie Parker. This role not only established her as a talented actress but also paved the way for her musical endeavors. She released albums such as “The Roaring Twenties” and “Sings Songs of the Jazz Age,” reflecting her affinity for the music of the early 20th century. Dorothy Provine’s legacy endures as a multi-talented performer from South Dakota, leaving an indelible mark on both the film and music industries during a vibrant era of American entertainment.
2. EMA
EMA, short for Erika M. Anderson, is a prominent singer-songwriter and musician who emerged from the music scene in South Dakota. Born on April 2, 1982, in Yankton, Anderson developed a distinctive musical style that blends elements of indie rock, folk, and electronic music. Her journey in the music industry began as a member of the experimental folk duo Gowns, but it was as a solo artist that she gained widespread recognition.
EMA’s debut solo album, “Past Life Martyred Saints,” released in 2011, received critical acclaim for its raw and emotionally charged sound. The album showcased her ability to craft introspective and cathartic lyrics, often exploring themes of personal struggle and resilience. EMA’s sonic experimentation and her willingness to confront complex and intimate topics set her apart in the indie music landscape.
In subsequent releases like “The Future’s Void” (2014) and “Exile in the Outer Ring” (2017), EMA continued to push artistic boundaries, incorporating electronic elements and addressing social issues in her songwriting. Her contributions to the alternative music scene have solidified EMA as a unique and influential voice, not only from South Dakota but within the broader contemporary music landscape.
3. We All Have Hooks for Hands
“We All Have Hooks for Hands” is not the name of a famous singer from South Dakota but rather the name of a folk-rock band that originated in the state. Formed in 2005 in Sioux Falls, the band gained popularity for its energetic and eclectic sound, blending elements of folk, rock, and indie music. Comprising members such as Eli Show, Ben Scholten, and Terrance Burton, the group quickly became a notable presence in the local music scene.
Known for their engaging live performances and a unique blend of acoustic and electric instruments, We All Have Hooks for Hands released albums like “The Shape of Energy” (2007) and “Girls” (2010), garnering attention for their catchy melodies and introspective lyrics. The band’s distinctive name and creative approach to music endeared them to fans not only in South Dakota but also in the broader indie music community.
While not a famous singer per se, We All Have Hooks for Hands played a significant role in shaping the musical landscape of South Dakota, contributing to the state’s diverse cultural tapestry and showcasing the talent that can emerge from unexpected places within the indie music scene.
4. Cris Williamson
Cris Williamson, born on January 26, 1947, in Deadwood, South Dakota, is a renowned singer-songwriter and activist. She rose to prominence in the 1970s as one of the pioneers of women’s music, making significant contributions to the feminist and LGBTQ+ movements. Williamson’s impact goes beyond her musical talent, as she has been a vocal advocate for equality and social justice throughout her career.
With a career spanning several decades, Cris Williamson is best known for her groundbreaking album “The Changer and the Changed” (1975), which remains one of the most iconic and influential works in the women’s music genre. The album, with its empowering and heartfelt songs, played a pivotal role in shaping the landscape of queer and feminist music. Williamson’s soulful voice and poignant lyrics have resonated with audiences, establishing her as a trailblazer in the intersection of music and activism.
Beyond her musical achievements, Cris Williamson’s advocacy work has addressed issues such as LGBTQ+ rights and women’s empowerment. Her enduring legacy as an artist and activist from South Dakota underscores the profound impact that artists can have in fostering social change and inclusivity through their creative endeavors.
5. Brule
Brulé, an internationally acclaimed Native American music and dance group, hails from the state of South Dakota. Formed in 1995 by Paul LaRoche, an enrolled member of the Lower Brulé Sioux Tribe, Brulé fuses traditional Lakota sounds with contemporary musical elements, creating a unique and captivating musical experience. The group’s name pays homage to the Lower Brulé Sioux Tribe, reflecting their commitment to preserving and sharing Native American culture.
Led by LaRoche’s vision, Brulé has released numerous albums, such as “We the People” and “One Nation,” earning recognition for their genre-defying compositions that bridge the gap between traditional Native American music and modern influences. The incorporation of traditional instruments, like the cedar flute and buffalo drum, alongside contemporary elements has contributed to their distinctive sound.
In addition to their musical prowess, Brulé is known for their visually stunning performances that include traditional Native American dance, colorful regalia, and multimedia presentations. Through their artistry, Brulé not only entertains but also educates audiences about Native American history, culture, and spirituality. Their commitment to cultural preservation and artistic innovation has firmly established Brulé as a significant musical and cultural ambassador, proudly representing South Dakota’s Native American heritage on both national and international stages.
6. Bob Stewart
Bob Stewart, a native of Sioux Falls, South Dakota, has made notable contributions to the music industry as a jazz tubist and composer. Born on October 4, 1945, Stewart is recognized for his innovative approach to the tuba, an instrument not commonly associated with jazz. His distinctive style and technical mastery have established him as a respected figure in the world of jazz and beyond.
Stewart’s musical journey includes collaborations with renowned artists such as Gil Evans, Dizzy Gillespie, and McCoy Tyner, showcasing his versatility and adaptability within the jazz genre. He has been a prominent figure in the avant-garde jazz scene, pushing boundaries and exploring new possibilities for the tuba as a lead instrument. His work often incorporates elements of world music, further expanding the sonic palette of his compositions.
In addition to his impressive career as a performer, Bob Stewart has also contributed significantly as an educator, sharing his knowledge and passion for music. His influence extends beyond the stage, as he has been involved in teaching and mentoring emerging musicians, leaving a lasting impact on the next generation of jazz artists.
Bob Stewart’s journey from South Dakota to becoming a trailblazing tubist in the world of jazz underscores the diverse talent that can emerge from unexpected corners of the country, contributing to the richness and evolution of the musical landscape.
7. Myron Floren
Born on November 5, 1919, in Roslyn, South Dakota, Myron Floren became a celebrated accordionist and a prominent member of Lawrence Welk’s musical ensemble. Renowned for his virtuosity and charismatic stage presence, Floren played a pivotal role in popularizing the accordion and polka music, leaving an indelible mark on the entertainment industry.
Joining The Lawrence Welk Show in 1950, Myron Floren quickly became a fan favorite with his exceptional accordion skills and infectious enthusiasm. His performances ranged from lively polkas to sentimental waltzes, showcasing the versatility of the accordion and earning him widespread recognition. Floren’s contributions played a key role in the success of The Lawrence Welk Show, which became one of the longest-running and most beloved musical variety programs in television history.
Beyond his television fame, Floren’s musical influence extended to his collaborations with other artists, studio recordings, and live performances. His dedication to preserving and promoting traditional folk music, particularly through the accordion, earned him a lasting legacy in the world of American popular music.
Myron Floren’s journey from the small town of Roslyn, South Dakota, to becoming a nationally acclaimed accordionist exemplifies the diverse and unexpected paths that individuals from all corners of the country can take in contributing to the cultural fabric of American music.
8. Boyd Raeburn
Boyd Raeburn, born on October 27, 1913, in Faith, South Dakota, was a jazz bandleader, composer, and bass saxophonist who played a significant role in the big band and swing music scenes of the 1940s. Raeburn’s innovative arrangements and willingness to experiment with different styles set him apart in an era dominated by more conventional big band sounds.
Raeburn’s musical journey began with him playing saxophone in various ensembles before he gained attention as a bandleader in the mid-1940s. His orchestra was known for pushing the boundaries of traditional swing, incorporating elements of avant-garde, bebop, and even proto-rock, making it distinctive among its contemporaries. The band featured talented musicians such as Dizzy Gillespie, Oscar Pettiford, and Johnny Bothwell.
While Boyd Raeburn’s orchestra faced commercial challenges, it left an indelible mark on the evolution of jazz. His arrangements were ahead of their time, and his openness to unconventional sounds paved the way for future innovations in the genre. Raeburn’s legacy as an influential figure in the development of modern jazz showcases the dynamic nature of South Dakota’s contribution to the broader landscape of American music.
9. Jess Thomas
Jess Thomas, born on August 4, 1927, in Hot Springs, South Dakota, was a distinguished operatic tenor renowned for his powerful voice, exceptional artistry, and dramatic stage presence. His career spanned several decades, and he became widely celebrated for his performances in leading roles in the world’s major opera houses.
Thomas began his journey in music by studying at South Dakota State University before receiving vocal training at Northwestern University. His breakthrough came in the 1950s when he won the Metropolitan Opera Auditions, propelling him to the forefront of the opera scene. Thomas quickly gained recognition for his roles in the operas of Richard Wagner, particularly for his portrayal of Siegmund in “Die Walküre” and Parsifal in “Parsifal.”
Known for the warmth and strength of his voice, Jess Thomas became a sought-after tenor for Wagnerian roles. His collaborations with renowned conductors and fellow opera stars solidified his place as one of the leading dramatic tenors of his time. Thomas’s career included performances at the Metropolitan Opera in New York, the Royal Opera House in London, and La Scala in Milan.
Beyond his operatic accomplishments, Jess Thomas was appreciated for his interpretations of lieder and oratorio works. His dedication to his craft and his ability to convey the emotional depth of his characters contributed to his enduring legacy in the world of classical music. Jess Thomas’s journey from the Black Hills of South Dakota to international operatic acclaim serves as a testament to the remarkable talent that can emerge from unexpected corners of the world.
10. Buddy Red Bow
Buddy Red Bow, born Verdell Primeaux on February 21, 1949, on the Rosebud Indian Reservation in South Dakota, was a notable Native American singer, songwriter, and activist. Red Bow, a member of the Sicangu Lakota tribe, used his music to address social issues and advocate for the rights and concerns of Native Americans.
Growing up on the reservation, Red Bow faced the challenges that many Indigenous people encountered during a period of cultural shifts and struggles for rights. His music often reflected the hardships faced by Native communities, addressing topics such as discrimination, historical injustices, and the preservation of cultural identity.
Red Bow gained recognition for his soulful and poignant songs, which were deeply rooted in Lakota traditions. His album “Sing a Song of Victory” (1981) received acclaim for its fusion of traditional Native American music with contemporary elements. Through his music, Buddy Red Bow aimed to raise awareness about the rich heritage of Native Americans and the issues they faced, creating a platform for cultural expression and understanding.
Beyond his musical contributions, Red Bow was involved in activism, advocating for Native American rights and participating in efforts to raise awareness about the challenges faced by Indigenous communities. Buddy Red Bow’s legacy endures as a musician and activist who used his art to amplify the voices of Native Americans and contribute to the broader cultural dialogue.
Samuel Moore is a frequent contributor to Singers Room. Since 2005, Singersroom has been the voice of R&B around the world. Connect with us via social media below.
